Friday, 18 May 2012

#FridayFlash - The Vault of Lost Voices


Grimelda Purkiss waddled down Green Urchin Close. She pulled her shawl tighter as if to block out the foul smells of the narrow thoroughfare. She ducked to avoid a damp low-hanging sheet and tutted. Why the women of the Underground City chose to hang out their washing when they had no sun by which to dry it was beyond her.

She turned the tight corner at the bottom of the Close and the object of her errand came into view. A bow window jutted into the alley, grime caked to each of its tiny panes of glass. A hand painted sign above the door read 'The Vault of Lost Voices'. Grimelda smiled.

A bell jangled above the door as she stepped inside. The air smelled cool and clean after the warm squalor of the alleys and closes outside, and ornate lanterns blazed with blue flames either side of the door. Walnut shelves ran the length of the back wall, groaning beneath the weight of assorted bottles and jars.

A black velvet curtain swished to one side, and a tall thin man appeared behind the counter. A mane of white hair clung to his skull, and a pair of pince nez perched on the end of his beak-like nose. He held out a bony hand.

"Farridon Upworth, at your service. How may I be of assistance to you today?"

Grimelda fished around in her bag and withdrew a slate. She found half a stick of chalk in her pocket, and wrote "I require a voice" on the slate. Farridon nodded, his expression suitably grave and serious.

"I understand, madam. Here at the Vault of Lost Voices we pride ourselves on providing the very best vocal capabilities to our customers."

Grimelda raised one eyebrow and wiped her slate clean. She scribbled a new message and held it up for Farridon to read. He frowned.

"Well yes, it is true, we sell voices that have been lost but never claimed, but I assure you, we shall find the right voice for you. Now if you'd like to come closer?"

Farridon gestured to a spot beside the counter. Grimelda stepped forward and gazed at the bottles and jars on display. She could see more shelves stretching away into the darkness beyond the curtain. It seemed many of the City's inhabitants were accustomed to losing their voices.

"Now then. What kind of voice were you looking for?" asked Farridon.

Grimelda wrote on the slate. 'Stately. With gravitas'. Farridon read the message and looked Grimelda up and down. She narrowed her reptilian eyes, convinced she saw mirth in his expression. He turned away and his shoulders hitched as he scanned the bottles on the shelves. She glowered at his back, though sadly he wasn’t the first she’d encountered who couldn’t look beyond her appearance.

"How about this one?" Farridon turned back to her, forcing away the remnants of his grin.

Grimelda took the bottle from him. The voice flickered behind thick red glass. She looked up at Farridon, and he motioned for her to open the bottle. The voice fluttered free when as she removed the cork, settling on her throat.

"What do you think?" asked Farridon.

"I'm not entirely sure this is what I wanted," replied Grimelda, her voice deep and rich. She screwed up her nose – she sounded like Senator Williams.

"It is indeed a stately voice, madam."

"Yes but I'm a woman. This voice is not a woman's voice."

Farridon took back the bottle and flicked the fluttering voice free of Grimelda's throat. He captured it in the bottle and replaced the cork. He returned the bottle to its place on the shelf, and handed Grimelda a tall blue bottle. She pulled out the cork and another voice appeared. It flew in lazy circles above the counter until Farridon forced it in Grimelda’s direction.

“And this one? This is a high quality voice, madam.”

“I don’t think it suits me.” The voice was high alright – too high. Grimelda envisioned one of the shrivelled City Mages, taking a week to make a single pronouncement.

“Very well. Does anything in particular catch your eye?” Farridon removed the voice and put the bottle under the counter. He gestured to the shelves behind him, lips pursed and eyes narrowed.

Grimelda pointed to a curvaceous silver bottle up near the ceiling. The voice inside sparkled in the lantern light. Farridon raised an eyebrow and pointed to the bottle.

“You want to try that one? Really?”

Grimelda nodded. Farridon let out an exasperated sigh and climbed a small ladder to reach the bottle. Grimelda scowled as he tossed it down to her. The glass was smooth and cold to the touch, and the voice made a beeline for her throat when she pulled out the cork.

“Is this voice to madam’s liking?”

“Oh it’s perfect.” The silvery voice of an elf filled the room. Grimelda smiled – it sounded like sunlight on running water, the first snowfall of winter, and a nightingale’s lament rolled into one.

“You wanted stately. With gravitas.” Farridon pouted.

“I’m entitled to change my mind, Mr Upworth. How much will this one be?” Grimelda returned her slate to her bag, and rummaged in its depths for her purse.

“That one is sixteen shillings. You may keep the bottle, too.” Farridon held out an expectant palm.

“A bargain, Mr Upworth.” Grimelda dropped the coins into his hand. She prised free the voice, careful not to damage its gossamer wings, and swallowed it. She giggled, feeling it tickle as it took root.

She crossed the shop and pulled open the door. The alley outside no longer seemed oppressive or noisy. Life itself looked different to Grimelda. She was different. She wasn’t the timid half-troll any more.

Now she was the half-troll with an Elfin voice.

Wednesday, 16 May 2012

Free Kindle Books!

Got a bit of a lovely post today since I'm able to tell you about two anthologies that are available for FREE on the Kindle, both today and tomorrow. The Red Book and The Yin and Yang Book are part of eMergent Publishing's Chinese Whisperings project, and you'll be able to pick them up for the princely sum of nothing. My story, The Strangest Comfort, appears in the latter.

But what makes the Chinese Whisperings anthologies unique? I'll let editor Jodi Cleghorn explain...

"Each anthology is a collection of interwoven short stories by emerging writers handpicked from across the English-speaking world. Unlike other anthologies, Chinese Whisperings is created in a sequential fashion and each story stands on its own merits while contributing to a larger, connected narrative.

The Red Book, the first of the anthologies has each successive writer taking a minor character from the preceding story and telling their story as the major character in the next story. Each writer also references events from the preceding story to tie the ten stories together. The anthology can be re forward, or backward, or begun in any place because of its circular nature.

The Yin and Yang Book takes the concept a step further, with the anthology played across parallel airport universes stemming from a decision to retrieve a stolen painting or to leave without it. It's a sliding doors/spider web hybrid. Readers will see common characters slipping across the two universes, some of them behaving in slightly different ways. The parallel universes are anchored between a common prologue and epilogue."
 
You can pick up The Red Book here, and The Yin and Yang Book here!

Monday, 14 May 2012

Photo Prompt 85

New prompt available!

If you want to use the prompt, all I ask is that you include a link to this entry and a credit to me for the photograph, and that you post a link to your story in the comments box below so I can see what you've come up with! If you don't comment on this entry, then I can't comment on your story.

The 85th prompt is Trafalgar Square.

Trafalgar Square Fountain 02

All photo prompts are my own photography - you can find more of it on Flickr. You can also buy my prints from Deviantart. 20% of all proceeds go to charity - the other 80% go towards my PhD fees!

Friday, 11 May 2012

#FridayFlash - The War

I dreamed of the bombers again last night. Their steady drone filled the air, and orange flames tore open the skies. I woke up with my hands clamped against my ears, fighting to block out the banshee wail of the sirens. I thought I smelled the damp earth of the shelter, and I expected to see my mother bent over me. But my eyes adjusted to the gloom and made out the pink floral wallpaper and old wooden dressing table.

I lay in the darkness, waiting for my breathing to slow. Sirens still screamed in the street, like the perverse nocturnal mating call of the police. Fire tore open the world, but these flames came from the hands of youths, and the glass bottles they wielded.

I switched on the radio, hoping to block out the sounds of violence. Baton on bone, fist on flesh. I burrowed into the strains of Chopin, leaving behind the cacophony of war. Not my war, not back in the good old days when the baddies hid in castles on the continent and we fought over decency and common sense. No, this war is alien to me, fought between citizens on the same side. Or what used to be the same side.

I sniff back a tear. I never thought I would be nostalgic for that old Anderson shelter at the bottom of the garden. I loved the old boy, until he left for France and never came back, but in a way, I'm glad my dad isn't here.

It would kill him all over again to see what's become of the country he died to protect.

Monday, 7 May 2012

Photo Prompt 84

New prompt available!

If you want to use the prompt, all I ask is that you include a link to this entry and a credit to me for the photograph, and that you post a link to your story in the comments box below so I can see what you've come up with! If you don't comment on this entry, then I can't comment on your story.

The 84th prompt is Hitching a Ride.


All photo prompts are my own photography - you can find more of it on Flickr. You can also buy my prints from Deviantart. 20% of all proceeds go to charity - the other 80% go towards my PhD fees!

Sunday, 6 May 2012

Ever decreasing word counts


I was having a discussion on Twitter about the fact that flash fiction seems to be taking precedence over short stories, but additionally, the length of flashes themselves is also reducing, resulting in more drabbles appearing online. The big question seemed to be...why is this?

I think there are two main reasons behind the decreasing word counts of stories. The first is the perceived reduced attention span of readers. There are clearly more demands on a reader's time these days, and shorter stories are welcomed as a result. These demands range from work and home based commitments, as well as the increasing proliferation of stories online. In the days of Jane Austen or Charles Dickens, there were not only fewer authors available, there were also fewer formats for literature, and also fewer things for the leisured upper classes to do. These all combined to provide the opportunity, and the option, to read much longer stories. It's hardly a surprise that many of the books written before even the 1950s can often take longer to get started, since readers were not so inclined towards 'instant gratification' as they are now. Perhaps the demand for 'bitesize' options stems from the desire to consume fiction between activities?

The second perceived reason is that of the reduced attention span of the writers themselves. They too have more demands on their time, and when we're constantly being urged to make as much work available as possible, we can feel harassed into producing more work that is shorter in length in order to satisfy demand. Moreover, word counts are less of an issue in a purely electronic format - a reader won't pay £8 for a 30,000 paperback, but they'll happily pay £2 for a 15,000 collection of short stories. Tied into this is the possibility that we're being slowly conditioned by the format of television or film narratives to except stories to delivered in a faster format.

So what should you do? Common sense would dictate that if the market tends towards shorter stories that you should follow suit, but it's often good business practice to do something to differentiate yourself from your competitors. Therefore, if everyone else is offering shorter work, you offer longer work to satisfy the demands of the niche who still crave longer work. After all, the popularity of George R R Martin's Song of Ice and Fire series, containing truly gargantuan paperbacks, attests to the fact that people will still quite happily plow through a book with a word count well over 100,000.

As I'm odd, I worked out the word counts for my last eight Friday Flashes. They range between 121 words for Silhouette, my most recent offering, to 979 words for The Jar By The Door. Only three of the eight are less than 500 words long, and all of them are longer than 100 words. The average is 555 words per story. I'd conclude from that that I simply write to the length required by the story. Will I always do so, or will I start writing shorter stories?

Only time will tell...

Friday, 4 May 2012

#FridayFlash - Silhouette

Green digits flash in the darkness, proclaiming the hour to be 2am. The bathroom door opens, throwing a rectangle of harsh light across the filthy carpet. Bare feet avoid the sticky patches near the dresser. Serena's shadow looms large on the wall, the sickly glow from the muted TV turning the silhouette into a twisted monster.

She sits on the edge of the bed, pulling her knees up to her chin. The shadow shakes itself free from her bare feet and stretches. Its talons rake across the stains and tears of the carpet. Serena watches the shadow slide across the room and under the motel room door.

It will return before dawn and she will wake with blood on her hands.