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I'm not usually in favour of writers who post statistics, but I tried an experiment recently, and thought I'd blog about my results. I decided to make both The First Tale and Checkmate & Other Stories free for the duration of Smashwords' Read an Ebook Week, and I kept a tally of how well downloads went. After all, I don't get that many downloads via Smashwords, so I wondered if the combination of making the books free and taking advantage of a promotion might boost the numbers.
In total, 27 people downloaded The First Tale, while 27 people downloaded Checkmate & Other Stories - naturally, I have no way of knowing if the same twenty seven people downloaded both titles, as not all of the receipts featured both books. The promotion began on March 3rd and I didn't make them free until March 5th, but I don't think that made a massive amount of difference in the long run. Even within a couple of hours of making them free, I'd had more downloads than I have done in months, so that was a bonus. However, I did notice a flurry of downloads whenever I tweeted the link, although I have no way of knowing if it is a link on Twitter that impels people to download books, or the inclusion of the word 'free'.
But what next?
Hopefully, the people who downloaded the books will enjoy them. Entertaining readers is my prime goal when writing, so I hope they come back to leave reviews to help other readers decide whether or not they want to read them too. However, it's all too easy to ignore a downloaded book if it has been free, since there's no financial impulse to read what has been purchased. There's no guarantee that a download will equal a book read. After all, I made Dead Man's Hand available for free upon release for five days in September 2012 and had 86 free downloads - and gained a single review.
I'm of the school of thought that it's not unreasonable to want to make a living writing - you wouldn't expect to go to a craft fair and pick up a hand-knitted scarf for free, so why should a book be free when time and effort has gone into its production as much as it would a physical object? I hope that the downloads lead to further purchases down the road - after all, if I've entertained you with Checkmate, might I not also entertain you with The Necromancer's Apprentice? Amanda Palmer might blather on that artists shouldn't expect payment as a matter of course, but should rather make their work available for free in the belief that true supporters will donate, but I've had a donate option on my blog for a couple of years now and I am yet to see any donations. I must point out, I'm not asking you to do so now, merely making the point. Amanda Palmer can afford to follow such a route but independent writers at the start of their career just don't have the same fanbase.
Of course, I don't have any other titles on offer at the moment so it could be that whoever downloads the books never comes across anything of mine again, but I suppose I'd rather they were downloaded for free and enjoyed than passed over entirely. I just hope that those who downloaded them enjoy them.
Showing posts with label ebook. Show all posts
Showing posts with label ebook. Show all posts
Sunday, 10 March 2013
Tuesday, 5 March 2013
Read an Ebook Week - Free books!
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It's Read an Ebook Week over on Smashwords, so I've made my two self-published titles FREE between now and March 9. Simply enter the code "RW100" at the checkout to get the titles for free - they normally cost 99c. Remember, this offer finishes on Saturday. You can choose between The First Tale, and Checkmate & Other Stories.
The First Tale
A vaguely steampunk adventure, set in the fictional city of Vertigo. The Resistance is pitted against the shadowy Weimar Corporation that runs the City. Their stalemate is broken by the death of a suspected infiltrator, setting Resistance Commander Liss Hunt and her bewildered companion Philip Wiseman on a journey into the depths of both organisations to discover the truth behind who - or what - is really running the City. Featuring automatons, mad scientists, chases, a gun-toting heroine and even the Living Dead, The First Tale is a short novella that proves people are not always what they seem.
It's had one 5* review on Amazon, where you can still buy it for $1.17 if you want to purchase instead of downloading for free on Smashwords.
Checkmate & Other Stories
This collection features fifteen previously published stories, published across the space of two years, spanning fantasy, horror, sci-fi and speculative fiction. Among other things, Bleed Them Dry puts a new spin on vampires as corporate moguls, talking corpses tell their side in The Dead Do Listen and and a devilish game of chess goes apocalyptically wrong in Checkmate. You can read a sample of The Dead Do Listen as a Friday Flash, here.
It's had two 5* reviews on Amazon, where you can still buy it for $1.17 if you want to purchase instead of downloading for free on Smashwords.
I hope you check them out, and if you do...I hope you enjoy them!
The First Tale
A vaguely steampunk adventure, set in the fictional city of Vertigo. The Resistance is pitted against the shadowy Weimar Corporation that runs the City. Their stalemate is broken by the death of a suspected infiltrator, setting Resistance Commander Liss Hunt and her bewildered companion Philip Wiseman on a journey into the depths of both organisations to discover the truth behind who - or what - is really running the City. Featuring automatons, mad scientists, chases, a gun-toting heroine and even the Living Dead, The First Tale is a short novella that proves people are not always what they seem.
It's had one 5* review on Amazon, where you can still buy it for $1.17 if you want to purchase instead of downloading for free on Smashwords.
Checkmate & Other Stories
This collection features fifteen previously published stories, published across the space of two years, spanning fantasy, horror, sci-fi and speculative fiction. Among other things, Bleed Them Dry puts a new spin on vampires as corporate moguls, talking corpses tell their side in The Dead Do Listen and and a devilish game of chess goes apocalyptically wrong in Checkmate. You can read a sample of The Dead Do Listen as a Friday Flash, here.
It's had two 5* reviews on Amazon, where you can still buy it for $1.17 if you want to purchase instead of downloading for free on Smashwords.
I hope you check them out, and if you do...I hope you enjoy them!
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Thursday, 21 April 2011
E-book Pricing
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There has been much talk about e-book pricing across the Internet, from authors like JA Konrath downright demanding that self-publishing writers stick to the 99c model to readers giving e-books poor reviews based on their price rather than the content. J.C Hutchins even goes so far as to write off the 99c bracket as being the "bargain basement". Now, given I've got two e-books of my own available, not to mention several in the pipeline, I thought I'd chip in my 99c on the subject.
My first e-book was The First Tale, which collected all thirty episodes of my steampunk serial, as well as containing a link to a downloadable PDF of bonus graphic material. As the word count was below 15,000, I priced it at 99c on both Smashwords and Amazon. I'd given the work away for free on a weekly basis on my Vertigo City blog, and although I'd polished it up and added the graphic extras, I felt charging any more would be unfair. I admit, given the amount of time and effort that went into formatting, not to mention producing the graphic extras, I probably should have charged more.
When I released Checkmate & Other Stories, it was initially free on Smashwords. The fifteen stories had all been published online, although I admit to polishing them up before releasing the collection. As I'd already received payment for some of them, it didn't feel right to charge again. However, when I added it to Amazon, I couldn't figure out how to add a free e-book, so I opted to charge just 99c for it (a price I have since instituted on Smashwords too).
These are standalone cases, and I freely admit I don't intend to charge 99c for everything I do. I put a lot of work into writing and editing my books, and I do the formatting and cover design myself - before you throw up your hands in horror, I've got experience of desktop publishing from my day job, and I've also done courses in graphic design. This all takes time, and it doesn't seem unreasonable to expect some form of monetary compensation. After all, I am charged out to clients at an hourly rate in my day job, so why should I work for free when I'm writing? However, there is clearly a difference between print publishing and electronic publishing, and given the means of distribution is cheaper, I can't charge the same for an e-book as I would for a paperback.
A while ago, I thought that charging $2.99 for an e-book was extortion. Then I had a discussion with the scarily talented Carrie Clevenger and when I converted the cost into UK money, I discovered that a $2.99 e-book costs just £1.84 in GBP. That's less than the cost of a small coffee in any of the major coffee chains. If you're a reader, that poses incredible value. If you're a writer, Amazon let you take 70% of that in royalties at $2.99 or more. So you earn $2.09 on a transaction (£1.29 in the UK), and a reader gets a book at a remarkably low price. Realistically, I would be prepared to pay anything up to $11 (around £6.99) for a decent e-book novel.
JA Konrath might harp on that writers should charge 99c in order to sell more books but at that price, I'm only earning 35c per sale, which is a pathetic 21p. Pardon me for being old-fashioned, but that's ridiculous. I need to sell six copies of a 99c e-book to make the same as I would selling it at $2.99. Sure, there is a rationale that the lower price would encourage more people to buy, but Heavens to Betsy, isn't $2.99 a low enough price? It's all very well if you're Konrath, selling hundreds of books a day - but what if you're just getting started?
When I started with the 99c model, I believed people would be more likely to take a punt on a book if it cost less than a dollar, and the minimal price would also encourage them to think that at least it had some value, unlike a free book. Funny thing is, I've actually had a couple of people donate money through my blog because they thought the price was too low - and one reviewer even said it was worth much more than I was charging!
I think the problem is that people don't attach much value to something if it's too cheap, and they become unwilling to pay if it's too expensive. To me, the $2.99-$4.99 bracket is just right - the e-books are still cheaper than paperbacks, and they're also cheaper than everyday luxury consumables. As a result, I now ALWAYS browse a sample before I buy, ensuring that I'm not just clicking 'buy' with merry abandon on 99c books I'll never get around to reading. Now, there are some 99c books that are so amazing it almost feels like you're ripping them off by paying so little (Danny Hogan's Jailbait Justice
being a prime example) but I can't escape the nagging feeling that authors who charge $2.99 or more put in more effort.
I've also begun to see a lot of tweets and blog posts from people saying they buy 99c books but then never get around to reading them (which is fine if you just want the money, but not if you want people to enjoy the story), while others say they won't buy them as they assume quality will be low. So, if there is a section of the book-buying public that would be willing to pay more than 99c, why are we not attaching a realistic value to our work? After all, there is a principle in business that in order to stand out in a crowded marketplace, you should do whatever the competition is not doing in order to differentiate yourself. So if everyone is selling services in a bundle, you sell yours individually, or vice versa. The same applies to e-books - if the world and his wife are selling at 99c, you sell at $2.99. Sure, you might lose sales from the "random clickers" but you might also appeal to others in the same way that they'd rather spend more for a well-made pair of shoes that will last for several years, rather than buying cheap and having them fall apart after two miles.
Now, I'll clarify that this is just what I think. You might agree, you might think I'm crazy. But how do you feel about e-book pricing?
My first e-book was The First Tale, which collected all thirty episodes of my steampunk serial, as well as containing a link to a downloadable PDF of bonus graphic material. As the word count was below 15,000, I priced it at 99c on both Smashwords and Amazon. I'd given the work away for free on a weekly basis on my Vertigo City blog, and although I'd polished it up and added the graphic extras, I felt charging any more would be unfair. I admit, given the amount of time and effort that went into formatting, not to mention producing the graphic extras, I probably should have charged more.
When I released Checkmate & Other Stories, it was initially free on Smashwords. The fifteen stories had all been published online, although I admit to polishing them up before releasing the collection. As I'd already received payment for some of them, it didn't feel right to charge again. However, when I added it to Amazon, I couldn't figure out how to add a free e-book, so I opted to charge just 99c for it (a price I have since instituted on Smashwords too).
These are standalone cases, and I freely admit I don't intend to charge 99c for everything I do. I put a lot of work into writing and editing my books, and I do the formatting and cover design myself - before you throw up your hands in horror, I've got experience of desktop publishing from my day job, and I've also done courses in graphic design. This all takes time, and it doesn't seem unreasonable to expect some form of monetary compensation. After all, I am charged out to clients at an hourly rate in my day job, so why should I work for free when I'm writing? However, there is clearly a difference between print publishing and electronic publishing, and given the means of distribution is cheaper, I can't charge the same for an e-book as I would for a paperback.
A while ago, I thought that charging $2.99 for an e-book was extortion. Then I had a discussion with the scarily talented Carrie Clevenger and when I converted the cost into UK money, I discovered that a $2.99 e-book costs just £1.84 in GBP. That's less than the cost of a small coffee in any of the major coffee chains. If you're a reader, that poses incredible value. If you're a writer, Amazon let you take 70% of that in royalties at $2.99 or more. So you earn $2.09 on a transaction (£1.29 in the UK), and a reader gets a book at a remarkably low price. Realistically, I would be prepared to pay anything up to $11 (around £6.99) for a decent e-book novel.
JA Konrath might harp on that writers should charge 99c in order to sell more books but at that price, I'm only earning 35c per sale, which is a pathetic 21p. Pardon me for being old-fashioned, but that's ridiculous. I need to sell six copies of a 99c e-book to make the same as I would selling it at $2.99. Sure, there is a rationale that the lower price would encourage more people to buy, but Heavens to Betsy, isn't $2.99 a low enough price? It's all very well if you're Konrath, selling hundreds of books a day - but what if you're just getting started?
When I started with the 99c model, I believed people would be more likely to take a punt on a book if it cost less than a dollar, and the minimal price would also encourage them to think that at least it had some value, unlike a free book. Funny thing is, I've actually had a couple of people donate money through my blog because they thought the price was too low - and one reviewer even said it was worth much more than I was charging!
I think the problem is that people don't attach much value to something if it's too cheap, and they become unwilling to pay if it's too expensive. To me, the $2.99-$4.99 bracket is just right - the e-books are still cheaper than paperbacks, and they're also cheaper than everyday luxury consumables. As a result, I now ALWAYS browse a sample before I buy, ensuring that I'm not just clicking 'buy' with merry abandon on 99c books I'll never get around to reading. Now, there are some 99c books that are so amazing it almost feels like you're ripping them off by paying so little (Danny Hogan's Jailbait Justice
I've also begun to see a lot of tweets and blog posts from people saying they buy 99c books but then never get around to reading them (which is fine if you just want the money, but not if you want people to enjoy the story), while others say they won't buy them as they assume quality will be low. So, if there is a section of the book-buying public that would be willing to pay more than 99c, why are we not attaching a realistic value to our work? After all, there is a principle in business that in order to stand out in a crowded marketplace, you should do whatever the competition is not doing in order to differentiate yourself. So if everyone is selling services in a bundle, you sell yours individually, or vice versa. The same applies to e-books - if the world and his wife are selling at 99c, you sell at $2.99. Sure, you might lose sales from the "random clickers" but you might also appeal to others in the same way that they'd rather spend more for a well-made pair of shoes that will last for several years, rather than buying cheap and having them fall apart after two miles.
Now, I'll clarify that this is just what I think. You might agree, you might think I'm crazy. But how do you feel about e-book pricing?
Tuesday, 19 April 2011
[Book Review] Jailbait Justice
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When was the last time you read a book that was so fun that you just couldn't stop reading? Well as they say on their website, Pulp Press are "dedicated to providing entertainment and escapism in the form of dime novels, penny dreadfuls and spicy stories that will be accessible to everybody." As a Pulp Press title, Danny Hogan's Jailbait Justice does not disappoint.
Set in a future where an apocalypse has returned Texas to its Old West roots, Jailbait Justice tells the story of gunfighter Jezebel Misery St. Etienne, who mooches around Austin drinking whiskey and killing the unrighteous. She takes a commission to escort a young woman named Alice to Houston where Alice intends to claim the three thousand gold bits left by her father with a local businessman. Of course, this is a pulp novel, so expect prison breaks, shoot outs and even zombies...
Part road trip, part Western, part horror and part thriller, Jailbait Justice starts out at a cracking pace and doesn't let up. Jezebel is a hard-talking, fast-shooting anti-hero, the whiskey-swigging lovechild of Snake Plisskin and Ripley. Danny Hogan piles misfortune on her, leaving you wondering how she's going to get herself out of one bad situation after another. Alice proves a good foil for her, and the mutual respect they end up discovering is a thing of beauty.
Jailbait Justice is incredibly violent AND incredibly fun, and I zipped through it, always wanting to know what happened next. It's a terrific read, and I hereby award it five blunt pencils out of five!
Set in a future where an apocalypse has returned Texas to its Old West roots, Jailbait Justice tells the story of gunfighter Jezebel Misery St. Etienne, who mooches around Austin drinking whiskey and killing the unrighteous. She takes a commission to escort a young woman named Alice to Houston where Alice intends to claim the three thousand gold bits left by her father with a local businessman. Of course, this is a pulp novel, so expect prison breaks, shoot outs and even zombies...
Part road trip, part Western, part horror and part thriller, Jailbait Justice starts out at a cracking pace and doesn't let up. Jezebel is a hard-talking, fast-shooting anti-hero, the whiskey-swigging lovechild of Snake Plisskin and Ripley. Danny Hogan piles misfortune on her, leaving you wondering how she's going to get herself out of one bad situation after another. Alice proves a good foil for her, and the mutual respect they end up discovering is a thing of beauty.
Jailbait Justice is incredibly violent AND incredibly fun, and I zipped through it, always wanting to know what happened next. It's a terrific read, and I hereby award it five blunt pencils out of five!
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Monday, 7 March 2011
Freebies
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I'm taking part in Read an Ebook Week over on Smashwords so until March 12th, you can get my steampunk novella, The First Tale, for free! That's right - instead of the usual 99c, it now costs nothing. Just add the coupon 'RE100' at the checkout. Smashwords offer all kinds of formats, from EPUB to mobi and PDF.
I'm quite pleased about the timing of this as I have plans for forthcoming Tales from Vertigo City mini serials - so get to know everyone before the new adventures start!
My short story collection, Checkmate & Other Stories, is still free on Smashwords, though if you want to show your support, you can get both The First Tale and Checkmate for 99c for the Kindle from Amazon.
I'm quite pleased about the timing of this as I have plans for forthcoming Tales from Vertigo City mini serials - so get to know everyone before the new adventures start!
My short story collection, Checkmate & Other Stories, is still free on Smashwords, though if you want to show your support, you can get both The First Tale and Checkmate for 99c for the Kindle from Amazon.
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Wednesday, 22 December 2010
Work appearing in a Christmas ebook
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Christmas is a time for giving, so go and donate some of your funds to Metazen, and grab yourself a copy of their Christmas e-book.
The lovely Annie Evett and fabulous Dan Powell have work in there, alongside my good self - so if you haven't read my most recent Friday flash, The Music Man, by now, then you'll just have to go get the e-book...come on, it's for charity!
The lovely Annie Evett and fabulous Dan Powell have work in there, alongside my good self - so if you haven't read my most recent Friday flash, The Music Man, by now, then you'll just have to go get the e-book...come on, it's for charity!
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Sunday, 31 October 2010
My Halloween Gift To You
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It's Halloween, so it seemed as good a time as any to release my second e-book. Checkmate & Other Stories collects together the fifteen stories I had published online between July 2008 and June 2010. They cover a range of styles and genres, from fantasy to horror, but mostly sit in the speculative fiction camp.
Some of them are no longer available online as the sites that published them have either been taken down, or the site archives don't stretch far back enough, but I thought I'd collect them together to save people trawling through my publishing credits to read my published work.
The front cover is my own photographic work, although the short story inside, The Mirror Phase, features an illustration by the very talented Jimmy Misanthrope.
Checkmate & Other Stories is available for FREE from Smashwords, in all the various different formats that you'd expect. Don't forget that The First Tale is also still available, for the princely sum of 99c. Of course, if you really enjoy either work and want to donate something to show your appreciation, you can do so by clicking the button in the sidebar! All proceeds go towards funding my PhD.
Enjoy, and have a wonderful Halloween!
Some of them are no longer available online as the sites that published them have either been taken down, or the site archives don't stretch far back enough, but I thought I'd collect them together to save people trawling through my publishing credits to read my published work.
The front cover is my own photographic work, although the short story inside, The Mirror Phase, features an illustration by the very talented Jimmy Misanthrope.
Checkmate & Other Stories is available for FREE from Smashwords, in all the various different formats that you'd expect. Don't forget that The First Tale is also still available, for the princely sum of 99c. Of course, if you really enjoy either work and want to donate something to show your appreciation, you can do so by clicking the button in the sidebar! All proceeds go towards funding my PhD.
Enjoy, and have a wonderful Halloween!
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Tuesday, 14 September 2010
The Launch of The First Tale ebook
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It's finally here! The First Tale e-book is now available for 99c from Smashwords. Click here to buy! The e-book collects all thirty episodes of the serial that ran over on my Tales from Vertigo City blog, although naturally it's been edited and tweaked to improve the flow, even out the tone and in a couple of places, even add a little extra action.
So now you can read the whole story of the Vertigo City Resistance and the Weimar Corporation in one go, if you so choose! It's available in all the usual Smashwords formats, including MOBI, EPUB and PDF.
As a special bonus, if you buy the e-book, there's a link on the back page to the extras I bundled together, which will hopefully add a little to the experience of Vertigo. I'm talking newspaper clippings, propaganda posters...and of course, another copy of the wonderful cover illustration of Commander Liss Hunt by the exceptionally talented Jimmy Misanthrope.
Of course, if you like it, feel free to leave me a review!
So now you can read the whole story of the Vertigo City Resistance and the Weimar Corporation in one go, if you so choose! It's available in all the usual Smashwords formats, including MOBI, EPUB and PDF.
As a special bonus, if you buy the e-book, there's a link on the back page to the extras I bundled together, which will hopefully add a little to the experience of Vertigo. I'm talking newspaper clippings, propaganda posters...and of course, another copy of the wonderful cover illustration of Commander Liss Hunt by the exceptionally talented Jimmy Misanthrope.
Of course, if you like it, feel free to leave me a review!
Monday, 6 September 2010
Parrots and Piracy
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Friday marked the fourth flash adventure of Captain Scarlight and his telepathic parrot, Methuselah. A couple of people have asked me if I intend to turn their tales into a serial, and in a word, the answer is no.
I already have my serial project in the form of my (occasionally "too-big-for-me") project, Tales from Vertigo City. Each of the nine tales is delivered in serial format, with each instalment appearing on a weekly basis. I try to write it in such a way that each instalment both answers earlier questions, while asking new ones, and I try to write it in a way that readers will come back the following week to find out what happens. A serial follows the 'story arc' format, with regular readers rewarded with references to earlier episodes, while new episodes move the plot along. It would be difficult to drop into the serial at any point and know what was going on, because it's intended to be read from the first episode.
I've never intended to write a Scarlight/Methuselah serial. That's not to say there won't be more adventures - no, there will be. The difference occurs in that I want their adventures to be more self-contained. I'm hoping that you could read any of their stories and still enjoy it, without having to read the others. Obviously, I hope that you enjoy the tale enough to want to read the others, but the idea is still that of the adventure "in isolation". There's not much that anyone needs to know about the pair other than the fact that the Captain likes to "drink and be merry" and Methuselah is telepathic, so in theory, the project should work. To illustrate, think of The X Files. My serial is like their 'story arc' episodes, as Mulder runs around investigating the alien abduction conspiracy theories, and they make little sense without viewing the episodes earlier in the story arc. The Scarlight/Methuselah flashes are more like their 'monster of the week' episodes, such as the one where Mulder and Scully spend Christmas Eve in a haunted house. These episodes can be viewed on their own merit.
However, for those people who have taken a liking to the characters, I can confirm that I am planning an e-book for their adventures! Parrots and Piracy will bundle together the seven flashes I plan to publish on my blog, along with four exclusive adventures. But THIS is where you come in. I'd love it for people to send me writing prompts for these four adventures. Leave your prompt in the comments section and I will choose four at random. Those lucky four contributors will win a signed Scarlight/Methuselah sketch! I'll also send you a free PDF of the e-book, because I'm nice like that.
If you'd like to check out the links to the previous adventures, I've made a page for the pair on my site. Have fun exploring here!
I already have my serial project in the form of my (occasionally "too-big-for-me") project, Tales from Vertigo City. Each of the nine tales is delivered in serial format, with each instalment appearing on a weekly basis. I try to write it in such a way that each instalment both answers earlier questions, while asking new ones, and I try to write it in a way that readers will come back the following week to find out what happens. A serial follows the 'story arc' format, with regular readers rewarded with references to earlier episodes, while new episodes move the plot along. It would be difficult to drop into the serial at any point and know what was going on, because it's intended to be read from the first episode.

However, for those people who have taken a liking to the characters, I can confirm that I am planning an e-book for their adventures! Parrots and Piracy will bundle together the seven flashes I plan to publish on my blog, along with four exclusive adventures. But THIS is where you come in. I'd love it for people to send me writing prompts for these four adventures. Leave your prompt in the comments section and I will choose four at random. Those lucky four contributors will win a signed Scarlight/Methuselah sketch! I'll also send you a free PDF of the e-book, because I'm nice like that.
If you'd like to check out the links to the previous adventures, I've made a page for the pair on my site. Have fun exploring here!
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Wednesday, 1 September 2010
The Impending End of The First Tale part 1
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On Saturday 20th February, 2010, I posted the first instalment of my very first web serial, The First Tale. I had no idea where it was going to go, or that a name I chose entirely off the top of my head was going to give birth to a concept of nine independent serials, linked only by their setting. My fictional Vertigo City will appear in a different incarnation in each tale, with the first version being a strange steampunk mix of Victorian London and a slightly 'fantasy' sprawling mass.
The serial will end on Tuesday, with the publication of the thirtieth instalment, and while I'm quite sad about it, I'm also excited about the prospect of starting The Second Tale, which is more of a noirish, 40s sort of affair about a jaded superhero. Anyway, about twenty instalments into The First Tale, I decided I wanted to collect the instalments together, give them a polish, and release them as an e-book - I wrote a post about it back in July. The original plan was to release a text-only version via Smashwords, and a fancy version including graphic elements via Scribd. This plan has now changed.
You see, Jamie Debree posted a link on Twitter to Lynn Viehl's Paperback Writer blog, and the content of Lynn's post got me thinking. Having read about their shoddy interpretation of their own guidelines, I don't really want to use Scribd now, and many other sites become incredibly confusing if you want to sell a PDF e-book that ISN'T for the Kindle. I was also worried that having two different versions of the same e-book for sale with different retailers might get confusing. So, I have come up with a solution.
Instead of having the choice between a regular e-book and a PDF with graphic bits, I'm now just going to have the one Smashwords version. However, there will be a link within the book to a page on my website, and from there you will be able to download a free PDF of the graphic sections that would have originally been included in the version intended for Scribd! (With me so far?) This includes a newspaper article on the Meat Beast, a society magazine piece on the Living Dead of Vertigo City, a Weimar profile on Liss, a hand-drawn map of the city, and a few other bits and pieces, all packaged up as Caleb's scrapbook. You don't need to see this stuff, but I'm hoping it'll give a greater insight into backstory for The First Tale, and hopefully it'll add a little to your enjoyment of the serial.
Are you all excited yet?!
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Commander Liss Hunt, Vertigo City Resistance |
On Saturday 20th February, 2010, I posted the first instalment of my very first web serial, The First Tale. I had no idea where it was going to go, or that a name I chose entirely off the top of my head was going to give birth to a concept of nine independent serials, linked only by their setting. My fictional Vertigo City will appear in a different incarnation in each tale, with the first version being a strange steampunk mix of Victorian London and a slightly 'fantasy' sprawling mass.
The serial will end on Tuesday, with the publication of the thirtieth instalment, and while I'm quite sad about it, I'm also excited about the prospect of starting The Second Tale, which is more of a noirish, 40s sort of affair about a jaded superhero. Anyway, about twenty instalments into The First Tale, I decided I wanted to collect the instalments together, give them a polish, and release them as an e-book - I wrote a post about it back in July. The original plan was to release a text-only version via Smashwords, and a fancy version including graphic elements via Scribd. This plan has now changed.
You see, Jamie Debree posted a link on Twitter to Lynn Viehl's Paperback Writer blog, and the content of Lynn's post got me thinking. Having read about their shoddy interpretation of their own guidelines, I don't really want to use Scribd now, and many other sites become incredibly confusing if you want to sell a PDF e-book that ISN'T for the Kindle. I was also worried that having two different versions of the same e-book for sale with different retailers might get confusing. So, I have come up with a solution.
Instead of having the choice between a regular e-book and a PDF with graphic bits, I'm now just going to have the one Smashwords version. However, there will be a link within the book to a page on my website, and from there you will be able to download a free PDF of the graphic sections that would have originally been included in the version intended for Scribd! (With me so far?) This includes a newspaper article on the Meat Beast, a society magazine piece on the Living Dead of Vertigo City, a Weimar profile on Liss, a hand-drawn map of the city, and a few other bits and pieces, all packaged up as Caleb's scrapbook. You don't need to see this stuff, but I'm hoping it'll give a greater insight into backstory for The First Tale, and hopefully it'll add a little to your enjoyment of the serial.
Are you all excited yet?!
Labels:
ebook,
smashwords,
tales from vertigo city,
the first tale
Thursday, 15 July 2010
Smashwords vs Scribd
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One of many things that I love about the blogosphere is that it promotes discussion, and information sharing. People with experience and knowledge can pass it on to others, who can then in turn pass it on again.
Some people already know that the first phase of my web serial, Tales from Vertigo City, is almost over. Within a few weeks, The First Tale will be finished - and you'll all know what happens! Well my plan from there, aside moving onto The Second Tale, is to tidy the serial up, and make it available as an e-book. Some people don't have the time to sit in front of their computer to read the serial in dribs and drabs, but I still want them to be able to read it. I know that as e-readers become more popular, I'd like for more people to be able to read, and hopefully enjoy, The First Tale.
This is where the plan becomes a tiny bit more epic, because I'm not exactly known for making things easy on myself. I know that e-books that are available across many formats are text-only affairs, and that's fine. I want to put The First Tale out as a text-only version, so people can read it wherever they happen to be with their e-reader. Inspirational self-published author J. A. Konrath advocates Smashwords for selling e-books for iPad, Sony, Kobo (Borders), and Barnes & Noble, and up-and-coming writer Emma Newman used Smashwords for the release of her collection of short dark fiction, From Dark Places. She talks here about the minefield of pricing.
Thing is, there is a lot of supplementary material I want to include, things which I hope will expand or explain a few points about this particular incarnation of Vertigo City. With a background in graphic design combined with a passion for comic books, I'd like those things to take a more visual format, which precludes their inclusion in an e-book in the traditional sense of the word. Smashwords is therefore useless to my purpose, and as printing hard copies would end up being too expensive, I’ve now been considering Scribd.
As far as I can tell, both services have their advantages and disadvantages, and this is where things get interesting, as my Net friend Benjamin Solah is having the exact same dilemma! He has both a project to be released as a text-only e-book, and a magazine he wants to keep in graphic format. It's all very exciting, and you can check his post on the subject here. It's at this point that we're both going to throw open the floor to anyone who either has experience of services like Smashwords or Scribd, or anyone who has any advice they'd like to share regarding e-books.
Come on, get involved!
Image by AJ Leon.
One of many things that I love about the blogosphere is that it promotes discussion, and information sharing. People with experience and knowledge can pass it on to others, who can then in turn pass it on again.
Some people already know that the first phase of my web serial, Tales from Vertigo City, is almost over. Within a few weeks, The First Tale will be finished - and you'll all know what happens! Well my plan from there, aside moving onto The Second Tale, is to tidy the serial up, and make it available as an e-book. Some people don't have the time to sit in front of their computer to read the serial in dribs and drabs, but I still want them to be able to read it. I know that as e-readers become more popular, I'd like for more people to be able to read, and hopefully enjoy, The First Tale.
This is where the plan becomes a tiny bit more epic, because I'm not exactly known for making things easy on myself. I know that e-books that are available across many formats are text-only affairs, and that's fine. I want to put The First Tale out as a text-only version, so people can read it wherever they happen to be with their e-reader. Inspirational self-published author J. A. Konrath advocates Smashwords for selling e-books for iPad, Sony, Kobo (Borders), and Barnes & Noble, and up-and-coming writer Emma Newman used Smashwords for the release of her collection of short dark fiction, From Dark Places. She talks here about the minefield of pricing.
Thing is, there is a lot of supplementary material I want to include, things which I hope will expand or explain a few points about this particular incarnation of Vertigo City. With a background in graphic design combined with a passion for comic books, I'd like those things to take a more visual format, which precludes their inclusion in an e-book in the traditional sense of the word. Smashwords is therefore useless to my purpose, and as printing hard copies would end up being too expensive, I’ve now been considering Scribd.
As far as I can tell, both services have their advantages and disadvantages, and this is where things get interesting, as my Net friend Benjamin Solah is having the exact same dilemma! He has both a project to be released as a text-only e-book, and a magazine he wants to keep in graphic format. It's all very exciting, and you can check his post on the subject here. It's at this point that we're both going to throw open the floor to anyone who either has experience of services like Smashwords or Scribd, or anyone who has any advice they'd like to share regarding e-books.
Come on, get involved!
Image by AJ Leon.
Labels:
ebook,
ereader,
publishing,
scribd,
self-publishing,
smashwords
Monday, 31 May 2010
Do e-books promote piracy?
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I've been following J A Konrath's blog, A Newbie's Guide to Publishing, for some time now, and it's been interesting to see the modest levels of success that can be attained while operating outside of the traditional publishing paradigm. Konrath repeatedly states that his way might not be suitable to all, but it is certainly quite an encouraging prospect, that even if an agent or editor might not 'click' with your book, it doesn't mean that a wider audience won't either.
The phenomenon of the e-book has dragged literature into the piracy debate. Naysayers argue that if people can download a book, they can also pirate a book. No one will buy e-books because they can rip them for free as torrents. Really? So how do you account for the fact that the publishing industry still exists after all those years of public libraries, secondhand book shops and Amazon Marketplace?
Bearing these arguments in mind, Konrath is giving away an e-Book of his short stories on his blog. You can download it for free from his blog, you can download it for $1.99 for the Kindle or the Nook, or you can download it for free and send him a donation of $1.99. He's going to track the downloads, donations and rankings, and hopefully come up with some kind of evidence to back his argument that piracy doesn't harm sales as much as many believe it will.
The phenomenon of the e-book has dragged literature into the piracy debate. Naysayers argue that if people can download a book, they can also pirate a book. No one will buy e-books because they can rip them for free as torrents. Really? So how do you account for the fact that the publishing industry still exists after all those years of public libraries, secondhand book shops and Amazon Marketplace?
Bearing these arguments in mind, Konrath is giving away an e-Book of his short stories on his blog. You can download it for free from his blog, you can download it for $1.99 for the Kindle or the Nook, or you can download it for free and send him a donation of $1.99. He's going to track the downloads, donations and rankings, and hopefully come up with some kind of evidence to back his argument that piracy doesn't harm sales as much as many believe it will.
Labels:
downloads,
ebook,
publishing,
self publishing