Monday, 19 March 2012

Photo Prompt 77

New prompt available!

If you want to use the prompt, all I ask is that you include a link to this entry and a credit to me for the photograph, and that you post a link to your story in the comments box below so I can see what you've come up with! If you don't comment on this entry, then I can't comment on your story.

The 77th prompt is Covent Garden Sunset.

Covent Garden Sunset

All photo prompts are my own photography - you can find more of it on Flickr. You can also buy my prints from Deviantart. 20% of all proceeds go to charity - the other 80% go towards my PhD fees!

Sunday, 18 March 2012

Am I really a horror writer?

Since the beginning of January, I have posted a Friday Flash for each week of 2012, which is a total of eleven stories. However, of those eleven, only three have been non-horror related (one fantasy comedy, one slice of life, and one historical). The other eight have encompassed zombies, mummies, vampires, Gothic horror, evil puppets and as-yet-unnamed creatures who wear human skins. Is anyone else as surprised by that as me?

Back in the day, I called myself a horror writer. We're talking back when I was about sixteen and didn't know any better. I read Stephen King and Clive Barker, and I wanted to write like that too. Problem was, I didn't really enjoy writing "gore". It just didn't seem to work for me very well. I stuck to my "weird fantasy" stories, writing about games of chess between celestial beings, or jewellery boxes that turned their contents into gold, and eventually put out my Checkmate & Other Stories collection, composed of those stories I'd had published online. Definitely not 'slice of life' or realistic, but not really horror either.

So time went by, and I branched out. I wrote historical stories, and ventured into steampunk, and wound up writing a pulp Western last year. I'm damned proud of The Guns of Retribution, but there's always been a little tug back towards my roots - to the extent that its sequel, To Kill A Dead Man, sees Grey O'Donnell pitted against villains of a more supernatural nature. I hardly think it's a surprise that I'd find myself back within the horror genre, considering I spend my spare time hunting ghosts, and studying haunted house films for my PhD - and that's when I'm not reading about the psychological theories that underpin the horror genre as a whole. My life is pretty well steeped in Bizarro at the moment.

Or is it something deeper? I like to think my "craft" has improved since those first stories were published back in 2008, and I'm in a better place to write horror stories that get under the skin. Perhaps spending so long writing weekly flashes, and working on longer stories or novels, has honed my idea-generating skills to the point that I feel I'm better able to work with horror. Maybe my experiences with strange events, and my research into them, has given me better insights into what ideas will work, and what won't. Or maybe the stressful nature of my life at the moment means that the stress has to come out somewhere - and it's choosing to birth weird ideas from my imagination.

Either way, I want to ask a question. My work seems to fall into two major categories, and then a whole bunch of little ones beyond that. So what would people rather see from me - horror stories, or my historical tales?

Friday, 16 March 2012

Friday Flash - The Jar by the Door

The old stairs creaked with every step. Joseph grimaced, unable to decide what made more noise; the staircase, or his joints. He cursed the building between each laboured breath. Six floors of crumbling apartments above his own dingy quarters – and six floors of irritating tenants. Especially 5A.

Joseph paused for breath on the landing below the top floor – home to 6B. The current inhabitant took one look at the place seven months ago, and declared it perfect for her needs. Her long legs and narrow waist told Joseph she’d be perfect for his needs, but he was old enough to be her grandfather.

He hoped he might catch the leggy blonde stepping out of the shower, and propelled himself up the last flight of stairs. He reached her door, and rapped his gnarled knuckles against the flaking wood.

“Miss? Are you in? It’s just me, Joseph,” he called.

No reply. How typical. He glared down at the floor in the vague direction of 5A. The crotchety old bag complained about everyone in the building, but she complained about 6B more than anyone else. Suspicious noises, foul smells, dubious company – 5A filed a new complaint every day about the same things. Joseph knew he should have ignored her, but he wanted an excuse to ogle 6B’s cleavage.

Joseph raised his hand to knock again when the first whiff caught in his nostrils. He screwed up his face and bunched his fist up to his nose. Perhaps a rat had died inside the wall cavity. Or maybe he’d stepped in something. Against his better judgement, he sniffed again, and retched. The stench of rotting meat and rising damp came from beyond the door.

Joseph stuffed a tissue around his nose and fished his jangling bunch of keys out of his pocket. He fumbled with the correct one, eventually getting the ancient metal bone into the lock. The keyhole protested for a moment, as if aware that it was not 6B entering the apartment, but the door gave. Joseph gave it a hard shove, and stepped inside.

Newspapers covered the windows, with narrow shafts of light penetrating the occasional gap. The sunshine fell across bare floorboards covered in old clothing. Joseph glared at the mess, but realised the smell came from the bathroom. He felt his way through the apartment, stumbling over assorted junk and rubbish. He peered into the gloom and realised that 6B had very little furniture – in fact, there was nothing of her own, simply the battered basics he’d provided.

Something dark and sticky covered the floorboards in front of the bathroom door. Joseph gagged, and forced himself not to vomit. He pushed the door open with his elbow, desperate not to touch anything in this flea pit with his bare hands.

Mental note, I’ll serve her a termination in the morning. Just hope she tidies up before she goes, he thought.

Joseph froze in the doorway, jaw slack and eyes bulging. A sticky, red mess occupied the bath tub, all sinews and awkward angles. Crimson handprints stained the wash basin. Three suits hung from coat hangers dangling from the shower rail. More bile rushed up Joseph’s throat when he realised they weren’t suits – they were skins.

He stumbled backwards, willing himself to look away from the skins hung out to dry. He glanced in the mirror and saw rows of jars lined up on the shelves behind the bathroom door. A multitude of eyeless faces stared back from inside the jars, floating in dark green liquid.

Joseph wanted to scream, but a pain in his chest swallowed the sound. He dropped to the floor, his knees popping under the strain. One hand clutched at his shirt, twisted into a claw as if he sought to tear open his chest and free his burning heart.

Joseph slumped across the filthy floorboards. When his ribs stopped heaving, he looked for all the world like another pile of old rags.

* * *

The short man clambered up the stairs to 6B. He stared at the open door, and sniffed the air. Someone had been here. Not a stranger – no, the funny landlord. The landlord who stared and sprayed the air with pheromones. The short man screwed his eyes up as if to banish the mental image.

He crept into the apartment and sniffed again. No, no signs of life here. Recently, yes, but not now. He closed the door behind him and looked around. Across the room and down the hall, the bathroom door stood open. The short man made his way through the apartment, ignoring the darkness.

He found the landlord prone on the floor, one hand at his chest. The short man smirked, thinking of the man’s lust. Heartache after all, he thought.

The short man reached his fingers around the back of his neck and pried the skin away from a glistening spinal column. The skin peeled away easily, and the creature stepped out of the suit. It unfurled its long limbs and stretched, glad to be free of the short man’s prison. It crossed the corridor to the bedroom and hung the suit in the wardrobe, beside the tall attractive woman’s skin. Oh yes, the landlord liked that skin.

The creature returned to the corridor, and nudged the landlord with one claw. Satisfied he was dead, it gently peeled away its human face, and skittered into the bathroom. It deposited the face in the empty jar by the door, and took up the skinning knife from the cabinet.

The creature stood in the doorway, and looked down at the landlord. Yes, this was very good. The other tenants would let it in now, dressed as their landlord. The tenant in 5A would make a lovely new suit.

Light flashed on the creature’s blade. It swayed with joy, humming the opening bars to Eleanor Rigby as it worked.

Monday, 12 March 2012

Photo Prompt 76

New prompt available!

If you want to use the prompt, all I ask is that you include a link to this entry and a credit to me for the photograph, and that you post a link to your story in the comments box below so I can see what you've come up with! If you don't comment on this entry, then I can't comment on your story.

The 76th prompt is Mandrake.

Mandrake

All photo prompts are my own photography - you can find more of it on Flickr. You can also buy my prints from Deviantart. 20% of all proceeds go to charity - the other 80% go towards my PhD fees!

Friday, 9 March 2012

Friday Flash - Finders Keepers

The sun's sliding down the sky towards the horizon and the dying husk of the city lies quiet around me. Only the sound of my horse's hooves on the grass of Victory Park breaks the silence. I'm not worried about the noise. They only come out if they hear humans, and they don't stir much during the day.

A shotgun bounces against my back. I don't like to use it because the noise attracts unwanted attention, but it's better safe than sorry. My bespoke holsters on my thighs hold my claw hammer and machete - much better weapons. Silent yet deadly.

I haven't seen another human all afternoon. Cats and dogs wander around, foraging for food. Sometimes we take the animals back into the fortress. Cats keep the rats away from our supplies, and we train the dogs to help out, but they're safe enough outside. The things only want human flesh.

The shadows lengthen across the grass. Dusk is coming, bringing the end of my patrol. I guide my horse around the pond at the far end of the park. Napoleon slows to a trot as we pass the flowerbeds. The flowers are flattened, the colours mashed into one another like someone emptied a paint box. Someone has been here.

Napoleon whinnies and taps on the ground with his hoof. Three taps – the signal that one of the things is near.

Sure enough, twigs snap and the bushes rustle. A man, or at least what used to be a man, lurches out of the undergrowth. Blood foams around his mouth, and his eyes ooze thick white pus. Bite marks run down his forearms. I've seen it before. If they get hungry enough, they sometimes try to eat themselves.

It heads straight for me. I whip the claw hammer from my holster and swing it down in an arc. The claw meets his temple with a sickening crack. I rip the hammer upwards, tearing open his skull. I don't want him going down with my weapon embedded in his brain. That would mean getting off Napoleon, and I have no intention of setting foot on solid ground until I get back to the fortress.

The thing collapses backwards, blood and brains spattering the footpath beneath him. A noxious smell fills the air and I try not to stare at the hole in his head. I pull out a small towel and wipe the hammer before putting it back in the holster. Napoleon whinnies in relief as we head home.

We took over the prison on the edge of town. The prisoners escaped when the plague first took hold, and we moved in shortly after. The Keepers came first, those survivors who stockpiled supplies in strong rooms and taught themselves how to farm, and rear animals. Then came the Finders, the people trained in martial arts, the ones who brave the Outside. Sad thing is, we're rapidly running out of survivors to find.

The prison looms ahead of me. The guards on the gate let me past the outer checkpoint. They check my arms and legs for bites, before letting me inside the fortress.

Keepers are hard at work harvesting potatoes in the prison allotment, while Finders practice their drills in the exercise yard. Finder Scott pauses, his leg in mid kick, frozen an inch before the punch bag. We exchange waves, and he mimes for me to give him a report later. I climb down from Napoleon, and a Keeper runs over to lead him to the stables. I pause to pet the fortress cat who just deposited a mangled rat at my feet.

"Finder Ganz, how was your patrol?" asks Gentleman Rhodes. The gentlemen and women run the fortress. They're the closest thing we have to government.

"Quiet. No survivors, but killed three Things."

"Good work. You may have the evening off from practicing drill."

"May I pay a visit to Professor Bream?" I ask.

Gentleman Rhodes' face softens, and he nods. I salute, and he walks way, heading to the allotment. I turn and walk into the main building. Professor Bream's laboratory is down in the basement, in the maximum security wing. We have doctors here, but no one like our pet geneticist.

Keeper Madison sits in the corner of the lab, practicing the violin. She's good. The concerto lends our fortress an air of class. No world that could produce music like that could truly end.

Professor Bream sits tapping on his laptop. We got a generator going for the electricity. One of the Keepers converted the generator to run on horse manure instead of diesel.

"Ah! Finder Ganz. How was your patrol?" asks Professor Bream.

"Fine. Is it ok to see the specimen?" I ask.

"Indeed, indeed. Go right ahead," he replied.

Professor Bream goes back to his work while Keeper Madison launches into a frenzied fiddle piece. I leave the main lab and go into the cells. Three of them hold Things in various stages of decomposition. Bream's gene therapy mustn't be up to scratch yet.

I stand before the fourth. Another of the Things sits inside. The face may be a bloodied pulp, but the eyes are despondent as it stares at the floor. A mangled chicken carcass lies discarded on the floor. It looks at me. Most Things would rush at the plexiglass, battering their heads in their attempt to reach a human. Not this one. It holds my gaze, and looks away. Tears prick my eyes as I put my hand on the toughened glass.

"We will find a cure, Daddy," I whisper.

Thursday, 8 March 2012

International Women's Day

It seems only fitting that today should be the day that my paperback copy of Short Stack dropped through the door! Today is International Women's Day, and Short Stack features ten pulp stories by lady writers, including yours truly. I blogged about it here, but it's always nice to show off your work! It's currently available for Kindle, but the paperback will be out soon.

In honour of the day though, I want to just give some appreciation to all of the lady writers I know, talk to and admire; all the working mothers just trying to get through the day; all the women struggling to love themselves in the face of the continual media onslaught; all of my female friends who make a point of being themselves; and all of the women who've fought through the ages to give us the opportunities we have today.

Monday, 5 March 2012

Photo Prompt 75

New prompt available!

If you want to use the prompt, all I ask is that you include a link to this entry and a credit to me for the photograph, and that you post a link to your story in the comments box below so I can see what you've come up with! If you don't comment on this entry, then I can't comment on your story.

The 75th prompt is Face in the Fountain.

Face in the Fountain

All photo prompts are my own photography - you can find more of it on Flickr. You can also buy my prints from Deviantart. 20% of all proceeds go to charity - the other 80% go towards my PhD fees!