Showing posts with label dead man's hand. Show all posts
Showing posts with label dead man's hand. Show all posts

Wednesday, 19 September 2012

How the West was won


A funny thing happened on Saturday. A lot of my Twitter followers and Facebook friends started enthusing about the Western, purely because that week's Doctor Who episode had a Western theme. It's amazing, considering how many people said they weren't interested in The Guns of Retribution because they "don't like Westerns".

The Western is a genre unique to America but it's not a genre that appeals solely to Americans. I talked about this in one of my guest posts last week, but I think that the Western as a genre is not as staid or outdated as some people seem to think. The True Grit remake is more recent than the John Wayne films people seem to have in mind when they think of the Western, and look at the success of Deadwood or Hell on Wheels on TV.

Within literature, the Western has never truly gone away, but there are definitely writers working towards making it a viable and popular genre once again. There is still a market for the more 'classic' Western tale, as the success of Edward A. Grainger's Cash Laramie story collections proves. I've reviewed volume I and volume II on my blog and I absolutely love his US marshal, Laramie. Raised by Native Americans, and partnered by the black (and totally fantasic) Gideon Miles, the stories look at issues around race, while continuing to deliver adventure and action. Grainger has also taken the unusual step of allowing other writers to tell stories using his creations - Heath Lowrance wrote the fantastic Miles to Little Ridge, while Wayne D. Dundee wrote Manhunter's Mountain. I think it's this almost collaborative approach that stands testament to how supportive the Western community is.

Short stories certainly seem to be the way to go, and Matt Pizzolato's collection, The Wanted Man, offers eight stories for just 99c. It's available both for the Kindle and the Nook, as well as in paperback for $5.99. Four of the stories feature his antihero, Wesley Quaid, who now stars in his own forthcoming novella, Outlaw. But Pizzolato doesn't just write fiction - he also edits The Western Online, dedicated to all things Western.

Thing is, I'm a firm believer than the Western is a genre that plays very well with other genres. If you like your historical romances, then Beth Trissel should be your go-to gal. Cowboys & Aliens proved that sci-fi works with the Western, and Back to the Future III did much the same. There's even a sub genre, named the 'weird Western', and Heath Lowrance has two stories available that mix horror with the Western. Starring his hero, Hawthorne, they're a good blend of generic elements and should appeal to fans of either genre. That Damned Coyote Hill was a spooky read, and The Long Black Train is the other Hawthorne title. Hopefully fans of the weird Western will appreciate my sequel to The Guns of Retribution, in which Grey O'Donnell fights a foe far stranger than a crooked sheriff. To Kill A Dead Man is on my 'to finish writing' list. In the meantime, you can always read my three-part Dead Man's Hand, which is available for the Kindle.

I just hope that people will give the Western a chance - it's a strong, vital and enjoyable genre, a heady mix of historical fiction and the action/adventure stories we enjoyed as kids. I'm not even saying that just to get you to read my book - I'm saying it on behalf of all of us.

Monday, 17 September 2012

The Guns of Retribution - week two


We're into week two of my two-week celebration of The Guns of Retribution, all in aid of its first birthday, and I thought I'd post a quick recap of what I've posted, and where, so far.

On 10 September, I popped over to Psycho Noir to discuss the pulp genre, and how it relates to The Guns of Retribution. Pulp is a fascinating, and often maligned, type of fiction, and I'm hoping that more people will take a chance on stories that just want to entertain. After all, getting people reading and escaping their mundane existence is what got me writing in the first place.

On 12 September, I stopped by Carrie Clevenger's blog to discuss the challenge of writing a Western. Obviously the Western has the same sorts of research issues that any form of historical fiction involves, but the Western comes equipped with far bigger problems pertaining to mythos and cultural heritage, and I tried to talk about them in a fairly eloquent manner!

On 13 September, I stopped by at Matt Pizzolato's blog to discuss the appeal of the Western, particularly to those outside of the US (such as yours truly). Hopefully it'll answer a question I'm often asked - i.e. why did I write a Western in the first place?

Today, I'm over at Nerine Dorman's blog to talk about the evolution of characters - specifically Grey O'Donnell. Did you know he started out life as an outlaw?

In case you've missed things here at the Blunt Pencil, I interviewed UK-based country singer Tony Bengtsson on Wednesday, and posted a Grey O'Donnell themed Friday Flash, named The Bounty, which tells the story of how Grey got into bounty hunting in the first place.

My three-part collection, Dead Man's Hand, has come to the end of its free run on Amazon - you can still pick it up for $1.23 or 77p, or you can download it FREE as a mobi, epub or PDF file from my website until Monday 24 September.

Enjoy!

Friday, 14 September 2012

#FridayFlash - The Bounty


As part of my two week celebration of The Guns of Retribution, I decided to dedicate the two Friday flashes that fell within that period to my bounty hunter, Grey O'Donnell. A lot of people asked how Grey got into the bounty hunting business, so here's that story. Enjoy...

My momma always told me that sometimes you just have to treat yourself to a little slice of luxury. I told myself that as I sat on the veranda of the general store, where a travelling barber lathered up my neck. I was never too keen on people being near my throat with a straight razor, but I can't say I was too fond of growing a beard, either.

Mahko lurked in the shadows inside the store, peering out of the window to see what the barber was doing. Most folk in those parts didn't take too kindly to having an Apache around, even if he was only fourteen, but the owner of the store let him earn a few cents by catching rats. I'd earned a few dollars helping to break in horses – it wasn't much but damn, what else could we do? All I knew was riding and shooting.

A commotion kicked off in the street and the barber stepped away to see what was happening. I sat up in the chair and looked past him. People were coming out of the businesses of Main Street to see a guy riding into town on an Indian pony. They gasped and pointed but what else was he gonna ride? Guy was clearly an Arapaho, and no one knew ponies like the Natives.

"Somebody! Help me!" He was shouting and hollering over the excited chatter of the townsfolk. He pointed to a bundle draped across his knees. An arm swung loose – dry red rivers ran along the tanned skin.

"Well would you look at that?" The barber turned to me and gestured over his shoulder. The Arapaho drew level with the general store, and I stood up behind the barber. He wiggled a way a little – I guess some men get threatened by six feet and two inches of armed stranger.

"Help me!" The Arapaho got agitated, and started wailing in his saddle. The wooden box opposite the general store was the sheriff's office, and it wasn't long before Sheriff Oates came out. He was a tall fella, and skinny, with a raggy grey moustache and skin that looked like candle wax. He leaned against the doorframe of his office and stared down at the Arapaho.

“What’s all this yellin’ for?”

“My daughter…she has been murdered!”

The Arapaho threw back the patchy blanket covering the body over his knees. A deep gash to the throat explained all of the bloodstains. Her unseeing eyes stared at me, her head upside down against her papa’s thigh.

“Why you tellin’ me ‘bout it? You got law up on that reservation, ain’t yer?” Sheriff Oates spread his hands wide and looked at the assembled townsfolk. They nodded and chattered amongst themselves. Reminded me of the folk in Retribution – didn’t want Natives messing up their town. Damn idiots.

“It was not a reservation killing. It was a gang from this town.”

The Arapaho glared at Sheriff Oates. Couldn’t help glaring along with him. I didn’t need to turn around to know Mahko was glaring too. He wasn’t a fan of the Arapaho but he sure as hell didn’t like reservations.

“Which gang?”

“The Stanton boys. They took my daughter while she gathered wood.”

That set the crowd murmuring again, only the excitement sounded more like worry. Sheriff Oates frowned and I guessed he was worried too. Those Stanton boys probably did that kind of thing all too often.

“Ain’t my problem, friend.”

“It is your problem, and if you will not help, then you are not my friend. These men are from your town. They must be punished.” The Arapaho punctuated every sentence with a jab of his finger.

“I’m real sorry but you won’t find any justice here.”

Sheriff Oates turned and walked back into his office. The Arapaho looked around at the crowd. He held out his hands, like he was begging them for help. I guess in a way he was.

“Won’t someone help me?”

“Go back to your rez, and leave us white folks in peace.”

I growled and the barber moved further down the veranda. Mahko climbed out of the open window and stood behind me, peering around my arm. I could feel anger coming off him like heat from a white hot coal. My own anger sent my hand to my gun. Murder is murder, no matter what colour you are.

“Won’t anyone help me? I will pay!”

That swung it. Hell, I’d have done it for free if I could, but this guy needed justice, and Mahko and me needed to eat.

“I’ll help. How many of these Stanton boys are there?” I moved right up to the rail so the townsfolk could see me, and shouted down to the Arapaho. He broke into a wide grin, relief burning in his eyes. The other folk just stared.

“Three. I cannot leave my family for long to fetch them myself,” he replied.

"You go on home and leave this with me. Hey, Oates!”

I bawled across the street. The sheriff reappeared in the doorway and I just knew the bastard had been listening.

“This ain’t your concern,” he said, his eyes flicking between Mahko and my Colt. If he guessed which of them was most deadly, I figured he'd guess wrong.

“Seeing as how you’re too scared to go get these boys, if I bring them into town, will you do what’s right?”

“I ain’t scared –”

“Will you do your job if I do mine?”

The sheriff worked his mouth open and shut like he wanted to say something, but just didn’t have the guts. Eventually he lost all his bluster and nodded. I looked down at the Arapaho and smiled.

“Looks like you got yourself a deal.”

He nodded to me, wheeled his horse around, and rode back along the main street, scattering townsfolk as he went. I turned to Mahko, and he grinned.

“Well, Mahko. Looks like we’re goin’ into the bounty huntin’ business!”

* * *

If you enjoyed that, you can buy The Guns of Retribution for the Kindle US or Kindle UK. My three-part Old West story, Dead Man's Hand, is also FREE until Saturday, and features the first chapter of Guns as a sample.

Monday, 10 September 2012

The Guns of Retribution turns one!

It's truly hard to believe that it's been a whole year since my first published book, The Guns of Retribution, appeared for the Kindle. Published by Pulp Press, my pulp adventure set in the Old West tells the story of bounty hunter Grey O'Donnell, caught up in a blast from his past as he tries to bring a murderer to justice. I've had good reviews, and I wanted to take this opportunity to really celebrate its first anniversary - after all, it's not every day that you can celebrate a whole year of your first book.

I've lined up a series of guest posts at various blogs, starting with my post about The Guns of Retribution as primarily a pulp story over at the exceptionally talented Heath Lowrance's blog, Psycho Noir. Heath has been very supportive of Guns over the past year, and I've really appreciated his support. I even reviewed his own Western, Miles to Little Ridge, which you can read about here. I'll also be looking at my favourite aspects of the Old West over the next fortnight.

But wait! There's more!

I also edited my Dead Man's Hand trilogy which appeared on my blog as three successive Friday flashes, and I've put them into one collection, along with the first chapter of The Guns of Retribution as a sample to whet your appetite. The events of Part I of Dead Man's Hand kick off the events of The Guns of Retribution so it's a nice snippet of back story! You can currently download it in MOBI, EPUB or PDF format from my website.

If you decide you want to read more of The Guns of Retribution, you can buy the Kindle version here. I have a limited number of paperbacks, so email me at icy [at] icysedgwick [dot] come if you want to buy a signed copy!

Tuesday, 30 August 2011

Forthcoming goodies and a new mailing list!

Good evening chaps and chapesses,

Is everyone still in one piece after Irene? I sincerely hope so, so if you were in an affected area, feel free to leave me a comment and let me know you're ok. If you weren't in an affected area then I'm sure you'll agree with me in sending lots of good thoughts to those caught up in it.

This is a brief blog post to say "I'm back!" now that I'm back at home. Much writing and PhD research can now ensue, but more importantly...it's not long until you can get your paws on my first book, The Guns of Retribution. The paperback comes out on 24 September (I'll let you know the Kindle date when I get it). I'll be organising a launch in Newcastle upon Tyne nearer the time, and I'll be popping up on various blogs too. I'll also be posting a series of articles about the perils and joys of writing historical and genre fiction so I'm trying to make the "campaign" useful and interesting as well as promotional.

In the spirit of whetting your appetite, I'm also going to be releasing a free download! Dead Man's Hand will collect the Friday Flash trilogy I posted earlier in the year, now edited and expanded, and it will include the whole first chapter of The Guns of Retribution as a little taster for you. Once I get it uploaded, Dead Man's Hand will be available from Smashwords and Amazon for absolutely nothing!

Last but not least, I'm in the process of setting up my very first newsletter, and a mailing list sign up form is now available! If you'd like to receive links to my stories and articles, as well as links to all the cool and eccentric things I find online, and even some exclusive fiction, then drop me your email using this form. I promise your details will be safe, and I won't bug you too often!

So until next time...take care of yourselves, and each other.

Friday, 4 March 2011

Friday Flash - Dead Man's Hand III

The gunslinger woke with a start. He whipped out his pistols, pointing in all directions. His vision cleared and he realised he was alone. He gazed around the saloon. A shaft of moonlight fell across the floor beneath the swing doors. Empty glasses sat like islands in the sea of dust covering the tables.

The gunslinger hauled himself out of his chair and crossed the room. His boots knocked hollow against the wooden floorboards. He pushed open the doors, and the creak screeched in the eerie silence of the street.

The gunslinger walked out onto the verandah. He expected to see the soiled doves displaying their wares for drunken cowboys, or gamblers stumbling from one saloon to the next. At least one brawl should have spilled out into the street. The gunslinger saw and heard no one. Not even the howl of a plains coyote drifted on the night air.

The gunslinger walked down the street. He looked at the empty buildings, peering through windows and poking his head around doors. He wanted to call out but he realised he didn’t know where he was. He didn’t know any names to call. A breeze gusted down the street, and cards skittered around his feet. He bent to pick them up. Two aces, two eights and a Queen. The memory of a gun shot crashed in his ears as he looked at the bloodstained cards.

I must be dreamin’, he thought.

He reached the railroad. A black horse stood alone in the middle of the square in front of the shack that served as a station. It whinnied when it saw him, and nodded its head. The gunslinger walked over to the horse, marvelling at the sheen on its midnight coat. He ran his fingers through its dark mane, the silver streaks sparkling like starlight in his hands.

“Who do you belong to, big fella?” asked the gunslinger.

The horse turned his head and nodded at the fine leather saddle on its back. The gunslinger shrugged, put his foot in the stirrup, and boosted himself up. He swung his leg over the horse’s back and settled into the saddle. The stallion whinnied again, and set off at a trot. They set off over the railroad tracks. The gunslinger spotted a wooden sign beside the rails. Hand painted letters spelled out the name ‘Sticks’.

At least I know where I’m leavin’, he thought.

He tried to guide the horse but the stallion stayed true. The gunslinger gave up hauling at the reins and sat back in the saddle, watching the moonlit plain go by. The horse broke into a gallop, and ran towards the hills that rose from the plain like sleeping levianthans.

The gunslinger held tight to the reins as the horse careered down a path into a narrow valley. Skeletal trees clung to the sheer rock walls on either side, and the stallion’s hooves kicked up a fine spray of pebbles and sand.

The horse came to an abrupt halt as the valley widened into a small quarry. A young woman sat bareback on a pearl grey horse. Her black lips broke into a grin, and she waved as the black stallion brought the gunslinger nearer.

“You’ve made it!” she exclaimed. Her voice buzzed with a millennia of rot.

“Who are you? Where am I?” asked the gunslinger.

“Well you’re Wild Bill Hickok, and you’ve just come through the valley,” replied the young woman. Stars glittered in the depths of her midnight eyes.

“Care to explain that to me, little miss?”

“Why don’t you ride with me?”

The young woman rode down the trail away from Wild Bill. The black horse trotted after, flicking his tail. Wild Bill stared at the young woman when the horses drew level. The horses whinnied a greeting to one another.

“See, you have to understand that you’re dead,” she said.

Wild Bill stared at her in disbelief, unsure he had heard her correctly.

“I know, I know, it’s a lot to take in at once. But you’re dead. You’ve been dead for quite some time but that hasn’t stopped you wandering about through time, has it?”

“The cards...”

“Yes. Those blasted cards. You’ve been disrupting the timeline, shooting anyone that got the Dead Man’s Hand - or at least ensuring they got shot themselves. I’ve been trying to catch up with you for a while now.”

“So you’re....” Wild Bill’s blue eyes widened.

“Death. Yes. And you’ve been rather upsetting my system.”

The trail led into a lush meadow. Moths flickered above the emerald grass, their wings reflecting the light of the stars overhead. The sound of running water and laughter filled the air. Shades of people long gone drifted to and fro, pausing to converse with each other, the echoes of their voices reaching through the ages. Wild Bill recognised some of them as people he’d shot.

“I like you, really, I do. You’re one of the Universe’s true characters, Mr Hickok. But it’s time for you to find some peace now,” said Death.

“I guess I am kinda tired,” said Wild Bill. He stroked his moustache as he gazed across the meadow. His body convulsed in a deep yawn.

“You rest now. Leave the death side of things to me.”

“Alright, miss. I guess you know best and all.”

Death leaned over, and kissed him on the cheek. Wild Bill’s eyes closed for the final time.

* * *
This is the final installment of a loose trilogy based around the Dead Man's Hand, the hand of cards allegedly held by infamous gunfighter Wild Bill Hickok when he was shot in the back while playing poker in a Deadwood saloon on August 2, 1876.

Part I : Part II

Friday, 25 February 2011

Friday Flash - Dead Man's Hand II

Parker sat at the computer, watching the cards flick up on the screen. A pair of nines, a pair of threes, and a seven. Not bad. Good job he ditched the five and the Jack. Still, RickyBoy364 had four eights and a two, so he won the hand.

"LOLZ P-Diddy47. Do u want me 2 take all yr $$?" The writing appeared in the chat box at the bottom of the game screen. Parker grimaced. RickyBoy364 always taunted him when Parker lost a hand.

Parker checked his account. He still had $80 left of his original stake. He pressed the button to chip in for the next hand. His cards flipped up. An ace, a four, an eight, a ten, and a Queen. Not brilliant. More writing appeared in the chat box. Jasmine277 asked if anyone had time to give her relationship advice between hands. Newbie23 complained about his bad luck with poker. Parker scowled at the poor bluff.

"Parker? Are you home?"

His mother's voice drifted through his open bedroom door.

"Yeah, Mom," called Parker.

He clicked on the ace, eight and Queen to hold them. Parker didn't really have much hope, and clicking at random seemed to work as well as having a clear strategy.

"Could you help me unload the car?" called Parker's mother.

Parker sighed. He typed 'afk' in the chat box and pressed 'deal' before getting up to leave his room. The new cards flicked into place as he headed down the stairs.

His mother stood outside on the front path. Bulging bags of groceries leaned against her legs. Parker hefted two of them onto his hips and headed inside.

"I didn't interrupt anything important, did I?" asked his mother as she followed him to the kitchen.

"No, Mom. Just chatting to some dudes online," replied Parker.

"You weren't playing that game again, were you?"

"No, Mom." Parker hoped his ears didn't colour and give him away.

"Good. You know those blasted cards were the death of your great-great uncle."

Parker made several return trips to clear the path of bags. He left his mother unpacking the goods in the kitchen. He dreaded to think what abuse RickyBoy364 might have left in his absence from the game.

Parker walked into his bedroom. He yelped when he saw the figure sitting in his chair. A Stetson sat on his head, and blond hair curled down his back. The figure swung the chair around to face Parker. The man's piercing blue eyes fixed on Parker, his lip twitching beneath a bushy blond moustache. The man pointed an antique Colt at Parker's gut.

"Who the hell are you?" shouted Parker.

"You got the Dead Man's Hand, son," replied the man. He faded and flickered as he spoke, as if Parker was watching him on an old TV set.

Parker looked over the man's shoulder. Two aces, two eights and a Queen flashed on the screen. A tirade of abuse from Rickyboy364 scrolled along the chat box beneath the cards. A dialog box asked Parker if he wanted to add the $70 to his account and leave the game, or play again.

"Oh hey, I won!" said Parker.

"You got the Dead Man's Hand, son," repeated the gun man.

"What does that even mean? And who are you? What are you doing in my room? I'm calling the police," said Parker.

"You got the Dead Man's Hand, son," said the man with the Colt.

Parker reached for the phone. The man fired, flickering out of existence as the bullet slammed in Parker's gut. Parker hit the floor with a thud.

The Dead Man's Hand was the last thing he saw as his room faded to black.

* * *

This is the second of a loose trilogy based around the Dead Man's Hand, the hand of cards allegedly held by infamous gunfighter Wild Bill Hickok when he was shot in the back while playing poker in a Deadwood saloon on August 2, 1876.

Part I appeared last week, here.

Friday, 18 February 2011

Friday Flash - Dead Man's Hand I

Edmund Rothers sat in the shadows at the back of the saloon. His eyes flicked down to his cards. A pair of aces, a pair of eights, and a queen. The Dead Man’s Hand. Edmund looked up at his opponent.

“You sure don’t say much,” said Blackjack Bud Hudson across the table.

“I apologise for my reticence, it is simply the way such games are played in the gentlemen’s clubs of London. Is conversation the accepted convention in these parts?” asked Edmund.

“I, er, what?”

“Do you desire conversation?”

“Er, I dunno...you sure talk awful fancy, English fella.”

“No, I simply speak English. There is nought fancy about it when used in the correct fashion, as an educated man is wont to do.”

“You sayin’ I’m not edumacated?”

Blackjack Bud narrowed his bloodshot eyes. He twisted his thin lips into a sneer.

“Of course not. It would be most unbecoming of me to insult my host in such a genial and hospitable place as this,” said Edmund. He gestured around the half-empty saloon. His eyes lingered on the buckshot embedded in the walls, testament to an old grudge turned violent.

“You’re usin’ big words there, English fella. I think you’re tryin’ to make me feel stupid.”

“I assure you it is not my intention. As it happens, I consider you a natural raconteur and easy wit. Come now, this talk distracts us from our game,” replied Edmund.

Blackjack Bud grunted and looked back at his cards. Edmund suspected a bad hand from the way Bud squinted and frowned at the cards.

“I think I’m gonna call you out.”

“Very well,” replied Edmund. He spread his cards on the table. Blackjack Bud’s face contorted in rage, his eyes bulging as a vein in his temple throbbed. He threw down his own cards – a pair of threes, a six, a nine and a King.

“Oh that is bad luck, Mr Hudson,” said Edmund. He reached across the table for his winnings.

“You dirty cheat.”

Edmund paused.

“What did you call me?”

“I said you’re a dirty cheat. Ain’t no way you can keep winnin’. No way at all. I’m a born gambler – why do you think they call me Blackjack Bud?”

“But Mr Hudson...this is poker.”

Blackjack Bud slammed his fist down, trapping Edmund’s hand on top of the crumpled bank notes. He leaned across the table. The stale alcohol on his breath made Edmund’s eyes water.

“Come now. I have won every hand fair and square. I am no cheat.”

Blackjack Bud’s free hand trembled beside his holster. Edmund jerked his own free hand to his shin. His hand grasped the smooth ivory handle of the knife hidden beneath his trouser leg. He unsheathed the blade and slashed across Blackjack Bud’s face in one fluid motion.

Hudson howled, yanking back his fist and pressing both hands to his cheek. Blood welled up between his fingers and dripped onto the table. A drop splashed the King of Hearts.

Edmund grabbed a fistful of money and bolted. The other patrons of the saloon watched him vault over a table and burst out of the swing doors into the street. Edmund tucked the knife into his belt as he strode down the boardwalk. He forced himself to calm down, torn between indignation over the accusation and fear of the drunken gambler with the itchy trigger finger.

“ENGLISH TRASH!”

Edmund stopped.

“Turn round, you bastard! I don’t wanna shoot a man in the back!”

He turned around. Blackjack Bud stood on the verandah of the saloon, blood dripping from his slashed cheek. Passersby dove for cover when he drew his Colt. Edmund cursed himself for not burying the knife in Blackjack Bud’s gun hand.

Silence fell, as if the whole town took the same breath of anticipation. The seconds crashed by in Edmund’s head. He noticed an alley to his left, between the saloon and the hotel. Edmund stretched his hands up in surrender, glancing between Blackjack Bud and the alley.

“Mr Hudson? Would you really shoot an unarmed –”

The crack of the pistol smashed the silence of the street. Edmund felt the impact as pain ripped into his gut. The force of the blow threw him backwards and a soundless scream tore itself from his throat. A fresh wave of pain rippled throughout his body when he hit the hard-packed earth of the street. The world turned dark.

* * *

Edmund opened his eyes. He gazed up at a purple sky shot through with streaks of gold. Sunset.

Why, only moments have passed! But why has no one come to my aid? he thought.

The sound of hooves on dry ground passed him. He wriggled up onto his elbows to see a black horse pulling a stagecoach down the street. Edmund looked around, but the town seemed deserted. He looked back at the coach, but didn’t recognise the silver crest on the door. This visitor was far too grand for a dusty hole like Blackwood.

The door swung open. A young woman poked her head out. Hair blacker than midnight tumbled around her white shoulders. Her black lips broke into a smile of grey teeth and purple gums.

“Evening, friend. You look like you could use a ride somewhere?” she asked. Her cold voice buzzed like a thousand flies around a carcass.

“Oh, indeed I could! I thought I had been shot but it appears I have had a miraculous escape,” said Edmund.

He clambered to his feet and walked to the coach. His boots made no sound on the dirt. The young woman’s face fell.

“I say, this is most decent of you. I shall be more than happy to reimburse you for your kindess,” said Edmund. He climbed into the coach. Up close, he realised that the young woman’s black eyes were filled with tiny stars.

“Sweetie, you won’t ever need to pay for anything ever again,” she said.

She closed the coach door.

* * *

This is the first of a loose trilogy based around the Dead Man's Hand, the hand of cards allegedly held by infamous gunfighter Wild Bill Hickok when he was shot in the back while playing poker in a Deadwood saloon on August 2, 1876.

Also, the mysterious mademoiselle in the black coach has appeared in my work before, in Fast Away The Old Year Passes, and New Year's Dance.