Showing posts with label short story. Show all posts
Showing posts with label short story. Show all posts

Saturday, 1 June 2013

Bloody Parchment: The Root Cellar and Other Stories out now!

I've been quite excited about this for some time, but I've finally pleased to announce that I've got a story in the new Bloody Parchment collection, The Root Cellar and Other Stories! Isn't that a fabulous cover? I'm proud to be associated with anything that looks like the Bride of Frankenstein.

Edited by Nerine Dorman, the collection brings together entries from the South African HorrorFest Bloody Parchment short story competition, including the winning entry by Toby Bennett, and the runners up, Anna Reith and Chris Limb. The collection also features stories by Diane Awerbuck, Simon Dewar, Zane Marc Gentis, Stephen Hewitt, Benjamin Knox, Lee Mather, Glen Mehn, S.A. Partridge, and yours truly!

My story is named Protection, and tells the story of a werewolf family just trying to get by in a besieged society. Featuring a fight sequence and a shadowy small town run by mysterious priests, it's probably more in the vein of dark fantasy than straight out horror, but I really enjoyed writing it, inspired as I was by A Night on Bare Mountain by Mussorgsky. I hope everyone enjoys it!

You can now buy The Root Cellar and Other Stories here from Amazon!

Monday, 24 December 2012

Redemption: A Christmas Story


I originally wrote this story as a response to a particular 'classic' Christmas movie, and it also appears on my website. See if you can guess which film inspired it...and merry Christmas!

* * *

Detective Carmichael stands with his back to me, staring out of the window.

“And you say that’s where he jumped? Right there?”

The detective points towards the bridge, and the churning black river below. For a second, I’m standing behind the rail again, a stiff breeze driving icy spray into my face. The water smells of winter and regret.

“Yep. Right over that rail. Tried to talk him outta it, but he just wouldn’t listen.”

“Yeah right. You’re hardly the charitable type, are you?”

Detective Carmichael leans against the wall beside the small stove. He flicks a wooden toothpick between his lips. It clicks against his yellow teeth. Of all the people who could have fished me out of the river, why did it have to be him?

“Believe it or not, I’m a nice guy!” I spread my hands wide and try a sheepish smile. Usually works on most people, but not him. His flinty eyes glitter in the shadows. I shiver under my blanket, only this time it’s not because I just took a midnight swim in the river.

“Clarence, I know they call you the Angel, but I think we both know that you’re no nice guy. Now George Bailey? He was a nice guy. My mother wouldn’t have her house if it weren't for him.” He pauses to lift the whistling kettle from the stove. “Now why don’t you make this easier on yourself and just tell me why you pushed him?”

“I didn’t, I’m tellin’ ya! I was going home and I saw him climb over the railing. Ain’t no way I’m gonna let some guy kill himself at Christmas. That just ain’t right. I tried to talk him down but he wouldn’t listen. Then he jumped.”

I sneeze. Detective Carmichael pours hot water into a waiting mug, and offers it to me. I wrap my hands around it, glad of the warmth. The detective puts the kettle down and fishes his leather-bound notebook out of his top pocket. He licks the tip of a stubby yellow pencil and scribbles down what I just said.

“Did he say why he was doing it? I mean, you’re saying that you tried to talk him down. He must have had some kind of reason. A guy doesn’t just throw himself into the river for nothing.”

“He kept sayin’ somethin’ about money. He’d lost it, and couldn’t find it nowhere, and he was in a lotta trouble. He said somethin’ about not wantin’ the business in the first damn place, he wanted to get out, get away from here. Kept sayin’ ol’ man Potter finally had his way.”

I shivered as I remembered the look on the poor guy’s face. Total despair mixed with innocence, like an angel who has a job to do but can’t fight human nature.

“I see. What did you actually say to him?”

“Just tried to get him to feel better, y’know? He said he wished he hadn’t been born. Now I know the guy, I know all the good stuff he’s done for this town. I tried remindin’ him of that. Told him about his brother, and how he wouldn’t be here today if it weren’t for him. Harry couldn’t have shot down all those Germans if George hadn’t been born.” I pause to think. Talking down a suicidal man is a stressful business. “I tried to get him to think of his wife ‘n kids. He was one lucky guy, havin’ a nice family like that. Mary woulda done anythin’ for him and those kids.”

“OK, Clarence, you got a point. So maybe you didn’t push him,” says Detective Carmichael. He puts the notebook back in his pocket. We’ve gone ‘off the record’. “But I’m still surprised that you tried to help. There’s something you’re not telling me.”

“Well, the Man Upstairs wanted me to do somethin’ about it. He heard rumours things weren't good, and he asked me to check on him. The minute he told me it was George in trouble, I decided to help. Couldn’t let a nice guy like that throw himself in the river.”

“What has the Man Upstairs got to do with this? Why would a hood care about George Bailey?”

“He heard Potter might be involved, and you know the history between those two. But I just really, genuinely wanted to help.”

“Why?”

“Promise you won’t tell anyone else?”

Detective Carmichael moves his head. The light falls on his face. I try to ignore his twisted, shiny scars as he looks me up and down. Man, if those scars could talk, they’d have some hellish stories to tell. But, anyway. He nods.

“I was trying to earn my wings,” I mumble.

“Your what?” One eyebrow creeps halfway up his forehead. A puckered white line cuts through the hair.

“My wings. Look, way I see it, I’ve done some pretty bad shit in my time, and it’s obvious where I’ll be goin’ come Judgment Day. Never used to bother me, but now I got a wife and kid, I want a better life. I thought tryin’ to help might go some way to balancin’ stuff out.” I wriggle deeper into the blanket and look away. Doesn’t seem right telling someone like him something like that.

Detective Carmichael says nothing. He looks me up and down again, his face unreadable. That look in his eyes could just as easily be disgust as it could pity. Pulling up the collar of his coat, he walks over to the door.

“You know, Clarence, there’s a chance we can fish him out downstream. Maybe he’ll still be alive,” he says.

He opens the door and walks out into the damp night. The door swings closed behind him, and I watch him through the window until he disappears into the mist. I look back to the river. When I was up there, talking him down, I felt the same pull George Bailey must have felt. It’d be so easy. Just throw yourself in; the water will hold you, embrace you, make it all okay. It’s always cold all the year round, you won’t even feel anything. I’d be beyond the Man Upstairs, and all the associates. My wife might even get some insurance money, and my daughter could grow up without scum like me holding her back.

The wind throws a wave right up the bank. The water crashes into the window, breaking my train of thought. The cold water runs down the window in drops, like the world is crying. I think of Marsha and Stephanie, and how they’d cry without me. I break free of the river’s hold. I can’t do it. I’ve got other poor suckers to help. I might earn my wings yet.

* * *

The original image was uploaded to Wikimedia Commons by user Heidas, but has been edited slightly by me.

Tuesday, 7 February 2012

Short Stack Anthology Out NOW!

I'm pleased to announce that I have a short story in a brand new anthology! I submitted One Woman Cure as part of a joint competition between For Books Sake and Pulp Press last year (many thanks to Adam Byatt, Maria Kelly and Michael Shean for their beta reading input) and the anthology, named Short Stack, is available NOW for Kindle!

One Woman Cure appears alongside nine other stories by top female writers in an anthology dedicated to pulp fiction written by women, and about women. My own protagonist, Artemis Hyde, is a gutsy assassin hell-bent on revenge in a shadowy steampunk-esque world. I'm really proud of the story and who knows, if Short Stack does well, there may be more Artemis Hyde adventures in future.

The other stories are absolutely ace, and I'm pleased to be placed in the anthology alongside Bernadette Russell, Evangeline Jennings, Mihaela Nicolescu, Jane Osis, Gill Shutt, Claire Rowland, Shelagh M. Rowan-Lee, Zoe Lambert and Donna Moore. There will also be an event at the Deptford Lounge for International Women's Day on 8 March - I can't make it, but authors Bernadette Russell and Shelagh M. Rowan-Legg will be there, along with Jane Bradley of For Books' Sake and Danny Bowman of Pulp Press. More details here.

I hope you'll check it out, not just for my story but also for the others, and if you like it, leave us a good review! Support lady writers!

Wednesday, 25 May 2011

Book Review - 20th Century Ghosts

I'd never heard of Joe Hill when I picked up a copy of 20th Century Ghosts for the princely sum of £3 in HMV. The accepted wisdom in publishing circles is that short story collections don't sell particularly well, but personally, I prefer them as an introduction to a writer. Indeed, I discovered Neil Gaiman through his Smoke and Mirrors collection, and Clive Barker through his Books of Blood. The advantage of collections over novels is that it's ok if one story sucks, you can skip it and go onto the next one. To my mind, they're a better advert for the range of styles a writer can do. But that's just me.

So my interest in ghost stories, my leanings towards collections and the shockingly low price were all factors in my picking up 20th Century Ghosts. The blurb reads thus; "Imogene is young, beautiful, kisses like a movie star, and knows everything about every film ever made. She's also dead, the legendary ghost of the Rosebud Theater. Arthur Roth is a lonely kid with a head full of big ideas and a gift for getting his ass kicked. It's hard to make friends when you're the only inflatable boy in town. Francis is unhappy, picked on; he doesn't have a life, a hope, a chance. Francis was human once, but that's behind him now. John Finney is in trouble. The kidnapper locked him in a basement, a place stained with the blood of half a dozen other murdered children. With him, in his subterranean cell, is an antique phone, long since disconnected . . . but it rings at night, anyway, with calls from the dead. . . Meet these, and a dozen more, in 20TH CENTURY GHOSTS, irresistible, addictive fun showcasing a dazzling new talent."

There's certainly a range of stories on display here, and indeed some of them aren't even ghost stories. You Will Hear The Locust Sing recalls 1950s sci-fi pulp, Abraham's Boys tells a Van Helsing story, and The Cape is a superhero horror tale. The stories stay with you long after you're finished - so while the stories might not necessarily be about ghosts, they're definitely haunting. My own personal favourites are 20th Century Ghost, about a movie-loving ghost who haunts a cinema, The Black Phone, about a boy struggling to escape a kidnapper using supernatural help, and Voluntary Committal, a novella that explores mental illness and the bonds of family within a narrative framework of dark fantasy.

There may be far too much emphasis on baseball within the stories, although I'm sure this is purely due to the fact that I'm a UK reader and have no interest in baseball. If you're not a baseball fan, and you don't understand the mythology surrounding it (the first time a boy plays catch with his dad, or the first time he goes to a game) then these stories will fall a little flat. I suppose it would be the same if an English author tried to describe his love of going to see a first division team on a Saturday afternoon, despite the fact they've never won a match in three months. Some of the stories don't work but that's ok - there are plenty of enjoyable stories in this collection, stories that really will work their way into your brain and get you thinking.Great for a quick read - and based on this, I'd definitely try one of his novels.

Four blunt pencils out of five.

Saturday, 21 May 2011

New story published!

Today might apparently mark the beginning of the end of the world, but I'm very pleased to announce that one of my short stories, The Porcelain Woman, was published yesterday over on the Freezine of Fantasy & Science Fiction. They're publishing some great stories, for free, and they match each story to new artwork. Well worth a look!

If, in the meantime, you have stories that you're considering submitting, how about checking out my post on Seven Tips for Submission Success

Friday, 18 March 2011

Friday Flash - No Flash

Bridget Ledersmark made her way through the group from the coach trip. The tourists clustered in the entrance to the exhibition. They clutched pamphlets detailing the history of the ancient Egyptian treasures on display. The attendant nodded to her - she'd already run through the rules with the group. No eating or drinking, no running, no re-entry, no touching the exhibits, and no flash photography. Bridget grimaced.

I'd be amazed if any of this lot knew how to take photos without the flash on those fancy cameras of theirs, she thought. They spend all that money and leave them on automatic.

The tourists jostled one another into the exhibition. Bridget followed, smiling at their enthusiasm for fragments of dirty wood or tattered scraps of yellowed papyrus. An elderly woman engaged her in conversation about the faded sarcophagus in room 3. Bridget was amazed to discover Mrs Brown was a former academic, specialising in the Book of the Dead. They stood discussing the nobleman quietly decomposing in the display case.

The other tourists reached room 6. Various trinkets and broken pieces of pottery sat in the cases around the room, accompanied by photographs of the archaeologist that discovered them. A single display case occupied the end of the room. In it, the blackened remains of a priest leaned against an iron bar holding him upright. Fragments of cloth clung to the dark skin, and empty sockets stared out at the gawping tourists. A single crack ran the length of the case from the floor to the top.

"Mummy! Daddy! Look, a mummy!" exclaimed a blond child.

He tugged on his father's sleeve, pointing at the mummy. His mother knelt on the floor beside him, reading out the description from the information board. According to the museum's curators, the priest's remains were discovered in 1937, and he had toured museums ever since. The blond boy stared up at the dead priest in amazement.

A brand new Canon 550D hung around his father's neck. He flicked the camera on, ignoring the settings for aperture, white balance and ISO. Leslie Kinnock didn't even know what ISO meant, but he knew the 550D was an 18 mega-pixel beauty with several automatic shooting modes. A blue-haired girl stood near the case, snapping the mummy with an old manual camera. Leslie found its click and the whirr irritating. He smirked to think her film would be ruined.

Why, she's not even using a flash! he thought.

The blue-haired girl noticed him waiting and stepped aside to allow him to take his shot. He popped up the on-board flash. The girl opened her mouth to speak as he pressed the shutter button. The flash lit up the glass, the reflected white light filling his viewfinder.

"No!" shouted Bridget, entering room 6 with Mrs Brown.

Leslie turned to look at her. Bridget wore an expression halfway between fury and fear. The sound of breaking glass caught his attention before he could review his image. Twenty pairs of eyes swivelled towards him. A dried hand snaked out of a jagged hole in the case behind him. The blond boy screamed as blackened fingers fastened around the 550D. The mummy jerked its arm and Leslie lurched forwards, crashing into the case. The glass exploded. Leslie fell to the floor, his camera still gripped by the dead priest.

The tourists stared, frozen to the spot. The mummy heaved on the camera. The strap snapped, flapping across Leslie's chest. The mummy closed its fist, crushing in the camera into shards of plastic and glass. It opened its fist, dumping the remains of the 550D onto the floor. It bent towards Leslie and, after drawing fresh air across 4000 year old vocal chords, rasped in his ear.

"No flash photography!"

Bridget and Mrs Brown picked their way through the room. Mrs Brown helped the mummy back into his shattered case, while Bridget helped Leslie to his feet. She glared at the dead priest. He would end up costing them a fortune in insurance claims.

* * *

This flash was inspired by all of those people who insist on taking expensive cameras to museums, and then using the flash to photograph things in glass cases. I consider these people to be complete tools. So yes, that IS my photo accompanying the story and no, I didn't use the flash. A longer shutter speed and a wider aperture will do the hard work for you.

Sunday, 31 October 2010

My Halloween Gift To You

It's Halloween, so it seemed as good a time as any to release my second e-book. Checkmate & Other Stories collects together the fifteen stories I had published online between July 2008 and June 2010. They cover a range of styles and genres, from fantasy to horror, but mostly sit in the speculative fiction camp.

Some of them are no longer available online as the sites that published them have either been taken down, or the site archives don't stretch far back enough, but I thought I'd collect them together to save people trawling through my publishing credits to read my published work.

The front cover is my own photographic work, although the short story inside, The Mirror Phase, features an illustration by the very talented Jimmy Misanthrope.

Checkmate & Other Stories is available for FREE from Smashwords, in all the various different formats that you'd expect. Don't forget that The First Tale is also still available, for the princely sum of 99c. Of course, if you really enjoy either work and want to donate something to show your appreciation, you can do so by clicking the button in the sidebar! All proceeds go towards funding my PhD.

Enjoy, and have a wonderful Halloween!

Thursday, 6 May 2010

Bluebeard's Egg - Margaret Atwood

As it is with so many others, it was The Handmaid's Tale that got me. A friend bought it for me for one Christmas, and I was hooked. Margaret Atwood has the kind of easy, loose style that I would sell body parts to be able to write myself, and when I found Bluebeard's Egg on sale in HMV, it was an easy purchase.

Bluebeard's Egg is a collection of short stories, mostly told in the present tense, and all revolving around the fragile and complex nature of relationships. One girl finds that her love life mirrors extreme weather conditions, while a middle-aged woman suffers apocalyptic visions during intimacy. The narrators are mostly female, while the title refers to a story one character must write for a creative writing class.

Many of the stories are set against a Canadian backdrop, which Atwood sketches in with a deft, practiced hand. I don't know that much about Atwood so I don't know how many details are gleaned from her own experience, but so many of the stories have a particular quality to them that I wonder if many are rooted in real life. Naturally, using a first person narrator often renders the narrative autobiographical, but there is a richness and depth that you wouldn't expect to find in pure fiction.

Not much actually seems to happen in the stories - some of them seem almost like flashbacks, while others take on a confessional tone. Still, Atwood is trying to capture a sensation, or a moment, and the subtext is layered to allow the reader to infuse the stories with their own experiences. Indeed, one particular story stands out for me since I can relate to the experience of floundering around in society, too entrenched in your own quirky personality to truly understand the expected patterns of behaviour.

They're all highly readable, and just the right length to communicate her point in one sitting. Perfect reading for tube journeys or lunchbreaks, I recommend Bluebeard's Egg for Atwood fans, and aspiring short story writers alike. It's like a class on short story writing in one book...

Tuesday, 30 June 2009

What is a good short story?

I found a post on Emma Newman's blog on what makes a good short story. As short stories have so far been my weapon of choice, I thought I'd give the matter some consideration. After all, I've read far more than I've ever written, and in some ways, I prefer the short story to the novel for its brevity. Short stories are far more difficult to sabotage - a good idea in a novel is all to easy to hijack and turn into a ridiculous flight of fancy (ever read Dreamcatcher?), but with a short story, you feel compelled to do the idea justice as you're with it for such a short period of time.

I've read some brilliant stories. I think my favourite short story ever written is Chivalry by Neil Gaiman - it's delightful in every possible way. It's also the first thing I ever read by him. It's short, it's to the point, and yet he manages to capture a little snapshot of an idea, complete with characterisation and a sense of place.

Yet ultimately, I like stories that grab the attention with a wonderful first line, stories that transport you to another person's reality or imagination for a short time, and stories that take me away from the mundane constraints of everyday life. A good short story, for me, should be like a little holiday.

Monday, 1 June 2009

Another story is live!

I have a new story online! It's in the third issue of Silver Blade. It was originally written as a spring-themed entry for their first contest earlier in the year; it didn't win, but they still wanted to publish it.

Friday, 27 March 2009

Tenth story online!

I've hit a mini milestone in that my tenth short story has now been published online - you can read it here. I'm particularly proud of this one, not least because it's the third story I actually sold. So that's five published in 2009 alone...onwards and upwards!