Showing posts with label inspiration. Show all posts
Showing posts with label inspiration. Show all posts

Thursday, 9 August 2012

Should writers use Pinterest?

The ever helpful Kristen Lamb has a post over on her blog about why writers should be using Pinterest. Pinterest, for those who don't know, is a service by which you can create a 'board' and 'pin' images that you think are interesting. You can create boards for almost anything, from showing off your own artwork to sharing those images and photos that you've found online. Kristen suggests creating boards full of photos that inspired a book you've written, in the same way that some authors create musical playlists that accompanied the writing process.

I know, I know, almost every person who runs a blog about writing seems to post something every other day about why you should use this or that new profile/network/social media - it seems like something new comes out on a fairly regular basis and we're always being told that if we don't jump on the bandwagon, we risk being left behind by those people who embrace new technology. It gets confusing, and after a while, you find you're spending more time trying to figure out new stuff, and less time actually writing. Where's the sense in that? It's madness, I tell you.

Now, I read this particular post with some interest because I like the idea of Pinterest but I just wasn't sure how I could actually use it. If you take a look at my boards, you'll see I currently have four. I've got Colour Swatches, which is a collection of the colour palettes I've put together using my own photographers, and which are available for download in various formats over on ColourLovers.com (but you can still sample the colours from these bad boys on Pinterest using the Eyedropper tool in Photoshop). There's also a board for my Creative Photography, which I keep forgetting to update since I put everything on Flickr as standard. There's Old Photos, which are cool old photos that I've found online, and Fabric Designs, which is comprised of the fabric designs that I have for sale on Spoonflower. I'm hardly setting the world of Pinterest alight.

But is there greater scope here? I could easily create a board themed according to The Guns of Retribution, and pin photos of locations that inspired the book, or images of Grey's weaponry. I could create one for The Necromancer's Apprentice, dedicated to supernatural, fantastical or mummy-related imagery. Humans are by their nature a visual species so would this be a better way of sparking interest, by pinning interesting photos or asking people to contribute their own? After all, people can sometimes shy away from reading a sample of a book based on nothing more than a brief blurb, but if images stimulate their imagination, then they're bringing more visual acumen to the reading experience - which can only really enhance it. For example, if I have a board full of pictures of the Arizona desert, Old West ghost towns, Colt Peacemakers and Victorian photos from the 1880s, you're going to have a much better mental image of the world of The Guns of Retribution.

I suppose my question is...would it be worth going to the effort of creating one?

Tuesday, 10 July 2012

Inspiration behind Population, One

I haven't done an 'inspiration' post for a while, so I thought I'd do one about my most recent Friday Flash, Population, One. (If you haven't read it, do so now, for there are 'spoilers' ahead!) Now, my dad happened to tell me about a photo he'd seen online for a town whose population was just one, but he couldn't remember what it was called. A Google search later and I discovered he meant Buford, in Wyoming. The photo I used for the flash is the 'town' itself, although I chose to change the name on the sign, as well as changing the names of the people concerned and the circumstances surrounding the town.

It was strange, the moment my dad told me about Buford, I instantly wondered what would happen to the number on the town sign when the sole inhabitant died. Who would change it? I think the seed of wonder was sown by an old anecdote I heard about the last man on earth being so tormented by loneliness that he threw himself off a building, only to hear a telephone ringing as he falls to his death. On top of that, I came across the first two lines to a short story by Frederic Brown, called 'Knock', which simply read "The last man on Earth sat alone in a room. There was a knock on the door." This idea of 'The Last Man' intrigued me. The population sign came from the film, Population 436. If you get the chance to watch it, do so - don't let the fact it stars Fred Durst put you off, he's actually really good.)

Originally, the stranger was just going to be a regular chap who happened to drop by and wonder the same thing, and it was only when I was reading Carlos Claren's An Illustrated History of the Horror Film and he was talking about Death Takes A Holiday from 1934, in which the Grim Reaper goes on holiday, only to find that no one can die while he's not working (this was parodied in an episode of Family Guy when Death hurts his leg and Peter has to take over his job). Thus the idea came into my head to cast Death as the stranger - I know my version of Death is usually a black-lipped young woman with a voice like buzzing flies, but I think she likes to play dress-up from time to time, and in this instance, the man in the pinstripe suit seemed a better fit.

If you take all of these seemingly disparate elements and let them marinade for a while in the unconscious, they spring forth with an idea of their own. Once the idea of the stranger as being Death popped into my head, I wrote the story in about ten minutes - previously, I'd found it too hard to put it on paper, not knowing where to start or how to end it. I think my ultimate point is that inspiration can and does come from many different places, and a writer shouldn't be afraid to expose themselves to film and non-fiction as well as novels when hunting for ideas.

In what way has inspiration suddenly struck you when writing?

Thursday, 1 March 2012

[Guest Post] Tony Noland on Ideas

Last week, I threw open the doors of the Blunt Pencil (sounds like a pirate tavern, doesn't it?) and invited Beth Trissel to talk about the importance of research. Today, I'm pleased to welcome my very good friend Tony Noland. I've been kicking around the concept of a series of posts intended to explore the initial idea that sparked the beginning of a story, and Tony has very graciously agreed to join in! I'll be sharing the particular story he's talking about at the end of the post. So, without any further ado, over to you, Tony!

* * *

If you were to have your life's work taken from you, how would you react? I'm talking about the main thing that drives you, your chief source of joy and delight in life, what gives you your self-identity and self-respect. If you found out that you had to give it up, knowing that you would lose all your friends, all your status in the community, everything that mattered... how would that feel?

This is no fiction, of course. Every day, people are forced to give up careers, activities and relationships through the vicissitudes of life. Even without global upheavals like war, famine or zombie apocalypse, everyday changes in the job market, family turmoil, health crises... these can make any of us face terrible decisions with major impacts on our emotional well-being.

But what if it was a thriving career as a superhero you had to give up? And, just to make the stakes even higher, what if you had to give it up for a stupid, embarrassing, humiliating reason?

In writing "Grey Ghost Gone", I wanted to explore the emotions in that scenario. When playboy billionaire Harold Rentnick is forced to make that hard decision of giving up his superhero career as the Grey Ghost, his biggest loss is emotional. He misses using the superpowers and the crimefighting excitement, but what he really misses are his friends, his romantic attachments, his sense of belonging.

The costumes, powers and codenames aside, this story is a tragedy for a very human reason. Mr. Rentnick had no one to fully share himself with. People wear masks to protect themselves emotionally, but an inevitable consequence is isolation. He kept his life so compartmentalized that when tragedy struck, he had no one he felt he could to turn to, no one to lean on. In fact, he was so concerned with preserving the dignity of the Grey Ghost's image, and of maintaining that mask, that he went to great lengths to deliberately cut himself off from the friends who tried to help. With secret identities and life challenges of their own, I have no doubt they would have understood and they would have supported him in transition to a new life.

Instead, he isolated himself and lived only with his grief and loss. He was reduced to bitterness and solitude, convinced that he was worthless and had no reason to go on. This, because there was no one in his life who might have told him differently.

In this story, superheroes are people, with human needs. My hope is that readers can find something in it to connect with, even if they don't have a magic ring.

**~**~**

"Grey Ghost Gone"

by Tony Noland

Harold pulled into his garage, killed the engine and took off his sunglasses. Six more hours until sundown, as if it mattered. Nothing mattered, not anymore. The life of Harold W. Rentnick III was never much to speak of, but his night-time secret identity as a vigilante super-hero used to make his days bearable. Not long ago, he lived for the night, was anxious to leave this plush prison and go out to prowl the mean streets. Now, he just sat alone at home watching CSI reruns and movies from his Netflix queue.

True, home was a 34-room mansion on a secure estate, but so what? Harold knew that he was a boring, unlovable lump. It was his alter ego, the Grey Ghost, whom everyone liked to be with. When he was behind the mask of the Ghost, he could be clever, funny, charming, flirtatious... free. People liked him when was the Ghost. People only tried to hang out with Harold because he was rich. Whether they were from families that were rich, super-rich or don't-bother-asking-rich, it was all about money. There was no one he could trust, with whom he could be himself. Money was like a disease that kept him apart from everyone else, a disease for which he knew no cure.

In the end, it was all worthless. He hated being Harold. He'd trade every cent of it to be able to be the Grey Ghost again; even if he had to start over from nothing, he'd do it tomorrow. But it was impossible.

He got out of the Benz and went into the empty house. The super-strength and ESP, he missed those, of course, but more than that or any of the other powers, he missed being cool and mysterious, being admired. He missed hanging out with RocketMan and Raptor, just kicking ass and patrolling together through the watches of the night. He even missed his on-again, off-again dating with Electra, crazy jealous as she was of that partnership he'd had with the Blonde Bombshell. He missed all of his friends.

But he dared not put on the magic ring that gave him his powers, not even once for old time's sake. The pain was just unbearable when he took the ring off, and he couldn't stay as the Ghost for more than 72 hours without dying of thirst.

The ring was upstairs, on his dresser in that little wooden box, the same one he'd found in that cave in Bolivia. The carved piece of bone was dense and smooth, and he’d been captivated by its beauty and power from the moment he saw it. When he first put it on though, he’d realized he had something unique in all the world. It had taken him a while to figure out the powers that came with the ring, but it was a chance to completely reinvent himself. How ironic that the same aspect of the ring's power which had made him feared and hated in the criminal underworld was also the very thing that forced him to retire last year.

As the Grey Ghost, all forms of metal and other inorganic matter passed right through him. Bullets, knives, shrapnel... none of it could touch him. It wasn't exactly full intangibility, but it also let him walk through brick walls, go in and out of locked vaults, stuff like that. It scared the hell out of the crooks. It never occurred to him to think about his teeth.

Harold walked down the back hall towards the kitchen. For more than twenty years, he'd been a super-hero, one of the best. Then, last spring, it all came to an end. He remembered going out on patrol after having a cavity fixed at the dentist, the first one he’d ever had. His new filling fell right through his mouth as soon as he put on the ring. He hadn't noticed until after that night's work, but when he took the ring off, that stabbing pain was horrible. It meant he'd had to endure a redrilling session to set a new one, which had also fallen out the very next night. Of course, he didn't feel the pain as the Grey Ghost; as soon as the magic ring came off, though...

After replacing the filling for the fourth time, the dentist said he'd have to pull the tooth and set a crown if the fillings kept coming out. Harold considered what it would mean to have endured the drilling into his jawbone to set the pin, only to have to go back and do it again and again when his intangibility kicked in. That wasn't a volitional power like the flight or the X-ray vision... it just happened when he put on the ring.

Harold thought of the needles jabbed into his jaw, the smell of burning bone during that last session in the dentist's chair, the metallic taste of the most recent filling. With his jaw still aching, he made the hardest decision of his life. He'd given up his life's work, his passion, the only thing that made life enjoyable. He sent a secret coded message to the mayor and to Fellowship of Protectors, telling them of his decision to retire, citing "medical reasons". Every single one of them expressed concern, offered support, asked if he needed help. The Diamond Devil and Ms. Crusher even offered to meet up in real life.

He didn't answer any of them. None of his friends - the Grey Ghost's friends - knew who he really was, and he wanted to keep it that way. He couldn't bear to let anyone know that behind the mask of the Grey Ghost, the spookiest, cleverest hero of them all, he was just Harold Rentnick, a worthless billionaire.

From one of the kitchen cupboards, Harold took a tall glass. From the refrigerator, he took a container of orange juice. From the butler's pantry, he got a fresh bottle of Grey Goose vodka. It had been his favorite brand since he'd picked his nom-de-heroique. He smiled at that private joke one last time. In his pocket was a rattling bottle, a full prescription of sleeping pills. Unbuttoning his shirt, Harold went out onto the deck where the hot tub waited.

* * *

If you enjoyed that, Tony posts weekly fiction on his blog, and you can pick up his Blood Picnic anthology from Smashwords, Barnes & NobleSony, Kobo and Amazon! You can also follow him on Twitter @TonyNoland.

Tuesday, 18 October 2011

Looking for Conflict

Writers are forever being told that good stories rely on conflict or drama. "There is no story if the protagonist has to problem to solve!" cry the experts. Apparently the world isn't full of enough conflict, and we need to inflict yet more arguments, high stakes and the like on our lovely readers. Hell, I'm as guilty as anyone - I managed to cram a train robbery, two shoot outs, a hanging, a horse chase and a fist fight into The Guns of Retribution.

But what if you're one of those really nice people who gets on with everyone, and is a joy to be around due to your sunny disposition and caring attitude? Where do you find your conflict?

Personally, I recommend that you take a look at PassiveAggressiveNotes.com. It's a blog that features notes written in a passive aggressive tone that are left for others. Some of them are downright hilarious, though if you're as fastidious about spelling and grammar as I am, then you might teeter on the edge of annoyance. Still, I can't help thinking that if you were to browse through some of these, you'd easily find some conflict that you could spin into a story...and who said stories full of conflict couldn't be funny?

Tuesday, 23 March 2010

Inspired by Bunhill Fields

Like most writers, I lead something of a double life. Evenings, weekends and stolen moments are spent writing; either creating something new, or editing something that I've already written. But by day, I work in an office just on the edge of the City of London. The back of the office overlooks Bunhill Fields, one of the few inner city burial grounds that hasn't disappeared under an office block or housing.

Bunhill Fields has been an area associated wth death since the seventeenth century, when it was set aside for those bodies that couldn't fit into other churchyards. Naturally the plague that swept London in 1665 decimated the population, and caused an explosion in cemetery overcrowding. It was eventually converted into a graveyard for dissenters, which was extended to include anyone who practiced a religion outside of the Church of England.

Bunhill Fields was closed in January 1854, although the City took it over in 1867 and reopened it as an inner city 'green space'. These days, half of the area is a park, home to squirrels and other wildlife, and the rest is the cemetery. Iron railings serve to keep the graves separate from the open space. William Blake, Daniel Defoe and John Bunyan are all buried here, along with approximately 120,000 other people.

It's a lovely space, and a quiet place to have your lunch when the weather's fine. I decided to have my sandwiches there yesterday, and my only company was an inquisitive squirrel and a lone magpie. Being the recluse that I am, this is my idea of bliss. People might think eating your lunch by yourself in a graveyard is a bit morbid, but a) I never pretended to be a cheerful, sunny sort of person, and b) I envy the peace and quiet of those that dwell in eternal slumber.

It's sometimes easy to forget that everywhere you walk in London, you're treading a line through the city's past. The living and the dead jostle for space in the capital. Hell, the area around Bunhill Fields used to be used for plague pits - my office probably sits on one (though I'm hoping the Yersinia pestis bacterium is dead by now). How many lives surround us? The whole of history is exactly that - a story. At any given moment, I'm surrounded by hundreds of thousands of stories; some of them are old, some of them continue right now, and some of them have been forgotten. I'm part of some of them. I even tell them.

I'm off out to have lunch with my new friends. Maybe they'll tell me some stories...

Thursday, 22 October 2009

Stuck for inspiration?

I just came across this amazing post on the Write to Done website, about using Tarot cards as inspiration when writer's block strikes. Try it!

Thursday, 13 August 2009

Inspirational Flashes

A single shoe sits in the gutter, sheltering beneath the bumper of a battered VW Polo. The cracked red leather is spotted with splashes of dried mud. A dead spider floats on the stagnant water that pools in the shoe.

Whose shoe is it? Why is it in the gutter? How long has it been there? What happened to the owner, or even the spider?

It's moments like these that remind me why I write.