And the Oscar goes to...

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I'll be honest, I never intended to write anything about the Oscars, but I find that I can't help posting at least once on the subject since films I actually enjoyed have been nominated this year (I won't gripe about the absence of Moon...not in this post, at least).

I read a rather interesting article in the Evening Standard on Friday that seemed to believe Avatar deserves to win Best Picture simply because it was seen by more people than The Hurt Locker. I'm not entirely sure of the logic behind this - how can a film be 'better' simply because it makes more money at the box office? What I think the author of the article fails to realise is that just because a film makes a lot at the box office, it doesn't actually mean that all of the people who went to see it actually liked it. Indeed, box office receipts certainly don't take note of how many people walk out before the film is even finished. Anyway, my basic point is that every person on the planet could go to see a film, but it doesn't necessarily follow that it's a better film than one seen by only eight farmers and a goat in the back of beyond.

The article went on to say that Avatar won't win because it's science fiction, which is a genre notorious for failing to pick up awards, and that the Academy will overlook it in favour of the typically 'highbrow' or intellectual fare also nominated. It's true that the Academy often goes for low-budget, obtuse movies that are 'challenging' as opposed to 'entertaining', but I don't think it's fair to apply this logic to Avatar vs The Hurt Locker. After all, The Hurt Locker is a taut thriller that just happens to have a political backdrop (not to mention a stellar performance from Jeremy Renner). If Avatar doesn't win, it won't be because it's science fiction - it's because it's just not as good as The Hurt Locker.

Similar logic was applied to the category of Best Director. According to the article, Kathryn Bigelow will only win because she would be the first woman to win the award, and would thus make the Academy look 'progressive'. Ignoring the inherent sexism of such a statement, could it not be possible that Bigelow might beat Cameron because The Hurt Locker was simply better directed than Avatar? Don't get me wrong, I grudgingly enjoyed Avatar, but it's hardly in the same league as The Hurt Locker.

I'm pretty much ignoring the other categories because the winners are either a foregone conclusion (Up will blatantly win Best Animated Film, despite the fact Pixar have done much better) or because I just don't care, although I do have one other win that I'm swinging for. I REALLY want Colin Firth to win Best Actor for his performance in A Single Man. It's not normally my kind of film, but something about the trailer really caught my attention (Tom Ford has done a wonderful job on his first film). I liked Colin Firth back in 1995 when he played Mr Darcy in the BBC's adaptation of Pride and Prejudice but I was somewhat disappointed in the intervening years to see him continually reprise the role. I'm not the biggest fan of one-trick ponies...but then I went to see A Single Man today with Nadia (author of the In The Mists blog) and I was both shocked and pleased to see that not only can he act, he can act very well! The range and depth of emotion he manages to convey whilst portraying a fairly uptight and emotionally repressed English professor is astonishing, and I would absolutely love it if the Academy could also recognise his talent.

Fiction Friday #3

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Here's my attempt for this week's Fiction Friday challenge on the Write Anything blog. Today's challenge is;

The bag was empty except for a smudged slip of paper which said, “Sorry.”

“Bitch!” Casey screwed up the bag and threw it into the bin by her desk.

“Something wrong?” asked Anna.

Casey sat back in her chair. A scowl contorted her face.

“Yes, something is wrong. I asked that useless cow to get me a couple of cinnamon swirls to get me through the afternoon, and instead I get an empty paper bag. How am I supposed to meet my deadline without a sugar fix?”

Spectral pastries danced across her vision; she even thought she could smell the sugary icing. In fact, she realised she could smell the icing. A thought occurred to her and she fished the bag out of her bin.

“Why did she bother giving you the bag if the bakery had run out?” asked Anna. She didn’t even glance up from her computer. Casey wondered if Anna ever really paid attention.

“They hadn’t. She ate them herself. She ate them, and then left the bag for me.” Casey tossed the crumpled bag onto Anna’s desk. “She’ll be more than sorry when she gets back.”

“All of this fuss over cinnamon swirls?”

“It’s the principle of it! I paid for those pastries! And to include a cursory note – that’s not an apology, it’s a slap in the face.”

Casey stormed out of the office, slamming the door.

Anna listened as Casey stomped down the corridor toward the lifts. She sighed deeply, before wiping sugar icing off her hands.

Writing A Web Serial

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I've just posted the second instalment of my new series. This particular series is called The First Tale, as I'm planning on a whole set of stories set in my fictional city of Vertigo.

It's a whole new challenge writing a weekly serial but it gives me a deadline (and therefore the motivation to write regularly) and it's nice to do something a bit different. I'm already buzzing with ideas for the next few instalments, although in some ways I'm "flying by the seat  of my pants" as I'm letting the plot take me where it will!

What are your opinions on serials?

A hand drawn Disney film? It can't be!

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I just posted the first instalment of my new web serial over at my new blog, Tales from Vertigo City. Go follow the blog, or subscribe, and you'll get a new instalment every week!

In other news, I went to see The Princess and the Frog today. I bet you didn't guess that I'm a Disney fan, eh? I love their work, up until and including The Lion King (although I do have a soft spot for The Emperor's New Groove). I have to admit that I never thought I'd live to see the day when I'd be sat in a cinema in 2010, watching a hand-drawn 2D cartoon. It felt slightly surreal, but at the same time, perfectly normal. Why shouldn't Disney go back to doing what they do best, when all their efforts at 3D films have sucked?

It's somewhat surprising that the mastermind behind The Princess and the Frog should be Pixar genius John Lasseter, but then again, the man has a passion for storytelling. What he's done here is given us a fairytale with a twist, but without going down the self-indulgent Shrek route. Set in 1920s New Orleans, our 'princess' is hard-working Tiana, a waitress with dreams of running her own restaurant, while our prince is a lazy playboy out to marry a rich girl after being cut off by his royal family. Tiana is feisty, and a lot more intelligent than your typical Disney film, and once you ignore her "Hard work will get you everything you want" spiel, she's quite likeable. Naveen is spoilt and charming, and a little more like the lazy royalty we're used to reading about in the tabloids.

As ever, the boy-meets-girl plot is given a little makeover, since our girl meets our boy when he's a frog. Prince Naveen adopts this amphibian persona after a run-in with the local voodoo witch doctor, Dr Facilier. As Disney villains go, he's not bad, but he's no Ursula or Maleficent. Anyway. Prince Naveen mistakes Tiana for a princess and gets her to kiss him (thinking this will turn him back into a human), though it does little more than turn Tiana into a frog. 

The pair end up in the bayou and seek the help of the local voodoo wise woman. Aided by a Cajun firefly in love with the North Star and a jazz-loving alligator, they get into the usual scrapes and perform an assortment of musical setpieces, none of which reach the dazzling heights of The Little Mermaid's 'Under the Sea'. I won't sport with your intelligence by asking you to guess the ending, but despite its veneer of Hollywood happiness and fairytale gloss, The Princess and the Frog is actually an enjoyable little film about recognising what's really important in life, and the value in balance. Naveen is all play and no work, while Tiana is the other way around, but neither are truly happy until they realise there's a compromise in there somewhere.

The musical numbers aren't bad, and as I've already said, Tiana makes a refreshing change as a Disney heroine, although I can't help thinking the realities of life as a black woman in 1920s Louisiana weren't quite as rosy as Disney would have us believe. The characters are rounded and likeable, although not quite as iconic as those from Disney's 'classic' oeuvre, but to be honest, I don't care. I'm just glad to see Disney back doing what they do best, allowing Pixar to do what they do best, while they piss all over their competition.

Strange things are afoot at the circle K...

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Hello, all. Apologies for the absence - many things are afoot in the crazy world of Icy at the moment. I just got engaged to my fabulous other half, I've gotten involved with the very excellent Chinese Whisperings project, I'm trying (and succeeding) to keep up with my reading (I'm onto my second book of February - first was John Marks' Fangland, now it's Jasper Fforde's Lost in a Good Book), and I'm learning Russian.

Still, I am a writer, and you'll (hopefully) be glad to know that I'm actually writing again. Not only am I redrafting my beloved novel, Fowlis Westerby, I'm also going to be doing something slightly new. At the end of January, I posted a flash fiction called Still Running, and it got a lot of people asking questions on Twitter. It seems that people wanted to know more, so I've decided to write an online serial, using my flash as a starting point! I'll be starting a new blog purely for this purpose, and I am to post a new installment every Friday...starting tomorrow!

Call back, won't you, and check it out...

(In lieu of any relevant stock imagery to accompany this post, I decided to go with a photo of my own, purely because I like it. It was taken inside Dover Castle last summer...)

Valentine's Day

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So, friends, it would appear that yet again, Valentine's Day has crept among us, ready to suffocate both the single and attached alike under a deluge of tacky presents, cuddly toys and sickly chocolates. I may sound cynical or thoroughly unimpressed by the entire debacle, but for once, it is not because the day simply reminds me of the desolation of being single. This year, I am not single. No, I am cynical and unimpressed because of the mass consumerism engendered by a day which should be about romance, spontaneity and love.

I celebrated Valentine's Day with my boyfriend on 2 February. This was partly to do with scheduling conflicts, but also because we don't really like to do what is expected. We're awkward that way. Hence the reason why I made him a card. That's right, I made it. I combined my knitting skills with my love of making things and ended up with a pretty spiffy item. It's unique, and the time and effort I put into it is a much better indicator of my affections than how much I might spend on something. I could have bought the most beautiful card in the world, but where is the imagination and thought in that?

So, if you're lucky enough to have a partner for Valentine's Day, here's my top three ways to celebrate.

1. Make each other cards. They don't have to be soppy or sentimental - in fact, the funnier the better. Laughter should be a key part of every relationship, and the effort involved in making cards demonstrates how much you care. Anyone can spend money, but not everyone is willing to spend time.
2. Buy presents, but don't go for the usual crap. Really put thought into it. Ignore what the shops tell you to buy, and get them something that you actually think they'll like. For example, how about a book by their favourite author, or those shoes/that video game they've been putting off buying due to the cost? Treat them.
3. Go out for dinner, but go somewhere fun. Ignore all the romantic schmaltzy toss that is available around this time of year. Choose somewhere unusual, or different. Again, put thought into it, and concentrate on enjoying each other's company as opposed to putting on a front of romance just because that's what you're expected to do.

But what if you don't have a partner? You can still celebrate the sentiment behind the day. Remember that the Nuremberg Chronicles of 1493 describe St Valentine as being a Roman priest who was caught marrying Christian couples (and generally aiding Christians) at a time when Christians were being massively persecuted by Rome. He was beaten and stoned, but eventually beheaded. Really romantic, huh? So here's my top three ways to celebrate this altruistic saint.

1. Donate time or money to a cause you strongly believe in. St Valentine risked death by sticking to his principles - the least you can do is go shopping in Oxfam.
2. Organise a night out with your very best friends. Love comes in many forms, and simply being around people you care about is often the best reminder of that age-old adage, love is all around.
3. Buy a pet. Make sure you'll be able to care for it, and tend its needs - a dog/cat/rabbit/hamster etc. is for life! Though if you do get one and look after it properly, it'll love you unconditionally! A dog certainly won't care if you forgot to brush your teeth, or haven't had time to get your roots done. It'll love you regardless.

Let me know how you all get on....

Why Spinning Is Like Writing

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Some of you may know that I'm a keen knitter. Many a story problem has been resolved after I've mulled it over during a knitting session, letting my unconscious tackle the issue while my conscious mind focuses on lace or cables. I've been knitting for over a year now, and I thoroughly recommend it as a useful pasttime. It's relaxing (until you realise you've misread the pattern and purled where you should have knitted), it's portable, and it produces an end-product. Much like writing, really. Both require minimal materials (two sticks and string allows you to knit, and you just need something to write both with and on to write) and both require a combination of your left and right brain.

Anyway. I had a go at spinning last night. No, not the exercise, but the rather ancient craft of turning raw wool into something approaching yarn. A friend of mine is a member of the Guild of Weavers, Spinners and Hand Dyers and she kindly agreed to do a spinning class for the knitting group I go to. We had a go with hand spindles, as well as a spinning wheel, and the only conclusions I can really draw are that; a) spinning is a lot harder than it looks, and b) it requires the sort of hand-eye co-ordination you'd normally expect from a ninja.

Still, it was fun to try something new, and while I was trying to remember to let the twist in AFTER I'd stretched the roving, I thought about how spinning is actually very akin to writing. (See? This is the blog of a writer. I knew I'd get writing in here somehow) Your initial process of spinning is like writing a first draft. You take raw words/roving, and spin them out into a continual story/yarn. You tease and twist, stretch and spin, trying to craft something you can use. Though even when your roving has run out and your spindle is full, you're not done. Just as spun wool must be plied, washed and snapped before it can be knitted, a story needs to be honed and polished before it's ready for the light of day.

It's this last part that I struggle so much with. Once I've written something, I want people to read it. I want it to be acknowledged, digested and understood. I still can't grasp the notion that a story needs to be put away and allowed to 'mature' before I can re-read it and spot the glaring errors. I think I'm too impatient for my own good...but there's always that little voice in the back of my head going "Well it has to go public sometime!"

How about you? Are there any crafts you do to help with writing? And how long do you leave stories to mature?


(NB: The image I used for this post is actually one of my own - it's a spinning wheel I found on a staircase at Chillingham Castle, Northumberland)