Tweet
"Mom, why don't we have a pumpkin?"
Michael looked out the window at the houses across the street. Each one boasted a lit jack o'lantern by the front door, the flickering candlelight throwing jagged faces across their front lawns.
"I don't want any of the dead finding their way back here," said Nancy.
"What about Dad?" asked Michael.
"Especially your dad." Nancy muttered as she turned back to the kitchen counter where dinner lay in various parts across an array of plates.
Michael and his brother Jason clambered onto the sofa, Michael dressed as Woody the Cowboy and Jason as Buzz Lightyear. Their cousin Freddie would be over soon to take them trick or treating. She didn't agree with the commercialism that had crept into the holiday, as the tradition of the poor offering to say prayers for the dead in exchange for soul cakes from richer households was perverted into children begging for candy. Still, the boys being out of the house would give Nancy time to make her preparations.
The doorbell rang. Jason leapt off the sofa and ran across the room. He yanked on the handle and pulled the front door open.
"Honey, I'm hoooooome."
Jason squealed and Nancy whirled around to see Patrick framed in the doorway. Dirt clung to the tattered remains of his burial suit, and grass stuck to the patches of skin worn away through the rotting process. A gnarled hand reached out for Jason, but the boy ducked out of his grasp and threw himself across the room to join his elder brother.
"You didn't leave a light out, honey." Air rasped across decayed vocal chords in a ghastly imitation of speech.
"Boys, go fetch your buckets from the laundry room." Nancy backed slowly across the kitchen.
"Aw, don't you wanna see your dad?" Patrick turned his dead gaze to Michael and Jason, but they dashed towards the laundry room before he could lurch two steps across the carpet. They passed Nancy and dived into the small laundry room next to the kitchen. Nancy had stashed their candy collection buckets in there anyway, so the ruse wasn't a complete lie. She just didn't want them to see what she was about to do next.
"You can't keep your kids from their dad, Nance. It isn't healthy." Patrick continued to rasp as he forced his feet forward two more steps.
Nancy darted forward and snatched up the shotgun from its resting place against the door jamb, kicking closed the door to the laundry room as she did so. Patrick's dead eyes lit up with a terrible understanding as she raised the shotgun and pulled the trigger.
The boys cried out in the laundry room, but they left the door closed. The blast sent shards of bone and tattered scraps of cloth and flesh out of the open front door and across the front path. Nancy glared at the corpse as it swayed, before landing with a wet thump on the carpet. Patrick had never been a tidy husband, but now he'd left a dirty great stain on her living room floor.
She heard voices at the back door, and realised Freddie had arrived. His back yard backed onto hers, and he preferred to cut across the lawn instead of going the long way around. She opened the back window and called out to her nephew.
"Could you take the boys out now? Just cut around the side of the house." Nancy gave him her biggest smile. The teenager, dressed as Wyatt Earp, gave his lop-sided grin, and led the boys across the garden.
Nancy ducked back inside and pulled what was left of Patrick into the house, closing the front door so the boys wouldn't see. Their father would be gone by the time they got back - and this time, he'd be gone for good.
Friday, 1 November 2013
Thursday, 31 October 2013
Tuesday, 29 October 2013
Craftblogclub October Challenge Reveal
Tweet
As we rapidly rush towards the end of October, it's now time to finally show off my product for October's #craftblogclub challenge. The challenge, discussed here on Emma Berry's blog, was to create a Halloween decoration using a craft we'd never tried before. Naturally, for me, that ruled out digital artwork, knitting, crochet, and jewellery. Plus, I also wasn't sure entirely what could be classified as a decoration. Should I make bunting? Confetti? Weird decorations for a seasonal take on a Christmas tree, this time decked out with spiders and bats?
I considered making felt decorations, as my sewing is a craft I need to improve and could therefore be considered a new craft, and also a papercraft response, but as the days began to run out, I decided to have a go at making something out of a glass jar to save time. My mum's marmalade comes in gorgeous straight-sided hexagonal jars, and I thought I'd use one for something. I did want to make a little witch and a cat out of polymer clay to do an updated version of a witch bottle, but I didn't have time, so instead I decided to do a twist on the traditional Halloween pumpkin.
I've always wanted to carve a pumpkin, but as I don't actually like the vegetable itself, it seems like it would be a waste to buy one and throw away the parts I didn't use. So I decided to paint onto a jar, turning the transparent glass orange, except for the clear 'cut out' face. That way, I can burn a tea light inside and get the feel of a pumpkin without having to cut one up. I can also put it on the windowsill, something I wouldn't be able to do with a pumpkin.
Sure, the paintwork looks a bit shoddy, and I need to drill some more holes in the lid to make sure enough oxygen can get inside to keep the flame burning, but I think it's not entirely terrible for a first attempt!
What do you think?
I considered making felt decorations, as my sewing is a craft I need to improve and could therefore be considered a new craft, and also a papercraft response, but as the days began to run out, I decided to have a go at making something out of a glass jar to save time. My mum's marmalade comes in gorgeous straight-sided hexagonal jars, and I thought I'd use one for something. I did want to make a little witch and a cat out of polymer clay to do an updated version of a witch bottle, but I didn't have time, so instead I decided to do a twist on the traditional Halloween pumpkin.
I've always wanted to carve a pumpkin, but as I don't actually like the vegetable itself, it seems like it would be a waste to buy one and throw away the parts I didn't use. So I decided to paint onto a jar, turning the transparent glass orange, except for the clear 'cut out' face. That way, I can burn a tea light inside and get the feel of a pumpkin without having to cut one up. I can also put it on the windowsill, something I wouldn't be able to do with a pumpkin.
Sure, the paintwork looks a bit shoddy, and I need to drill some more holes in the lid to make sure enough oxygen can get inside to keep the flame burning, but I think it's not entirely terrible for a first attempt!
What do you think?
Labels:
arts and crafts,
halloween
Friday, 25 October 2013
#FridayFlash - Thoughts of a Nightmare
Tweet
It's 9pm on Saturday night...all over the country, people are out in public, spending time with their friends, and their loved ones, propping up bars or crowding into restaurants, spilling out of cinemas and flocking along rain-slicked streets lit by sputtering neon. Couples stagger along streets, clutching at each other in their mirth as their laughter peppers the November air. Groups of friends swarm from bar to club. Not I. No, the bonhomie and warmth of human companionship is not for one such as I. I lurk in shadows, watching and listening, but mostly I withdraw to the dark, damp places where no one else might go.
Yet this night is different. I smell it on the air, buried among the scents of sweating bodies and cheap fast food. There is a human, yet she is not the same as the others. She stands alone, bemused by those around her, and unable to behave in a similar fashion. She realises she is not alone, not truly, and she comes searching for me. I lead her on a merry dance, for it is not right that one of the light should come to explore the dark. We are both alone, but we are not the same.
She is persistent, and soon my curiosity outweighs my desire to protect this unusual human from the horrors in the shadows. I stand in the open, for the first time in a century, and lean against a bus shelter. I do not stand under the fluorescent street light - no, that is too much of an exposure. I choose a spot in the shadows. She sees my long limbs, and charcoal skin. The darkness hides my face but she holds my yellow gaze all the same. The scent on the air becomes one of fear, and she realises that she has chased a nightmare.
This human, the closest to my kind that I have yet encountered, stands rooted to the spot, and I realise it is time to release her from my thrall. I open a slot between space and time and slip away into a world that she should not see. Not while she is awake, at any rate. Yet even as I take myself deeper, away from the throbbing life of this Saturday night, I know I will see her again. Now that she has seen the dark, she will no longer be satisfied by the light.
![]() |
| Image by Hugoslv |
Yet this night is different. I smell it on the air, buried among the scents of sweating bodies and cheap fast food. There is a human, yet she is not the same as the others. She stands alone, bemused by those around her, and unable to behave in a similar fashion. She realises she is not alone, not truly, and she comes searching for me. I lead her on a merry dance, for it is not right that one of the light should come to explore the dark. We are both alone, but we are not the same.
She is persistent, and soon my curiosity outweighs my desire to protect this unusual human from the horrors in the shadows. I stand in the open, for the first time in a century, and lean against a bus shelter. I do not stand under the fluorescent street light - no, that is too much of an exposure. I choose a spot in the shadows. She sees my long limbs, and charcoal skin. The darkness hides my face but she holds my yellow gaze all the same. The scent on the air becomes one of fear, and she realises that she has chased a nightmare.
This human, the closest to my kind that I have yet encountered, stands rooted to the spot, and I realise it is time to release her from my thrall. I open a slot between space and time and slip away into a world that she should not see. Not while she is awake, at any rate. Yet even as I take myself deeper, away from the throbbing life of this Saturday night, I know I will see her again. Now that she has seen the dark, she will no longer be satisfied by the light.
Labels:
creative writing,
flash fiction,
friday flash
Wednesday, 23 October 2013
#BookReview - Cobweb Bride
Tweet
I first came across Vera Nazarian's Cobweb Bride through a recommendation by Nerine Dorman, and I'm very glad I decided to follow this recommendation up. Book one in a trilogy, Cobweb Bride tells the story of an imaginary kingdom called Lethe, located somewhere in an alternate Renaissance Europe. Death appears, proclaiming he will take no more lives until his Cobweb Bride is found, and all marriageable women are sent to search for his Keep in the forests of the North.
One of these women is Percy (short for Persephone), a largely unremarkable and overlooked middle daughter, who is notable for her ability to see shadows of death. Percy starts the book as a lumpen, plodding sort of girl but really grows in confidence and wit as the book progresses. I found I really liked Percy by the end of it, and I love the fact that she's so easy to relate to - she's no Bella-esque Mary Sue character.
The book follows other characters, such as the Infanta, a sixteen year old frail princess from the imperial court, a trio of aristocratic fops (who, in my head, talk like the actors on Made in Chelsea), and a knight whose father won't die after a bloody massacre goes wrong in Death's absence from duty. It's all highly inventive, including the fact that the populace risk starving to death since anything killed or harvested after Death goes on strike returns to a state of life, making it inedible. My only criticism regarding the characters are their names - some characters are introduced, and only used once, making it difficult to keep track of a cast with long names, some of whom aren't even essential to the plot.
Other reviews have noted that it takes far too long for the action to begin, and I'd be inclined to agree. Much of the first third or so of the book could be revealed through dialogue later in the story, or cut altogether, and I really didn't need a lengthy description of the life and love of Persephone's grandmother before anything even happens. It feels in places as though Nazarian is feeling her way into the story, and with hindsight this could be condensed. However, once the action gets started, it's very difficult to put the book down, and I found myself flying through it, eager to know what happened next. Luckily there's enough potential in the first third to have kept me reading because I thoroughly enjoyed the remaining two thirds!
I'll definitely be buying book two in the trilogy...
Four blunt pencils!
You can get Cobweb Bride for Kindle from Amazon US, or Amazon UK, as well as on Smashwords. Paperbacks are also available.
One of these women is Percy (short for Persephone), a largely unremarkable and overlooked middle daughter, who is notable for her ability to see shadows of death. Percy starts the book as a lumpen, plodding sort of girl but really grows in confidence and wit as the book progresses. I found I really liked Percy by the end of it, and I love the fact that she's so easy to relate to - she's no Bella-esque Mary Sue character.
The book follows other characters, such as the Infanta, a sixteen year old frail princess from the imperial court, a trio of aristocratic fops (who, in my head, talk like the actors on Made in Chelsea), and a knight whose father won't die after a bloody massacre goes wrong in Death's absence from duty. It's all highly inventive, including the fact that the populace risk starving to death since anything killed or harvested after Death goes on strike returns to a state of life, making it inedible. My only criticism regarding the characters are their names - some characters are introduced, and only used once, making it difficult to keep track of a cast with long names, some of whom aren't even essential to the plot.
Other reviews have noted that it takes far too long for the action to begin, and I'd be inclined to agree. Much of the first third or so of the book could be revealed through dialogue later in the story, or cut altogether, and I really didn't need a lengthy description of the life and love of Persephone's grandmother before anything even happens. It feels in places as though Nazarian is feeling her way into the story, and with hindsight this could be condensed. However, once the action gets started, it's very difficult to put the book down, and I found myself flying through it, eager to know what happened next. Luckily there's enough potential in the first third to have kept me reading because I thoroughly enjoyed the remaining two thirds!
I'll definitely be buying book two in the trilogy...
Four blunt pencils!
You can get Cobweb Bride for Kindle from Amazon US, or Amazon UK, as well as on Smashwords. Paperbacks are also available.
Labels:
book review
Friday, 18 October 2013
#FridayFlash - It Wakes
Tweet
Quite a lot of people were asking "What happens next?" so this story is a follow up to my flash last week, After It All.
Far below a vast yet empty metropolis, beneath the rotting transport network, and the ruins of bygone eras, something moved in the dark. It growled, testing itself before it woke fully. The being was confused, having slept for centuries.
With no humans left it had no thoughts to guide its form, so it settled on an amorphous mass, malleable and soft. It prodded at the world beyond itself, wondering why it had awoken.
The being, a deity older than creation itself, noticed the silence first. Before it slept, it had lain in the depths, listening to the endless chatter from the world above. The being had withdrawn when it became convinced that man no longer cared for the state of his soul, and so it slumbered in the dark. Meanwhile, in the world above, humans turned their gaze from the cosmos to the incorporeal, their worship centered around glowing boxes they kept in their homes, or carried in their pockets. Their incessant talk and the buzz of information in the ether haunted the dreams of the sleeping being.
It left the dark, and returned to the light. It expanded its mind, in all places at all times, and explored the world. Not a trace of life remained beyond that of the plants. Botanical life flourished where animal life had failed. The being quivered with a ghost of a smile.
It wandered around the metropolis, where creeping vines and growing trees swallowed up the crumbling buildings. None of the trees were right, so the being explored further, and settled in a field far beyond the metropolis. It chose an ancient oak that stood apart from the rest of the forest, and imbued it with its first sentient thought.
For the first time in four hundred years, the oak realised it missed humans.
![]() |
| Image by Danskii |
Far below a vast yet empty metropolis, beneath the rotting transport network, and the ruins of bygone eras, something moved in the dark. It growled, testing itself before it woke fully. The being was confused, having slept for centuries.
With no humans left it had no thoughts to guide its form, so it settled on an amorphous mass, malleable and soft. It prodded at the world beyond itself, wondering why it had awoken.
The being, a deity older than creation itself, noticed the silence first. Before it slept, it had lain in the depths, listening to the endless chatter from the world above. The being had withdrawn when it became convinced that man no longer cared for the state of his soul, and so it slumbered in the dark. Meanwhile, in the world above, humans turned their gaze from the cosmos to the incorporeal, their worship centered around glowing boxes they kept in their homes, or carried in their pockets. Their incessant talk and the buzz of information in the ether haunted the dreams of the sleeping being.
It left the dark, and returned to the light. It expanded its mind, in all places at all times, and explored the world. Not a trace of life remained beyond that of the plants. Botanical life flourished where animal life had failed. The being quivered with a ghost of a smile.
It wandered around the metropolis, where creeping vines and growing trees swallowed up the crumbling buildings. None of the trees were right, so the being explored further, and settled in a field far beyond the metropolis. It chose an ancient oak that stood apart from the rest of the forest, and imbued it with its first sentient thought.
For the first time in four hundred years, the oak realised it missed humans.
Labels:
creative writing,
flash fiction,
friday flash
Friday, 11 October 2013
#FridayFlash - After It All
Tweet
Grey clouds scudded across a flat, empty sky. Far below, the countryside
stretched between deserted cities. Every day brought a further encroachment of
wilderness into the urban wasteland. Grass grew tall in the narrow lanes
between the abandoned blocks of flats, and weeds pushed up through cracked
concrete. Rusting cars stood in the street, smashed into one another where
occupants had collisions in their hurry to leave. Moss coated discarded
possessions in overgrown gardens, and tree roots erupted through tarmac as the
forest retook the roads. No animals moved in, as there were no animals to move, just as there were no longer any people.
Crates of goods that would never be bought or sold sat on rotting pallets in forgotten warehouses. Dust lay thick on nylon carpets in vacant flats, and TV screens reflected empty rooms. Belongings with no owners became mere objects, unused and unloved. Houses were no longer homes, instead simply tombs to bygone consumerism. Days passed, seasons turned, and the peace continued.
Yet somewhere in the depths of the silence, between the emptiness and the darkness, something moved.
Something growled.
![]() |
| Image by adpsimpson, edits by me |
Crates of goods that would never be bought or sold sat on rotting pallets in forgotten warehouses. Dust lay thick on nylon carpets in vacant flats, and TV screens reflected empty rooms. Belongings with no owners became mere objects, unused and unloved. Houses were no longer homes, instead simply tombs to bygone consumerism. Days passed, seasons turned, and the peace continued.
Yet somewhere in the depths of the silence, between the emptiness and the darkness, something moved.
Something growled.
Labels:
creative writing,
flash fiction,
friday flash








