Friday, 12 July 2013

#FridayFlash - In the Cellar Prison

This week's story isn't really a follow on from last week, but it is related to Watery Depths in some ways. Enjoy!

My name is Puella and I suspect that I shan't be alive for much longer. They keep me in this dank cellar below the guildhall, and I hear water lapping against the wall on the other side of the bricks. Such a prison is cruelty itself - they know of my nature, and they keep me where I can hear my element, but am powerless to join it. There was another of my kind here a century ago, my older sister Furia, and her wrath was so terrible that the townsfolk have been vigilant ever since. They no longer duck or burn their witches, but they do hang them.

I took so much care to live in the shadows. I turned my face away from the sun, and I only emerged at night. I crept around the city like a cat, and the town continued oblivious. I thought myself safe, and grew careless. One day I awoke too early, and came across some of the bigger boys tormenting a group of younger children. I could not stand such behaviour, and intervened. The bigger boys fled crying to their mothers, and I became beloved by the young ones. I would appear in the secret nooks and forgotten wells that the adults had come to miss. My little younglings, as I grew to call them, would bring me gifts of food, filched from kitchen tables, and I granted their wishes.
It all sounds so idyllic when I put it so, and for a time it was. But the bigger boys told tales to their mothers, and words spread until they are heard by ears which should not hear them. The men that govern this town remembered my sister, and they hunted me down. If I am still and quiet, I can still hear the screams of my younglings as their fathers dragged me away. They threw me in this cell, close enough to hear the water, but too far to join it.

How little they know. Water is the most persistent of elements - it will always find a way, until the smallest crack becomes a gaping crevice. It is relentless in its pursuit of its desires. I am of the water, and I too am relentless. I have also learned the mercilessness of my sister. I have discovered a crack in the wall, a fracture between the bricks. I can call the water to me, and it forces itself through the cement until it pools in the corner of my cellar. Yet it does not simply come in - I send it forth again, my resentment and frustration boiling and churning the water. I have sung a song that only my younglings will hear. They know from which wells they can safely drink, and they know to which place they must go when they grow old enough to journey forth.

I fancy that I hear a key turn in the lock and I turn to face the door but I know that no one will come. My captors are probably dead by now - indeed, no one has come to give me a paltry ration of gruel for some time now. I have no way of measuring the hours, but I still hear the tides in my heart, and I suspect it has been three days since my last meal. It does not matter - I shall return to my element when I expire, and be at one with the water that I currently can only hear. My poison will have spread throughout the town by now, and my younglings and their favoured maids will wonder at the destruction I have wrought.


I must sleep now, though I fear I shall not wake. Goodnight.

Image by Datarec, edits by me.

Tuesday, 9 July 2013

Do More by Being Busy

There is an axiom attributed to Lucille Ball that "If you want something done, ask a busy person to do it." I can see the logic behind it - a busy person already has a To Do list, probably organised according to priority, and it's a simple enough task to add another item. Give it to someone who has very little to do, and they'll spend so much time thinking about other stuff they might want to do, or how they might approach it, and it'll end up taking even longer.

Why am I talking about To Do lists? Well I noticed today that I work a lot faster when I have a To Do list, and I've positively blitzed mine today. I've been exceptionally busy lately, and I've got a lot more to show for it. In fact, I even write better when I have a zillion and one things to do - if I find a spare ten minutes, and I get the urge to write, I'll take advantage of the moment. If I've got a spare hour and no other pressing concerns, I'll easily while away the time faffing about on Facebook or catching up on blogs.

I think much of it is psychological. When you have little to do, you have more potential time in which to do a task, and you under-estimate how much time it'll take since you have so much time spare, meaning you end up being rushed. When you have a lot to do, you're conscious of the passage of time and so spend more concentrated time on the task, meaning you usually over-estimate how long it will take, thus freeing you up to work on the rest of your list.

I guess my point is that I see a lot of blog posts advising writers to give themselves dedicated blocks of writing time, to clear their schedules and turn everything off so they can just write. I'm sure that works for some people who like to work steadily, with no interruptions, but I've got the attention span of a cat so it doesn't work for me. I've tried setting aside an hour to write, and minimising interruptions, but my mind wanders and I end up interrupting myself. Not good. I like to work on multiple projects at once, devoting short bursts of concentration to each of them, meaning at the end of an hour I could feasibly have three or four things almost-finished, instead of one thing completed. Besides, if I set time aside to write, then I won't use it for writing. If I snatch time where I can, then I recognise how precious that time is and I use it wisely.

What about you? How do you cope with your To Do list? Do you manage your time, or try to do everything at once?

Image by Dublindays.

Friday, 5 July 2013

#FridayFlash - Watery depths

I tiptoe down the steps towards the arch in the wall, the stairs slick with wet leaves. A fine mist of rain clings to my hair and gown, yet I do not fear the moisture in the night air. Water is not my enemy.

I stand on the edge of the step, clinging to the stone arch, and peer into the gloom. Sten's boat will cut through the darkness and he will lift me down onto a seat. We will spend the night quietly traversing the canals of the town, sliding beneath the houses built over the water. I will sing softly in the tunnels, my song encouraging the water to glow to light our way.

Footsteps squelch on the steps behind me and I turn to see Sten. His face is white in the darkness, and he is not alone. Another man stands behind him and my blood runs cold when I recognise him. His sharp features and dead eyes can only belong to Ward de Ville, Chief Inquisitor. I know that my romantic trysts with Sten have been uncovered, but there is a greater threat than the shame of being an unchaperoned woman. De Ville would not be here otherwise.

"So this is her?" De Ville looks me up and down as though I am something foul and abject. He does not hide his disgust, but I can smell his fear beneath the bravado.

Sten nods, and refuses to meet his gaze. I wonder how much Sten will receive for my bounty, and if he will enjoy spending such newfound wealth, knowing he was paid for my death.

"Nothing to say for yourself?" asks De Ville.

"Nothing I would care to say to you, at least," I reply.

I see no profit in playing innocent, in asking Sten what he means by bringing De Ville here, in pleading for my life or denying whatever charges De Ville chooses to throw at me. Such grovelling is not the way of my people, for we are as strong as the tides.

Without a word, De Ville steps forward and pushes me into the water. My gown grows heavy, and the canal's cold fingers drag me down. They expect me to struggle, but I am caught in their quandry. If I sink, I am innocent, and if I surface, I will be burned.

I hold myself in the murky depths, waiting until the men are satisfied of my 'death' and leave the stairs. My anger burns so fiercely that I worry it will make the water churn and boil around me. I hoped this place would be different, that the people would be welcoming and appreciate my gifts, instead of fearing them. But the current of hatred runs strongly in man, and I must find another home. Again.

And yet. I bide my time in the water, secure that they have gone. Men with poles will return later to find my body, and thus proclaim my innocence, although they will find nothing. I hope that such proof will destroy Sten's conscience, in allowing him to think he condemned his innocent love, but I cannot let it rest. I follow the canals beneath the houses to find that of Sten. I pull myself up onto a narrow landing, where a service door leads directly into the tunnel. I heave it open and slip inside.

Sten will have quite a shock in the morning - perhaps the greatest, and last, shock of his life.

Tuesday, 2 July 2013

[Book Review] The Angel of Shadwell

Every now and then you come across a book and it's literally the title that makes you buy it. I came across The Angel of Shadwell by Jonathan Templar on Facebook (I think) and being a sucker for all things London, I downloaded a sample for my Kindle. I didn't even read all three chapters - I bought the whole thing after just a couple of 'pages'. To own the truth, I downloaded the full version and started reading on 11 June, and finished on 12 June. It's not the longest book but it's such an engaging read, it's easy to get sucked in.

I'd describe it as a steampunk crime caper, in which Inspector Noridel and the faithful Sergeant Crayford are set on the trail of a killer who tears the hearts from his victims. When an aristocrat is slain in such a way, things escalate and Noridel is fighting to keep his job amid scrutiny from those higher up the chain of command. Witnesses describe the killer as being an angel, so what exactly is Noridel chasing? It's not a complicated plot, but it's a compelling one, and that alone keeps you reading.

Some steampunk stories can sometimes feel like the steampunk elements have simply been 'bolted on' to satisfy a list of criteria (Cogs and brass? Check. Steam? Check. Automata? Check. Airships? Check.) but in The Angel of Shadwell, the elements are so integral to the plot that the story wouldn't work without them. Beyond that, Templar uses them in a wildly inventive way, and his cast of miscreants reminded me of the more restrained outpourings of China Mieville. Noridel and Crayford are both likeable protagonists, while the uneasy truce between Clock and Flesh (i.e. automatons and people) seems rife with possibilities that I hope Templar explores in the future.

All in all, it's a quick read, and highly enjoyable. Five blunt pencils out of five!

You can buy it from Amazon US and Amazon UK.

Friday, 28 June 2013

#FridayFlash - Sightseeing

The statue coughed twice, sending a cloud of dust into the air. Tendrils of ectoplasm snaked out of the statue's nose, and billowed into the display case. The cold fingers of phantasmic goo sought the key hole near the top of the glass, and oozed through the lock mechanism. The figure coalesced on the other side into that of a slender man with delicate hands.

He peered at the statue through the glass and shook his head. The artist was more of a mere craftsman, and simply hadn't managed to capture the boyish line of his jaw, or the laughing smile in his eyes. They'd dressed his statue in gaudy fabrics befitting a prince, conveniently ignoring his more simple attire in life.

Prince Aken-Aten stretched, imagining his joints popping as they did before he died, and looked around the room. He'd grown tired of exploring the Egyptian Gallery, filled as it was with familiar things. He wanted to see the world, and learn more of what happened after his death.

He walked away from the case and stuck his head into the corridor. Tableaux of stuffed animals lined the route, re-enacting scenes from the North African desert. Aken-Aten bowed before the noble lion, and marvelled at the cobra, rearing as it ready to strike. He followed the passage and the decor changed, turning from desert vista to lush jungle. Aken-Aten recognised the greenery but the animals were alien, covered in stripes, or shaped like hairy men.

The Prince spent the evening touring the Natural History gallery, teaching himself to read the strange symbols on the wall beside each display. He even visited the gift shop, marvelling at the small reproductions of the stuffed animals. He believed them to be toys, albeit ones very different from the wooden or bone games they had at his father's court. His sister would have loved the soft fur of the lion cub.

The sky beyond the windows grew pink, and Aken-Aten made his way through the museum to return to the Egyptian gallery. He allowed himself to dissipate, feeling his limbs grow long and his body expand, and his ectoplasm fingered a path through the key hole into the case. It forced itself up the nose of the statue, and turned its thoughts to sleep as the dawn broke.

* * *

Roland peered into the display case containing the funeral effects of Prince Aken-Aten. He stared at the statue in disbelief for a full five minutes, before turning to shout for his assistant.

"Mavis? Mavis? The statue's moved again!"

* * *

This flash was inspired by this news story!

Friday, 21 June 2013

[Review] World War Z

I’ll be honest, since I first started seeing trailers for World War Z, I wasn’t sure that I wanted to see it – mainly because I really enjoyed the book and could see it was going to be nothing like it. In many ways, I think the biggest problem that the film faces is comparisons to the book, but having now seen it, I can say it seems like World War Z was inspired by the book, but is not an adaptation of it. In all honesty, there are more nods and references to The Zombie Survival Guide – if they’d thrown in some Zombieland style rules, they could have almost changed the title and gotten away with it. Of course the internet is aflame with condemnation but I don’t know how many of the people slagging it off have actually seen it.

Well I have, and I’m actually both surprised and relieved to say I really enjoyed it. I think popular culture has been groaning under the weight of the zombie-related bandwagon jumpers of late, and I think it was always going to be difficult to add yet another zombie film to the pile – particularly one starring Brad Pitt. Well I think Pitt has a broader range than he’s normally given credit for, and here he plays a former UN investigator, Gerry, who’s sent off to find the elusive Patient Zero in the hopes of creating a vaccine against the zombie virus.

It’s not easy for him. When we first meet Gerry, he’s trying to get his family out of Philadelphia (well, Glasgow masquerading as Philadelphia) and later he’s stuck in a Newark apartment building with zombies snapping at his heels. He’s sent off to South Korea, and then Israel, before ending up in Wales. Bit of a globe-trotter, our Gerry. But what I like about him as a protagonist is that a) he’s not stupid, and he even goes so far as to duct tape thick glossy magazines to his limbs as impromptu body armour and b) he notices things. You’d hope that an investigator would do that, but Gerry not only notices salient details among the carnage, he actually comes up with theories that are completely plausible. He doesn’t need to be told things, he works it out for himself – in essence, he becomes a proxy for the audience who are by now so well versed in zombie lore that they don’t need things to be spelled out.

For a zombie film, World War Z is surprisingly bloodless. If you want lingering close-ups of bloodied mouths and corpses being ripped apart then you’re better off with Zac Snyder’s Dawn of the Dead remake. Instead, World War Z derives its horror from the sheer spectacle of that many zombies in one place. They don’t run so much as they swarm, turning the traditional faceless mass into a wave that sweeps through any space. Imagine a plague of locusts stripping a space bare and you’ll get the idea. Despite the lesser amount of gore, it’s still a visceral film, and even contains moments of actual suspense. It also has a clever use of sound, riffing on the sections in The Zombie Survival Guide that counsel weapons like crowbars over guns as noise will simply attract more zombies. The quiet sections just serve to highlight how loud our world normally is.

I know there will still be a lot of people online bleating that “it’s nothing like the book”, and I’ve even seen a comparison to 28 Weeks Later (which is ridiculous as 28 Weeks Later was appalling) but all I can say is if you’ve read the book, try to go into it without expecting it to be the same. If it makes it easier, consider it as a film that just has the same name as the book – and try to spot the Zombie Survival Guide references instead!

4.5 out of 5!

#FridayFlash - The Invisible Man

I've been sitting on the bench in the churchyard for twenty minutes. I always choose this bench - it has a good view of the road so I can watch people coming and going, and for most of the day it's shaded by the bulk of the church behind me. It's a good place to sit and watch the world go by. I've been listening to the birds singing, and watching a young woman take photos of the headstones while her friend stands nearby. I can't hear what he's saying but she's laughing at whatever it is.

It takes me a few moments to realise the girl is coming over. She's not just headed in this direction - she's coming staight at me. Camera phone at the ready, she snaps several photos of me, all the while chattering to her friend about how the images need to go on Instagram, and how they'll make a brilliant photo prompt. I don't even know what a photo prompt is but it doesn't sound like anything I want to be a part of.

She keeps snapping and chatting, but she doesn't even realise she's looking right at me - all she sees is a battered pair of trainers in front of a bench. The girl jokes to her friend about meeting an invisible man and I flinch. She can't know how right she is. I don't find her jokes funny but people have no idea what it's like, trying to get through life without being seen. If it wasn't for self service check outs at the supermarket and automated tellers at the bank I'd be screwed.

Eventually she wanders off, but I can't leave until she's completely out of sight. I curse my decision to wear shoes today as they give me away, but really, would you walk barefoot around your local town centre?