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I'll be honest, I wasn't expecting to like this eerie novella by Irish writer, Rab Swannock Fulton. Published by Dark Continents and edited by Nerine Dorman, Transformation tells the tale of a young man named Donnacha, a young dishwasher in Galway who meets an enchanting young woman named Eimir. Much of the first half of the book reads as a romance novel as their relationship deepens, and I was prepared to be put off since romance is not a preferred genre of mine. However, there's a real sense of the supernatural about the whole story, and I felt on tenterhooks throughout, which is essentially what kept me spellbound. Fulton has a beautiful, lyrical style and the haunting quality to the romance kept me wondering what would happen to break the idyll he'd created.
You can't keep the supernatural out for long, and in Donnacha's case, he becomes persecuted by a pooka, a creature from Irish folklore and Welsh mythology. The use of the pooka, as opposed to a more familiar monster or beast, gives Transformation a sharp edge, as Donnacha battles to keep his soul and defeat the evil goat once and for all. The book makes full use of its Galway setting, and the contrast of the gentle romance and horror powers the story in a very visceral way.
Donnacha makes a convincing and likeable narrator, and his motivations are believeable, if a little naive at times. The introduction of the pooka was a masterstroke, since a more conventional creature could have seen the book become a retread of familiar themes, but as it is, the book becomes an original version of a twisted fairy tale, as well as a darker version of more popular paranormal romances - and one that also made me want to conduct further research into Irish folklore. It's a very absorbing and quick read (indeed, I breezed through it in three days) and I'll be very interested to see what Fulton does next.
Four and a half blunt pencils out of five!
You can buy Transformation for the Kindle from Amazon US and Amazon UK. You can also buy it for Kobo and Nook.
Wednesday, 9 January 2013
Tuesday, 8 January 2013
Making Resolutions That Stick
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We're a week into the New Year, and if you’re a writer, you've no doubt composed a raft of New Year’s resolutions related to your craft - resolutions that you might find that you're struggling to stick to now that you're back into a routine at work and away from your 'holiday bubble'. While others resolved to visit the gym three times a week, or to buy fewer pairs of shoes, you’ve resolved to write 1000 words a day, finish writing eight novels, or to hit the best-seller list by the end of the year. We do it every year, and we usually fail every year, making us feel worse, not better, about our writing. So how can we make resolutions that we’ll be able to stick to?
1) Be realistic
One of the problems with resolutions is that we try to over-reach ourselves. Think of this not as a resolution but as a goal – so it’s what you’re aiming to do, not what you will do. By giving yourself this flexibility, you’re more likely to stick to whatever framework you set yourself, and therefore complete your goal by year’s end. So your phrasing might be “I intend to finish writing one novel of 70,000 words or more” as opposed to “I will write a trilogy of 100,000 word novels”.
2) Don’t try to change your habits overnight
Following on from number one, it’s no use telling yourself that you will write a 100,000 word novel by the end of April if you normally find you only have time to write around 3,000 words a week. If you push yourself to work beyond your time constraints or work patterns, you may find you drop behind within a few days, and soon you’ll lose the motivation to write at all. Keep your resolutions (or goals) within your usual habits and you’ll find it easier to keep going.
3) Your resolutions don’t have to be time dependent
We always think our resolutions have to run from January to December but that’s highly unrealistic – we have no way of knowing where we’ll be twelve months from now. So why not set quarter resolutions? Maybe you’ll set yourself a particular word count to hit between now and the end of March. If you hit it with ease, you can raise it for the end of June, and so on. If you can’t hit it, then you can always reduce your count for the next one until it’s manageable.
4) Think beyond the resolution
Try setting yourself an additional goal beyond the resolution itself – in psychological terms, link situations with actions. So you might reword your resolution from “I will finish my book and send it to an agent” to “If I complete my novel and receive positive beta feedback, then I will start sending it to agents”. It breaks the resolution down into manageable stages and gives you something to do when you've actually fulfilled the resolution. The end action also gives you an extra incentive.
5) Form a habit
Remember that you’re essentially trying to form a new habit by forming a resolution, and the only way for something to really become a habit is if you do it! Sit down, start typing, or researching – whatever it is you need to do to make your resolution a reality. The more regularly you do it, the better a chance you stand at actually making your resolution stick. Your resolution might be to write more, and you might have a spare ten minutes at lunch time, so maybe you might want to write 500 words every lunchtime. So get on and do it.
What are your resolutions - and have you broken them already?
1) Be realistic
One of the problems with resolutions is that we try to over-reach ourselves. Think of this not as a resolution but as a goal – so it’s what you’re aiming to do, not what you will do. By giving yourself this flexibility, you’re more likely to stick to whatever framework you set yourself, and therefore complete your goal by year’s end. So your phrasing might be “I intend to finish writing one novel of 70,000 words or more” as opposed to “I will write a trilogy of 100,000 word novels”.
2) Don’t try to change your habits overnight
Following on from number one, it’s no use telling yourself that you will write a 100,000 word novel by the end of April if you normally find you only have time to write around 3,000 words a week. If you push yourself to work beyond your time constraints or work patterns, you may find you drop behind within a few days, and soon you’ll lose the motivation to write at all. Keep your resolutions (or goals) within your usual habits and you’ll find it easier to keep going.
3) Your resolutions don’t have to be time dependent
We always think our resolutions have to run from January to December but that’s highly unrealistic – we have no way of knowing where we’ll be twelve months from now. So why not set quarter resolutions? Maybe you’ll set yourself a particular word count to hit between now and the end of March. If you hit it with ease, you can raise it for the end of June, and so on. If you can’t hit it, then you can always reduce your count for the next one until it’s manageable.
4) Think beyond the resolution
Try setting yourself an additional goal beyond the resolution itself – in psychological terms, link situations with actions. So you might reword your resolution from “I will finish my book and send it to an agent” to “If I complete my novel and receive positive beta feedback, then I will start sending it to agents”. It breaks the resolution down into manageable stages and gives you something to do when you've actually fulfilled the resolution. The end action also gives you an extra incentive.
5) Form a habit
Remember that you’re essentially trying to form a new habit by forming a resolution, and the only way for something to really become a habit is if you do it! Sit down, start typing, or researching – whatever it is you need to do to make your resolution a reality. The more regularly you do it, the better a chance you stand at actually making your resolution stick. Your resolution might be to write more, and you might have a spare ten minutes at lunch time, so maybe you might want to write 500 words every lunchtime. So get on and do it.
What are your resolutions - and have you broken them already?
Friday, 4 January 2013
#FridayFlash - The Supplicant
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The shrine to Beseda lay deep in the bowels of the Underground City. It could only be reached by a twisting staircase that cut its way through layers of black and grey rock, a staircase frequently blocked by the sheer number of supplicants trying to enter or leave the shrine. Its lack of natural light made time irrelevant in the Underground City, and traffic to the shrine was almost constant. However, Arabella determined that many of the slum dwellers would be packed into taverns and other drinking dens on the Feast of Rogues. As a result, the staircase to the shrine was mercifully quiet as she picked her way down the steps towards the hallowed doors.
She slipped between the iron gates and padded along the hallway towards the inner sanctum. There were no guards, for everyone guarded the shrine in their own way, and the priests were more fierce than anyone the City could appoint. Arabella clutched her meagre offering and bit her lip - would it be enough? She hoped that sincerity would hold more weight than quantity when it came to matters of supplication.
Arabella ducked under the low beam and stepped inside the shrine. Priests sat in alcoves set into the walls of the circular room, bent over scrolls or tablets. Only one looked up as she entered, and after passing a disinterested gaze over her, he returned to his work. Arabella took that as an invitation to enter fully, and she ventured further into the shrine. The centre of the room was dominated by a tall statue of a slender woman, arms held aloft as her owl wings curved around her body for either protection or modesty - the priests could not decide. Two long, elegant feathers formed eyebrows, and talons tipped her fingers and toes. A range of offerings occupied the plinth at her feet, with prayers written in either childish handwriting or simple pictures.
Arabella knelt before the giant statue of Beseda, the owl princess deity of vulnerable women and legal affairs. She placed her bedraggled bunch of liberated nightblooms on the plinth and bowed her head. She kept her voice low so as not to disturb the priests in their work, or indeed to provide them with new subjects for idle gossip.
“Lady Beseda, I need your help. I know I don’t come often but that’s ‘cause I don’t like to bother you none. But right now I can’t do much more on my own. I tried to be good, see, I tried to do what I were told, and I tried to always take each beatin’ with a smile in my heart, but it ain’t no good.”
Her fingers strayed to the array of bruises on her left arm, fresh purple flowers amid blooms of dull brown and vicious yellow. The words that accompanied each blow were like daggers to the heart, imprinted on her mind like hieroglyphs of pain.
“I never wanted to marry him in the first place but Mama said I had to leave, give her more food for the rest o’ the family. She knows he hits me, but she says I must deserve it.”
A stray tear escaped and slid down Arabella’s cheek, tracing the faint shadow of an old bruise usually hidden by her curtain of hair. Her husband didn’t hit her face any more; he wouldn’t be able to sell her to the men at the tavern if she looked damaged.
“I know what he’s got planned for me, and I don’t want no part of it. I’ve only got a few days until my cycle ends, and then…”
Arabella sniffed back another tear. She closed her eyes and continued her prayer to Beseda inside her head. The priests, recognising true need, left the weeping young woman alone in the shrine. However, Arabella was not quite alone. Something soft brushed her face, and she opened her eyes to see a long white feather, spotted with black, lying on the plinth on top of her bunch of nightblooms. Better yet, a small glass vial stood beside the feather.
Arabella snatched up the gifts and threw her arms around the legs of the statue. She smothered the cold stone with kisses, and her words of gratitude tumbled out in a rush. She slipped the vial and the feather into her pockets and bolted out of the shrine, almost colliding with the priests in her hurry to leave.
The young woman thought of the gifts as she scrambled up the twisting staircase, the flaming torches throwing flickering shadows across the walls. She smiled; everyone knew that owl tears were poisonous. The vial contained either release or retribution, depending on how she used it.
“And the feather will take the sting away,” she sang as she climbed.
Praise be to Beseda…
This story is set in the Underground City, part of the universe for my dark fantasy/horror novella, The Necromancer's Apprentice. Two of the other stories so far are The Vault of Lost Voices, and The Fishwives.
The shrine to Beseda lay deep in the bowels of the Underground City. It could only be reached by a twisting staircase that cut its way through layers of black and grey rock, a staircase frequently blocked by the sheer number of supplicants trying to enter or leave the shrine. Its lack of natural light made time irrelevant in the Underground City, and traffic to the shrine was almost constant. However, Arabella determined that many of the slum dwellers would be packed into taverns and other drinking dens on the Feast of Rogues. As a result, the staircase to the shrine was mercifully quiet as she picked her way down the steps towards the hallowed doors.
She slipped between the iron gates and padded along the hallway towards the inner sanctum. There were no guards, for everyone guarded the shrine in their own way, and the priests were more fierce than anyone the City could appoint. Arabella clutched her meagre offering and bit her lip - would it be enough? She hoped that sincerity would hold more weight than quantity when it came to matters of supplication.
Arabella ducked under the low beam and stepped inside the shrine. Priests sat in alcoves set into the walls of the circular room, bent over scrolls or tablets. Only one looked up as she entered, and after passing a disinterested gaze over her, he returned to his work. Arabella took that as an invitation to enter fully, and she ventured further into the shrine. The centre of the room was dominated by a tall statue of a slender woman, arms held aloft as her owl wings curved around her body for either protection or modesty - the priests could not decide. Two long, elegant feathers formed eyebrows, and talons tipped her fingers and toes. A range of offerings occupied the plinth at her feet, with prayers written in either childish handwriting or simple pictures.
Arabella knelt before the giant statue of Beseda, the owl princess deity of vulnerable women and legal affairs. She placed her bedraggled bunch of liberated nightblooms on the plinth and bowed her head. She kept her voice low so as not to disturb the priests in their work, or indeed to provide them with new subjects for idle gossip.
“Lady Beseda, I need your help. I know I don’t come often but that’s ‘cause I don’t like to bother you none. But right now I can’t do much more on my own. I tried to be good, see, I tried to do what I were told, and I tried to always take each beatin’ with a smile in my heart, but it ain’t no good.”
Her fingers strayed to the array of bruises on her left arm, fresh purple flowers amid blooms of dull brown and vicious yellow. The words that accompanied each blow were like daggers to the heart, imprinted on her mind like hieroglyphs of pain.
“I never wanted to marry him in the first place but Mama said I had to leave, give her more food for the rest o’ the family. She knows he hits me, but she says I must deserve it.”
A stray tear escaped and slid down Arabella’s cheek, tracing the faint shadow of an old bruise usually hidden by her curtain of hair. Her husband didn’t hit her face any more; he wouldn’t be able to sell her to the men at the tavern if she looked damaged.
“I know what he’s got planned for me, and I don’t want no part of it. I’ve only got a few days until my cycle ends, and then…”
Arabella sniffed back another tear. She closed her eyes and continued her prayer to Beseda inside her head. The priests, recognising true need, left the weeping young woman alone in the shrine. However, Arabella was not quite alone. Something soft brushed her face, and she opened her eyes to see a long white feather, spotted with black, lying on the plinth on top of her bunch of nightblooms. Better yet, a small glass vial stood beside the feather.
Arabella snatched up the gifts and threw her arms around the legs of the statue. She smothered the cold stone with kisses, and her words of gratitude tumbled out in a rush. She slipped the vial and the feather into her pockets and bolted out of the shrine, almost colliding with the priests in her hurry to leave.
The young woman thought of the gifts as she scrambled up the twisting staircase, the flaming torches throwing flickering shadows across the walls. She smiled; everyone knew that owl tears were poisonous. The vial contained either release or retribution, depending on how she used it.
“And the feather will take the sting away,” she sang as she climbed.
Praise be to Beseda…
* * *
This story is set in the Underground City, part of the universe for my dark fantasy/horror novella, The Necromancer's Apprentice. Two of the other stories so far are The Vault of Lost Voices, and The Fishwives.
Thursday, 3 January 2013
[Book Review] Outlaw
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Anyone who knows me will know that I have a fondness for Westerns, and those written by Matthew Pizzolato are no exception. I welcomed him over to the Blunt Pencil back in October for an interview in which Matt discusses the challenges of marketing Westerns, so to help with that marketing, I want to put up my review for his latest novella, Outlaw.
Outlaw tells the story of the bad boy outlaw, Wesley Quaid, who rides into the sleepy town of Leeville, Kansas, in the hope that he can lie low in an effort to escape his reputation in Texas. You can't keep a good outlaw down, and soon Quaid is checking out the bank with the intention of pulling a heist. Things don't go according to plan since he gets his eye on the pretty bank clerk, Colleen, and soon he's struggling with his feelings for her, as well as becoming embroiled in a turf war with the hot-headed son of the local ranch owner. If that's not enough, he's also been made deputy marshal, he's got a thing with the hot woman who runs the saloon, and he's being tailed by a shadowy assassin named Sabrina...
I give you that much of the plot as an indication of how fast-paced this novella is. Pizzolato's writing is tight and the narrative unfurls at a swift pace, with plenty going on to make this an action-packed story. Casting an outlaw as your hero takes a lot of guts, and Quaid is more of a likeable rogue than a vicious bad guy. He'll give as good as he gets, but he doesn't pick fights with people unless he needs to. The setting feels plausible, and at no point did I feel like I'd been thrown out of the story. I would have liked to have seen more character development, as well as a little more back story for Sabrina, but hey, that's what other novellas are for, right?
Outlaw is a quick but tight read, and I thoroughly enjoyed it. I'll be looking forward to more of Wesley Quaid's adventures.
Four blunt pencils out of five!
You can buy it for the Kindle from Amazon US or Amazon UK, and it's also available in paperback.
Outlaw tells the story of the bad boy outlaw, Wesley Quaid, who rides into the sleepy town of Leeville, Kansas, in the hope that he can lie low in an effort to escape his reputation in Texas. You can't keep a good outlaw down, and soon Quaid is checking out the bank with the intention of pulling a heist. Things don't go according to plan since he gets his eye on the pretty bank clerk, Colleen, and soon he's struggling with his feelings for her, as well as becoming embroiled in a turf war with the hot-headed son of the local ranch owner. If that's not enough, he's also been made deputy marshal, he's got a thing with the hot woman who runs the saloon, and he's being tailed by a shadowy assassin named Sabrina...
I give you that much of the plot as an indication of how fast-paced this novella is. Pizzolato's writing is tight and the narrative unfurls at a swift pace, with plenty going on to make this an action-packed story. Casting an outlaw as your hero takes a lot of guts, and Quaid is more of a likeable rogue than a vicious bad guy. He'll give as good as he gets, but he doesn't pick fights with people unless he needs to. The setting feels plausible, and at no point did I feel like I'd been thrown out of the story. I would have liked to have seen more character development, as well as a little more back story for Sabrina, but hey, that's what other novellas are for, right?
Outlaw is a quick but tight read, and I thoroughly enjoyed it. I'll be looking forward to more of Wesley Quaid's adventures.
Four blunt pencils out of five!
You can buy it for the Kindle from Amazon US or Amazon UK, and it's also available in paperback.
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Wednesday, 2 January 2013
So, 2013, we meet at last...
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I asked the question on Twitter a few days ago about whether or not I should restrict myself to talking about writing, design and so on, or whether people would like to see more posts that express me as a person. I'm not very good at talking about myself on my blog, but I can't help thinking that solely featuring posts about writing, or arty things, may be a little 'dry'. A few people asked me to do both, so I figured now was as good a time as any to do a more 'personal' post, as I discuss how the holidays have gone!
It's been wonderful to have time off work, time that I've been able to spend relaxing (something with which I often have some difficulty), and doing work for my PhD (on which I've fallen behind a bit of late). I don't often feel that I have the time to sit and unwind, since I always have a lot of things I should be doing instead of relaxing. I also had a very good Christmas, receiving books that are both useful and interesting (Kim Newman's Nightmare Movies, a Boris Karloff biography, and a book on the English Civil War), DVDs, and Nintendo DS games that should keep me out of mischief. I even found time to do a spot of baking, producing one of my now infamous chocolate orange loaf cakes and a collection of ninjabread men for Christmas Day.
What are ninjabread men, I hear you ask. Well, they're gingerbread men made using my ninja cookie cutters! I had a lot of fun decorating them with icing pens as well, and I've included some photos below. Cool, aren't they?
They were also incredibly delicious and I'll no doubt make them again in future. I have some dinosaur cutters that I want to try so you never know, I might feature a gingersaurus or something within the next few months.
For New Year, I originally went to my best friend's house party but a killer headache (and a problem with my shoulder that makes it painful to breathe) forced me home early, so I saw in the New Year with my parents. I was also my family's First Foot for the year, which is a somewhat archaic tradition that we follow in order to welcome the new year. In Scottish and Northern English folklore, the First Foot is whoever is first to enter the house in the new year, bringing with them good fortune (allegedly). First-footers must leave the house before midnight, and return after midnight, bringing with them a collection of 'gifts'. In our house, it's a silver coin (to symbolise prosperity), a piece of food (to ensure continuing food), a box of matches (to bring warmth) and a drink (usually whisky though I've been known to toast the new year with cranberry juice. First footers are supposed to be tall, dark-haired men, but I've done it before, and I'm doing it again. Other countries, or even parts of the UK, have different traditions, but that's how we do things at Castle Sedgwick.
I posted last week about looking back over 2012, and looking forward over 2013, and I did say my main goals were related to fiction projects, my PhD and things at work. Having said all of that, I also decided to make some creative resolutions, and I've decided that my goals for the year are to;
It may sound like a lot to work through, but I've been reading more than a book a month for 2012 anyway so it is simply continuing that work, and writing a hundred words, be it on an existing project or just as a vignette, shouldn't be too difficult as again, I've been doing it anyway. Producing an image, be it a drawing or a photo, should be easy as I pretty much did that anyway for the latter half of 2012! As far as the cinema goes, it largely depends on what is released, but I let my cinema blog fall by the wayside last year, and I'd like to feature more content on it. Being a film academic should be incentive enough but I'm hoping to have more free time after April to make producing content a little easier.
So now I've said all that...how about you?
I asked the question on Twitter a few days ago about whether or not I should restrict myself to talking about writing, design and so on, or whether people would like to see more posts that express me as a person. I'm not very good at talking about myself on my blog, but I can't help thinking that solely featuring posts about writing, or arty things, may be a little 'dry'. A few people asked me to do both, so I figured now was as good a time as any to do a more 'personal' post, as I discuss how the holidays have gone!It's been wonderful to have time off work, time that I've been able to spend relaxing (something with which I often have some difficulty), and doing work for my PhD (on which I've fallen behind a bit of late). I don't often feel that I have the time to sit and unwind, since I always have a lot of things I should be doing instead of relaxing. I also had a very good Christmas, receiving books that are both useful and interesting (Kim Newman's Nightmare Movies, a Boris Karloff biography, and a book on the English Civil War), DVDs, and Nintendo DS games that should keep me out of mischief. I even found time to do a spot of baking, producing one of my now infamous chocolate orange loaf cakes and a collection of ninjabread men for Christmas Day.
What are ninjabread men, I hear you ask. Well, they're gingerbread men made using my ninja cookie cutters! I had a lot of fun decorating them with icing pens as well, and I've included some photos below. Cool, aren't they?
The ninjabread men before...
After...
Close up!
They were also incredibly delicious and I'll no doubt make them again in future. I have some dinosaur cutters that I want to try so you never know, I might feature a gingersaurus or something within the next few months.
For New Year, I originally went to my best friend's house party but a killer headache (and a problem with my shoulder that makes it painful to breathe) forced me home early, so I saw in the New Year with my parents. I was also my family's First Foot for the year, which is a somewhat archaic tradition that we follow in order to welcome the new year. In Scottish and Northern English folklore, the First Foot is whoever is first to enter the house in the new year, bringing with them good fortune (allegedly). First-footers must leave the house before midnight, and return after midnight, bringing with them a collection of 'gifts'. In our house, it's a silver coin (to symbolise prosperity), a piece of food (to ensure continuing food), a box of matches (to bring warmth) and a drink (usually whisky though I've been known to toast the new year with cranberry juice. First footers are supposed to be tall, dark-haired men, but I've done it before, and I'm doing it again. Other countries, or even parts of the UK, have different traditions, but that's how we do things at Castle Sedgwick.
I posted last week about looking back over 2012, and looking forward over 2013, and I did say my main goals were related to fiction projects, my PhD and things at work. Having said all of that, I also decided to make some creative resolutions, and I've decided that my goals for the year are to;
- Read and review at least one fiction book every month,
- Go to the cinema and review at least one film every month,
- Write 100 words every day,
- Produce an image of some form every day.
It may sound like a lot to work through, but I've been reading more than a book a month for 2012 anyway so it is simply continuing that work, and writing a hundred words, be it on an existing project or just as a vignette, shouldn't be too difficult as again, I've been doing it anyway. Producing an image, be it a drawing or a photo, should be easy as I pretty much did that anyway for the latter half of 2012! As far as the cinema goes, it largely depends on what is released, but I let my cinema blog fall by the wayside last year, and I'd like to feature more content on it. Being a film academic should be incentive enough but I'm hoping to have more free time after April to make producing content a little easier.So now I've said all that...how about you?
Labels:
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new year,
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Friday, 28 December 2012
#FridayFlash - Lost Child
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They do say that a picture is worth a thousand words, and if Hemingway could get away with writing a story that's just six words long, then why not tell a flash using a picture and a single line of dialogue?
They do say that a picture is worth a thousand words, and if Hemingway could get away with writing a story that's just six words long, then why not tell a flash using a picture and a single line of dialogue?
Labels:
cartoons,
creative writing,
flash fiction,
friday flash
Thursday, 27 December 2012
2012 or 2013?
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Everyone else appears to be doing reviews of 2012, and for a while, I did think about dissecting the year using various typical headings. Problem was, I couldn't remember what books I'd read this year (or what I'd read in 2011), and I couldn't remember all of the films I'd seen in 2012. Thinking back on it all, I simply depressed myself because this year has not been particularly great. I've had two break ups, countless other difficulties with interpersonal relationships, other needless hassle, and not a lot of success in the writing department - basically, I didn't have time to write as much as I'd have liked since I had other, more pressing, demands on my time. While yes, I celebrated the first anniversary of publication of The Guns of Retribution, and I did complete the first version of The Necromancer's Apprentice which is currently with the beta readers, I didn't really have time to do any more and that as rather depressed me. However, I did have a few stories appearing in various anthologies, and I've done well on the PhD front. I think the best part of the year was easily my trip to Venice in the summer, which inspired a scattering of Friday flashes (the photo is me in the Piazza San Marco in front of the Basilica, with the Campanile to the right).
So instead of looking back across the year that was, I'm going to look forward to the year that will be. I don't do resolutions, and haven't done so for a very long time, but I am going to set myself some goals instead - goals are things you would like to reach, while resolutions are things you will do, and unfortunately my temperament tends to skitter away from things I must do in favour of things I want to do, rendering the implementation of resolutions somewhat problematic. So in 2013, I intend to complete at least one more writing project next year, be it another novella or a full-length novel, as well as hopefully putting out another anthology of short stories. I've got plenty of ideas for novels so that shouldn't be an issue...so long as I manage to find the time! I've been outlining towards the end of this year so I've got plenty to start on when I've finished editing my Fowlis Westerby novel. Once I've got the structural outline in place I tend to find it easier to 'fill in the gaps', so to speak.
Away from writing fiction, I also intend to keep working on my digital art, as well as working hard towards my PhD. I've got two essays to plan and write for possible inclusion in anthologies, and with the literature review and historical context chapters out of the way, I'll be able to get my teeth into the main 'meat' of my thesis. I'm actually really looking forward to it, and I'm extremely lucky to have chosen such a wide-ranging set of topics, making the research a pleasure as opposed to a chore. I finish my teacher training course in May, which should free me up to devote my time to other pursuits. Whether that's blogging, writing, knitting, drawing or something else I haven't yet taken up as a hobby, I don't know yet, but it'll be lovely to have the time to choose!
All I will say in closing is thank you to anyone who has bought a copy of one of my books this year, because if people didn't buy them I'd give serious thought to just quitting this mad business altogether.
Everyone else appears to be doing reviews of 2012, and for a while, I did think about dissecting the year using various typical headings. Problem was, I couldn't remember what books I'd read this year (or what I'd read in 2011), and I couldn't remember all of the films I'd seen in 2012. Thinking back on it all, I simply depressed myself because this year has not been particularly great. I've had two break ups, countless other difficulties with interpersonal relationships, other needless hassle, and not a lot of success in the writing department - basically, I didn't have time to write as much as I'd have liked since I had other, more pressing, demands on my time. While yes, I celebrated the first anniversary of publication of The Guns of Retribution, and I did complete the first version of The Necromancer's Apprentice which is currently with the beta readers, I didn't really have time to do any more and that as rather depressed me. However, I did have a few stories appearing in various anthologies, and I've done well on the PhD front. I think the best part of the year was easily my trip to Venice in the summer, which inspired a scattering of Friday flashes (the photo is me in the Piazza San Marco in front of the Basilica, with the Campanile to the right).
So instead of looking back across the year that was, I'm going to look forward to the year that will be. I don't do resolutions, and haven't done so for a very long time, but I am going to set myself some goals instead - goals are things you would like to reach, while resolutions are things you will do, and unfortunately my temperament tends to skitter away from things I must do in favour of things I want to do, rendering the implementation of resolutions somewhat problematic. So in 2013, I intend to complete at least one more writing project next year, be it another novella or a full-length novel, as well as hopefully putting out another anthology of short stories. I've got plenty of ideas for novels so that shouldn't be an issue...so long as I manage to find the time! I've been outlining towards the end of this year so I've got plenty to start on when I've finished editing my Fowlis Westerby novel. Once I've got the structural outline in place I tend to find it easier to 'fill in the gaps', so to speak.
Away from writing fiction, I also intend to keep working on my digital art, as well as working hard towards my PhD. I've got two essays to plan and write for possible inclusion in anthologies, and with the literature review and historical context chapters out of the way, I'll be able to get my teeth into the main 'meat' of my thesis. I'm actually really looking forward to it, and I'm extremely lucky to have chosen such a wide-ranging set of topics, making the research a pleasure as opposed to a chore. I finish my teacher training course in May, which should free me up to devote my time to other pursuits. Whether that's blogging, writing, knitting, drawing or something else I haven't yet taken up as a hobby, I don't know yet, but it'll be lovely to have the time to choose!
All I will say in closing is thank you to anyone who has bought a copy of one of my books this year, because if people didn't buy them I'd give serious thought to just quitting this mad business altogether.
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