Friday, 20 April 2012

Friday Flash - Collision

Darla stepped into the street, pulling the door closed behind her. The impact shook free flakes of red paint that drifted to the ground like bloody dandruff. She hugged her thin coat closer to her, but the evening chill sent freezing fingers exploring beneath the cheap fabric. Within moments, the damp air turned her groomed blonde bob into a pale cloud of fluff.

Darla glared at the puddles amid piles of dirty snow and thought of the long night ahead. All of the covered pitches on Seventh Street would be gone by now, snapped up by those girls who got there early enough to ply their trade below awnings or porches. No, Darla would spend the evening trying to look enticing while freezing on a street corner.

Not that anyone will be buying tonight, she thought.

She set off in the direction of Seventh Street, hoping that some of the Artisan Quarter's inhabitants might be seeking muses, if only for a night. They were always fun to be around.

Footsteps rang out in the street - sharp heels on concrete. Darla peered through the haze of steady drizzle, expecting to see another streetwalker heading her way. Perhaps she might see one of the elegant ladies of Carlington Square, slumming it in Barshton with a rough dockworker, their illicit 'bit on the side'. The other girls told her tales of these legendary predators, out at play while their husbands worked late, but Darla had never seen one. As far as she knew, no one had - they just knew the stories.

The street was empty in both directions, yet still the stillettoes approached, growing louder with every step. Darla paused, teeth digging into her plump red lip. The footsteps came towards her from Fifth Street.

And I need to go that way.

Darla considered stepping backwards into the doorway of the pawn shop, and waiting until the footsteps passed. Out in the darkness, a clock chimed the hour, the deep toll of the bell carrying all the way from the Cathedral District. Darla swore under her breath. She didn't have time to wait.

The heels were right beside her. Darla turned aside, expecting them to pass her, and continue down the street. Something collided with her, pushing her aside. She stumbled forwards, falling toward the doorway. She put out her hands to break her fall, and grabbed the rotting doorframe of the shop.

A sharp snort broke the silence, and the footsteps resumed their quick march into the darkness. Darla clung to the doorframe until only their echo remained.

"That was one of them," said a voice at her feet.

Darla looked down to see the head of a homeless man poke out from beneath a damp pile of newspapers in the doorway. He looked at her with bleary eyes.

"One of what?" asked Darla.

"The Ladies."

Darla stared down the street. Only steady rain and boarded up shops stretched away from her.

* * *

Mrs Nash took two steps backwards and put her arms out to keep her balance. She looked around to see what blocked her path, expecting to see an elderly blind woman, bent double from her years of toil. Perhaps she'd collided with one of the Barshton street sellers, screened from view by a veil of rain. She saw neither, only a homeless man asleep in a doorway.

She snorted. You'd never find a homeless man in Carlington Square, but then you couldn't expect much better from the sort of riff raff you'd encounter in Barshton. Only in Barshton would you find an entire street that sold nothing but women.

Speaking of riff raff, Mrs Nash set off down the street. According to Mrs Phillips, there was a particular bar on the next block, and it would no doubt be filled with any number of local ruffians. Mrs Phillips described a particular young man who enjoyed a taste of the finer things in life.

Mrs Nash allowed herself a smirk as she adjusted her pearl necklace and set off at a brisk walk, eager to make the acquaintance with the lowlifes of Barshton.

Wednesday, 18 April 2012

[Book Review] The Adventures of Cash Laramie and Gideon Miles Vol. II

Way back in December I posted my review of The Adventures of Cash Laramie and Gideon Miles, a collection of seven short stories set in the old West. Given how much I enjoyed the first collection, it was hardly surprising that I would also buy the second collection, entitled simply The Adventures of Cash Laramie and Gideon Miles Vol. II.

Edward Grainger starts proceedings with The Origins of White Deer, the longest piece in the book, which explains the origins of our adopted Arapaho hero, Cash Laramie. Written in a somewhat different style from the other stories, it contrasts Laramie's background among the tribe wonderfully and adds a new dimension of depth to the tough lawman. It would be all-too-easy for Laramie to descend into parody, or preachiness, but this particular story gives a new backdrop to his brand of outpost law.

The other six stories in the collection are just as riveting, pitting Laramie against the harsh realities of life in nineteenth century Cheyenne. Prejudice and race relations again are rife in these adventures, particularly where Laramie's partner, Gideon Miles are concerned. Miles in particular is a favoured character of mine, and his gentle humour contrasts nicely with Laramie's flinty outlook.

There is something incredibly cinematic about these tales, and Grainger doesn't feel the need to throw page after page of lush description at his reader in order for them to see what Laramie sees, and hear the world around him. This is the old West through a wide angle lens, somehow both epic in scope, yet deeply personal at the same time. That's no mean feat to pull off, but just goes to show what a talented writer Grainger is.

Writing Westerns myself might leave me open to accusations of being biased towards Grainger's work (although you'd never level the same accusation at a horror writer reviewing a Stephen King book) but I really think that Cash Laramie and Gideon Miles are the perfect pair to bring Westerns back from the brink, and re-establish them as modern myths based on an all-too-real period of history.

Five blunt pencils out of five!

Available from Amazon US for $1.23 or Amazon UK for 77p!

Monday, 16 April 2012

Photo Prompt 81

New prompt available!

If you want to use the prompt, all I ask is that you include a link to this entry and a credit to me for the photograph, and that you post a link to your story in the comments box below so I can see what you've come up with! If you don't comment on this entry, then I can't comment on your story.

The 81st prompt is Broken Road.


All photo prompts are my own photography - you can find more of it on Flickr. You can also buy my prints from Deviantart. 20% of all proceeds go to charity - the other 80% go towards my PhD fees!

Sunday, 15 April 2012

Writing with Evernote

Ask any writer what they use to write and you'll probably get as many answers as you do writers. Scrivener, yWriter, notebook and pen, napkin and pen, chalkboard, typewriter, Write or Die, Word...there are a dizzying array of programs or implements available to any writer, and it's usually pretty much a case of trial and error to find out what works for you. For example, I often write story outlines by hand in a notebook, and then write out a loose skeleton in Notepad on my laptop, which is fleshed out into a story in Word. I'm also experimenting with Scrivener's trial version for my next project to see if that's any better/different. So far I like it, but that's another post for another time.

But if you asked me how I wrote my most recent Friday Flash, a horror monologue entitled Regular Guy, I'd tell you very simply that I used Evernote. I've mentioned Evernote in passing before, but if you've never used it, it's an app that allows you to record notes etc. in separate notebooks according to their contents. I have it on my phone and my laptop, so if I'm lying in bed and get a story idea, I can type it into a new note in the Fiction notebook I've set up. When I'm next on my laptop, I open Evernote, it syncs with my account, and the story idea note that I saved is accessible from my laptop. I copy and paste the content into Word and away I go.

I use Evernote for all sorts. I've got a notebook containing ideas and half-written blog posts, another for fiction ideas, another for book ideas (that's also where I work through the ideas for works in progress), and I've got another one for things that occur to me related to my PhD (you'd be amazed how often random things pop into my head at the most inopportune moments). I used to type memos into my phone but that entailed copy-pasting the contents and emailing them to myself. Evernote makes it so much easier.

What's more notable is the fact that I wrote the whole of Regular Guy in Evernote at about 2am while I was in bed. I didn't need to get up to switch on my laptop, by which point the idea might have become muddy, or evaporated altogether. I didn't have to fumble around in the dark for a notebook and a pen that actually works. Plus I type a lot faster than I write by hand, even on a smartphone, and it's a lot easier for me to get the idea down, ready to be polished properly next time I'm on the computer.

However you do it, once you find a method that works for you, then great. But how about you? What tools do you use to write?

Friday, 13 April 2012

Friday Flash - Regular Guy

My name is Henry Carpenter and I am just a regular guy. I tell myself this for twenty minutes every morning, beginning at 8:02, and I repeat the mantra again at 6:36pm. If I tell myself this, I do not hurt people. If I don't...

An insurance salesman called at 6:34pm. I didn't realise what he was selling until it was too late - normally I don't even answer those calls. I hung up when I saw it was 6:38. I said my mantra all the same, but there was blood on my shoes the next morning, and a claw hammer was missing from my garage. I found it the same day the missing woman reports appeared. It was wrapped in plastic in the trunk of my car. The hammer, not the woman. They never found her. I always feel guilty about that. The remorseful part of myself wishes I could remember, so I could let someone know, and the families would have something to bury. But the remorseful part of me is weak, and I do not remember.

Eight months passed before the next incident. A power cut damaged my alarm clock and I slept beyond 8:02am. The next day, a man went into an underground parking lot, but he didn't come out. That night, I couldn't find my straight razor. I didn't look very hard for it. They never found the man or the razor, and eventually people said he simply ran away with a secret lover. I do not remember what happened but I doubt that is true.

Four months later, I was on a business flight to Europe. The time zones threw my system out of line. I woke up in a strange hotel with a corpse at my side. Bleached blonde hair, blackened green eyes - not my usual type. The remorseful part of me wanted to report it - that was the first time I'd been faced with what I'd done. Instead, I slipped out of the hotel and disappeared into the early morning shadows. I told myself that no one would miss a prostitute. As far as I know, no one did.

These incidents keep happening. I say my mantra for weeks or even months at a time and all is well. But real life has a habit of breaking a pattern. I have moved three times over the last year. I meet people in bars and they ask me why I move around a lot. I tell the men that I am escaping from bad women. They laugh, and welcome me into their circle. I tell the women that I am a restless nomad, always wandering, and searching. They cluck and fuss, and seek to be what they think I need. I am sure I have left behind more than bad memories and broken hearts - I simply don't let myself remember.

I do not know why I am telling you this. None of it really matters because, like you, I am just a regular guy.

I could be anyone you know.

Tuesday, 10 April 2012

Post Marked: Piper's Reach Blog Tour

I love playing host to other writers here at the Blunt Pencil, and today I'm throwing open the doors to an ambitious antipodean pair, Jodi Cleghorn and Adam Byatt. The duo are aiming to resurrect the art of letter writing through serial fiction, but I'll let them explain the project! "Post Marked: Piper’s Reach is an ambitious organic narrative collaborative project between Jodi Cleghorn and Adam Byatt traversing an odd path between old and new forms of communication, differing modalities of storytelling and mixed media, all played out in real and suspended time."

The official blurb reads thus;

In December 1992 Ella-Louise Wilson boarded the Greyhound Coach for Sydney leaving behind the small coastal town of Piper’s Reach and her best friend and soulmate, Jude Smith. After twenty years of silence, a letter arrives at Piper’s Reach reopening wounds that never really healed. When the past reaches into the future, is it worth risking a second chance?

So what do Jodi and Adam have to say for themselves?

1) How do you resist the urge to fill in backstory by having characters remind each other of things they already know?
(JC) In short we don’t! The two decades silence serve as permission for them to remind each other of things... some remembered, some forgotten (like who hurled down Jude’s back at the after formal party: Bart or Paul?) They retell their time together as a deconstruction of the past, sharing how they felt and thought about different events, revealing the side of their relationship they kept hidden from each other at the time. On one hand they are prompting, but it is juxtaposed with things never known.

(AB) A letter is perhaps the one form where backstory is integral to understanding the characters, their relationship and their current situation. The events of the past inform the present. As the characters replay significant events from their past, they focus on their perspective of that moment. The reader is able to understand each character’s perspective and point of view, what they focused on and why it is important to them, in the past and present.

2) Do you miss dialogue when writing fiction as letters?
(JC) Letters are really a delayed, one-sided conversation, so my inner dialogue addict hasn’t gone into withdrawals. I still hear the voices in my head—I hear Ella-Louise talking with her friends Ava and Matt (and their daughter Ellie). The voices thing only happened recently for this project and it’s more to do with Ella-Louise trying to sort out her feelings, about what she should say, and do and think about Jude in 2012. Ella-Louise’s ‘voice’ in my head is, more often than not, couched in the one-way communication of the letters, rather than an actual conversation.

(AB) As Jodi said, a letter is a one sided conversation. Dialogue allows for tics, idiosyncrasies and favourite expressions to be developed in the character. A letter is a concentrated version of a character’s idiosyncrasies. When writing Jude’s letters, I hear how he speaks and translate it to paper. He has a poetic feel to his writing and a letter allows it to speak through his recollections and how he remembers and reimagines the past.

(JC) There are tiny snippets of dialogue inserted - but it’s as narration of what is being said around the characters and how it makes the characters feel. It would stand out as appallingly contrived in a normal short story/novel, but I think it’s used sparingly and to good effect in both our letters.

3) The rise of e-mail has largely done away with writing letters. Do you agree this is a shame, since families can hardly pass on emails etc. to the next generation?
(AB) I have a foot firmly entrenched in both camps of the digital and the analogue. I love the immediacy of email, facebook and twitter; I can skype with my sister who lives in America. I can have conversations with people in via different web media in real time or over a couple of hours or even days.

(JC) All my old friends and I lament the digital age and the fall from grace of letter writing. While we love being able to see what each other is doing on Facebook, have instant access to photos, status updates and to comment on them... we miss receiving a letter: of making a cuppa, finding somewhere comfy to sit and escaping from life for a bit and of the mindfulness involved in finding paper, pen and the time to sit and write. We do still write though it tends to be a treat for birthdays and the occasional handwritten Christmas missive.

(AB) A letter requires thought, time and preparation. An email is quick and convenient. You can spend time on an email, but its impermanence doesn’t endow it with long-term meaning. We have traded connection for convenience; the private for the public. We need to learn, and to teach, how to find the personal space and personal connection again.

4) Who was the last person you wrote to?
(JC) Ironically, Adam. And no, I’m not talking the scribbled post it note on the back of one of Ella-Louise’s letters. I was home sick a fortnight ago and was reading an essay on loss in the age of hyperconnectivity, which was followed by an intense discussion about connection/disconnection, quiet spaces. And running on the fuel of a pretty wicked fever, I had this moment of fearing I was dissolving into the page as Ella-Louise. My first and greatest love, letter writing, was being consumed by a fictional character.

So I sat and wrote a letter as me, then stressed for two days about having sent it because I had transgressed out of one intimate space and into another. Which is actually quite daft! I think we need to spend more time in these intimate spaces--with ourselves firstly, and then with others in the intense and private spaces afforded by letters.

(AB) I do not know who I last wrote to. It’s quite embarrassing to think I haven’t written someone a letter for such a long time. I leave notes for my wife from time to time, but she was probably the last person I actually wrote a letter to. I have recently seen a number of blogs advocating projects focused on letter writing. It’s a wonderful example of the immediacy of the digital age allowing a reconnection with the beauty and intimacy of the past.

* * *

Thanks to Jodi and Adam for stopping by.  You can find out more about the project here and meet the authors here. Follow the blog tour schedule at http://postmarkedpipersreach.wordpress.com.

Monday, 9 April 2012

Photo Prompt 80

New prompt available!

If you want to use the prompt, all I ask is that you include a link to this entry and a credit to me for the photograph, and that you post a link to your story in the comments box below so I can see what you've come up with! If you don't comment on this entry, then I can't comment on your story.

The 80th prompt is Butterfly.


All photo prompts are my own photography - you can find more of it on Flickr. You can also buy my prints from Deviantart. 20% of all proceeds go to charity - the other 80% go towards my PhD fees!